- December 22, 1948 (77)
- Director and producer
- 13 on MovieCove · 26 credits in all
What are Peter Crane's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 5
Light 0 · Serious 2 · Dark 4
Grounded 4 · Stylized 1 · Heightened 1
A split, not a type: Gentle 1 · Charged 2 · Intense 3
Steady 2 · Shifting 3 · Whiplash 1
Straight-faced 5 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 3 · Full focus 1
A split, not a type: Easy watch 1 · Affecting 2 · Heavy 3
Resolved 5 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet3
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Peter Crane's films?
As of October 24, 2026, 8 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Peter Crane's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 13 with a MovieCove page.
She and I (not in the MovieCove catalog yet)(2015)
Another Happy Day(2011)
Midcredits score: 45th percentile of all films
The Passion of Ayn Rand(1999)
Midcredits score: 39th percentile of all films
Lily Dale(1996)
Midcredits score: 16th percentile of all films
Cops n Roberts (not in the MovieCove catalog yet)(1995)
Coopersmith(1992)
Midcredits score: 47th percentile of all films (provisional, few ratings)
Supercarrier (not in the MovieCove catalog yet)(1988)
The New Alfred Hitchcock Presents (not in the MovieCove catalog yet)(1985)
Moonlighting(1985)
Midcredits score: 79th percentile of all shows
Murder, She Wrote(1984)
Midcredits score: 67th percentile of all shows
Cover Up (not in the MovieCove catalog yet)(1984)
Hunter(1984)
Midcredits score: 48th percentile of all shows
The Master (not in the MovieCove catalog yet)(1984)
The Initiation(1984)
Midcredits score: 29th percentile of all films
Masquerade (not in the MovieCove catalog yet)(1983)
Lottery! (not in the MovieCove catalog yet)(1983)
Voyagers!(1982)
Midcredits score: 86th percentile of all shows
Knight Rider(1982)
Midcredits score: 53rd percentile of all shows
Matt Houston (not in the MovieCove catalog yet)(1982)
Darkroom (not in the MovieCove catalog yet)(1981)
The Fall Guy(1981)
Midcredits score: 61st percentile of all shows
Hitch-Hike(1977)
Midcredits score: 74th percentile of all films
Moments (not in the MovieCove catalog yet)(1974)
Assassin(1973)
Midcredits score: 45th percentile of all films
Hunted (not in the MovieCove catalog yet)(1972)
In Search of Lebanon (not in the MovieCove catalog yet)(1970)
Career shape
A full career of 25 titles from 1970 to 2015.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Peter Crane's films land?
Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th6
- Below 25th1
Shape of the crowd
5 of their 13 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser5
- Broadly Agreed3
- Mixed3
Reviewers score the atmosphere 63/100 and the pacing 40/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Peter Crane's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Peter Crane work with?
People who share at least 2 of Peter Crane's MovieCove titles, grouped by what they did on them; Peter S. Fischer shares the most, 2.
Writers
- Peter S. FischerShared titles: Coopersmith (1992), Murder, She Wrote (1984)See all 2 shared titles with Peter S. Fischer
- William BigelowShared titles: Coopersmith (1992), Murder, She Wrote (1984)See all 2 shared titles with William Bigelow
Composers and editors
- David BellShared titles: Coopersmith (1992), Murder, She Wrote (1984)See all 2 shared titles with David Bell
- John C. HorgerShared titles: Coopersmith (1992), Murder, She Wrote (1984)See all 2 shared titles with John C. Horger
Producers
- Irwin MeyerShared titles: The Passion of Ayn Rand (1999), Lily Dale (1996)See all 2 shared titles with Irwin Meyer
- Linda Curran WexelblattShared titles: The Passion of Ayn Rand (1999), Lily Dale (1996)See all 2 shared titles with Linda Curran Wexelblatt
- Robert F. O'NeillShared titles: Coopersmith (1992), Murder, She Wrote (1984)See all 2 shared titles with Robert F. O'Neill
- Bruce LansburyShared titles: Murder, She Wrote (1984), The Initiation (1984)See all 2 shared titles with Bruce Lansbury
