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Peter Perry Jr.

Producer, editor and writer

Works as
Producer, editor and writer
Titles
3 on Motif · 22 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 24% in 30 days

What are Peter Perry Jr.'s films like?

Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Survival and Power.

Themes

share of theme weight
Survival
67%
Power
22%
Morality
11%
Survival3 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 2 · Serious 1 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 2 · Heightened 0

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 0 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 1 · Whiplash 1

Funny: How much of the runtime is played for laughs. Browse their funny movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 0 · Funny 2

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 1 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 1 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Absurd
2
Tense
3
Dread
1

How their films linger

Fun2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Perry Jr.'s films?

As of October 24, 2026, 1 of their 3 Motif titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Peter Perry Jr.'s titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 3 with a Motif page.

  • Sounds of Sex (not in the Motif catalog yet)(1985)

    Editor

  • Cathouse Fever (not in the Motif catalog yet)(1984)

    Editor

  • Cycle Vixens (not in the Motif catalog yet)(1978)

    Director

  • Hollywood High (not in the Motif catalog yet)(1976)

    Producer

  • The Joys of Jezebel (not in the Motif catalog yet)(1970)

    Director · Producer

  • The Notorious Cleopatra (not in the Motif catalog yet)(1970)

    Director · Producer

  • Horror of the Blood Monsters(1970)

    Editor

    Midcredits score: 3rd percentile of all films

  • Five Bloody Graves (not in the Motif catalog yet)(1969)

    Editor

  • Blood of Dracula's Castle(1969)

    Editor

    Midcredits score: 3rd percentile of all films

  • The Secret Sex Lives of Romeo and Juliet (not in the Motif catalog yet)(1969)

    Director · Producer

  • Lila (not in the Motif catalog yet)(1968)

    Editor

  • Mondo Mod (not in the Motif catalog yet)(1967)

    Director · Editor · Producer

  • The Notorious Daughter of Fanny Hill (not in the Motif catalog yet)(1966)

    Director

  • The Wonderful World of Girls (not in the Motif catalog yet)(1965)

    Director · Writer

  • Kiss Me Quick! (not in the Motif catalog yet)(1964)

    Director · Writer

  • My Tale Is Hot (not in the Motif catalog yet)(1964)

    Director · Producer · Writer

  • Knockers Up (not in the Motif catalog yet)(1963)

    Director

  • Mr. Peters' Pets (not in the Motif catalog yet)(1963)

    Director · Producer

  • Honeymoon of Terror (not in the Motif catalog yet)(1961)

    Director · Producer · Writer · as Garageman

  • Revenge of the Virgins (not in the Motif catalog yet)(1959)

    Director · Producer

  • Girl with an Itch (not in the Motif catalog yet)(1958)

    Executive Producer · Screenplay · Actor

  • The Flesh Merchant(1956)

    Associate Producer · Screenplay

    Midcredits score: 4th percentile of all films

Career shape

A full career of 22 titles from 1956 to 1985.

Highest rated

Blood of Dracula's Castle (1969)

Midcredits 3rd

Most popular right now

Horror of the Blood Monsters (1970)

By role

only this rolewith another role
Acting2 of 22: 0 only acting, 2 with another roleDirecting13 of 22: 3 only directing, 10 with another roleWriting6 of 22: 0 only writing, 6 with another roleProducing11 of 22: 1 only producing, 10 with another roleEditing7 of 22: 6 only editing, 1 with another role

22 titles, 12 with more than one role — directing and producing overlap on 8 of them.

By decade

1950s3 · 1 acting · 3 crew1960s12 · 1 acting · 12 crew1970s5 · crew1980s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Peter Perry Jr.'s films land?

Their typical Motif film has a Midcredits score in the 3rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 7th percentile for acclaim.

Acclaim · how much people like their films

7thpercentile
Typical film, the median of 3

Approval · how many liked their films

4thpercentile
Typical film, the median of 3

Reach · how many have seen their films

52ndpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • Below 25th3

Shape of the crowd

3 of their 3 titles are Mixed.

  • Mixed3

Most divisive · editor

Horror of the Blood Monsters (1970)

83rd percentile spread · 74% rated it 4 or lower

Most loved · writer, producer

The Flesh Merchant (1956)

Midcredits 4th · 16% liked

Reviewers score the pacing 32/100 in their films, across 3 reviewed titles; fans 47, detractors 23. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Peter Perry Jr. work with?

People who share at least 2 of Peter Perry Jr.'s Motif titles, grouped by what they did on them; Al Adamson shares the most, 2.

Directors

Actors

Editors