- July 21, 1915
- April 27, 2009 (aged 93)
- Bangalore, India
- Producer and writer
- 4 on MovieCove · 15 credits in all
What are Vivian Cox's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 2 · Serious 2 · Dark 0
Grounded 3 · Stylized 1 · Heightened 0
Gentle 2 · Charged 2 · Intense 0
Steady 4 · Shifting 0 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 2
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
Easy watch 3 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Vivian Cox's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Vivian Cox's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 4 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
The Long Duel (not in the MovieCove catalog yet)(1967)
West 11 (not in the MovieCove catalog yet)(1963)
The Iron Maiden (not in the MovieCove catalog yet)(1963)
The Very Edge (not in the MovieCove catalog yet)(1963)
We Joined the Navy(1962)
Midcredits score: 27th percentile of all films
Two Way Stretch(1960)
Midcredits score: 74th percentile of all films
Watch Your Stern (not in the MovieCove catalog yet)(1960)
Deadly Record (not in the MovieCove catalog yet)(1959)
Bachelor of Hearts (not in the MovieCove catalog yet)(1958)
Lost (not in the MovieCove catalog yet)(1956)
Triple Deception(1956)
Midcredits score: 36th percentile of all films
The Prisoner (not in the MovieCove catalog yet)(1955)
Father Brown (not in the MovieCove catalog yet)(1954)
Tread Softly (not in the MovieCove catalog yet)(1952)
So Long at the Fair(1950)
Midcredits score: 82nd percentile of all films
Career shape
A full career of 12 titles from 1952 to 1967.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Vivian Cox's films land?
Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 56th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th2
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Broadly Agreed1
- Mixed1
Reviewers score the dialogue 58/100 and the plot and story 57/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Vivian Cox work with?
People who share at least 2 of Vivian Cox's MovieCove titles; Eugene Deckers shares the most, 2.
- Eugene DeckersShared titles: Triple Deception (1956), So Long at the Fair (1950)See all 2 shared titles with Eugene Deckers
