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MovieCove

Robert O. Crandall

Editor

Works as
Editor
Titles
24 on MovieCove · 36 credits in all

What are Robert O. Crandall's films like?

Across their 24 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 24 films
ToneFeelDemandtheir average · filled zone: the category

Light 20 · Serious 2 · Dark 2

Grounded 17 · Stylized 7 · Heightened 0

A split, not a type: Gentle 16 · Charged 7 · Intense 1

Steady 20 · Shifting 4 · Whiplash 0

Straight-faced 6 · Some laughs 14 · Funny 4

Slow burn 11 · Even-paced 12 · Relentless 1

Casual 21 · Engaged 3 · Full focus 0

Resolved 23 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Joyful
9
Thrilling
9
Hopeful
6
Absurd
5
Other
19

How their films end

  • Happy17
  • Bittersweet3
  • Tragic2
  • Ambiguous1
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert O. Crandall's films?

As of October 24, 2026, 19 of their 24 MovieCove titles stream on a subscription or free service, most on Tubi (15).

Subscription and free streaming for Robert O. Crandall's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

36 credits, 24 with a MovieCove page.

  • The Flying Saucer (not in the MovieCove catalog yet)(1950)

    Editor

  • Harpoon (not in the MovieCove catalog yet)(1948)

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  • Midcredits score: 15th percentile of all films (provisional, few ratings)
  • Untamed Fury(1947)

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    Midcredits score: 23rd percentile of all films (provisional, few ratings)
  • Midcredits score: 57th percentile of all films
  • Midcredits score: 62nd percentile of all films
  • Three Is a Family(1944)

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    Midcredits score: 14th percentile of all films (provisional, few ratings)
  • Midcredits score: 18th percentile of all films
  • Career Girl(1944)

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    Midcredits score: 21st percentile of all films
  • Dixie Jamboree(1944)

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    Midcredits score: 3rd percentile of all films
  • Trocadero(1944)

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    Midcredits score: 22nd percentile of all films
  • Jive Junction (not in the MovieCove catalog yet)(1943)

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  • Devil Riders(1943)

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    Midcredits score: 17th percentile of all films
  • Lucky Ghost(1942)

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    Midcredits score: 36th percentile of all films
  • Midcredits score: 7th percentile of all films
  • Mr. Celebrity (not in the MovieCove catalog yet)(1941)

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  • Emergency Landing(1941)

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    Midcredits score: 4th percentile of all films
  • Flying Blind(1941)

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    Midcredits score: 5th percentile of all films
  • Midcredits score: 3rd percentile of all films
  • Sunday Sinners (not in the MovieCove catalog yet)(1940)

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  • Mystery in Swing(1940)

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    Midcredits score: 17th percentile of all films
  • Midcredits score: 13th percentile of all films
  • Six-Gun Rhythm(1939)

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    Midcredits score: 13th percentile of all films (provisional, few ratings)
  • Rawhide(1938)

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    Midcredits score: 31st percentile of all films
  • Hollywood Round-Up (not in the MovieCove catalog yet)(1937)

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  • Park Avenue Logger(1937)

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    Midcredits score: 19th percentile of all films
  • Hollywood Cowboy(1937)

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    Midcredits score: 25th percentile of all films
  • Windjammer(1937)

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    Midcredits score: 23rd percentile of all films
  • The Border Patrolman (not in the MovieCove catalog yet)(1936)

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  • Teacher's Beau (not in the MovieCove catalog yet)(1935)

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  • Any Day in Hollywood (not in the MovieCove catalog yet)(1935)

    Director · Editor

  • Thunder Mountain(1935)

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    Midcredits score: 40th percentile of all films (provisional, few ratings)
  • The Circus Show-Up (not in the MovieCove catalog yet)(1932)

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  • 50 Million Frenchmen (not in the MovieCove catalog yet)(1931)

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  • Midcredits score: 62nd percentile of all films
  • Second Choice (not in the MovieCove catalog yet)(1930)

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Career shape

A full career of 26 titles from 1930 to 1950.

By role

only this rolewith another role
Directing1 of 26: 0 only directing, 1 with another roleEditing26 of 26: 25 only editing, 1 with another role · typical Midcredits score19th

By decade

1930s11 · crew1940s14 · crew1950s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Robert O. Crandall's films land?

Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 24; across their 24 films with reception data, the typical film sits in the 28th percentile for acclaim.

Acclaim · how much people like their films

28thpercentile
Typical film, the median of 24

Approval · how many liked their films

15thpercentile
Typical film, the median of 24

Reach · how many have seen their films

9thpercentile
Typical film, the median of 24

Midcredits score across 24 titles, by percentile

  • 50th to 74th3
  • 25th to 49th4
  • Below 25th17

Reviewers score the pacing 45/100 in their films, across 20 reviewed titles; fans 58, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Robert O. Crandall work with?

People who share at least 2 of Robert O. Crandall's MovieCove titles, grouped by what they did on them; Daniel Jarrett shares the most, 5.

Directors

Writers

Actors

Composers and cinematographers

Producers