Stephen Crawford
Cinematographer, also producer
- Cinematographer, also producer
- 14 on MovieCove · 15 credits in all
What are Stephen Crawford's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Morality.
Themes
What they feel like to watch
A split, not a type: Ironic 2 · Wry 1 · Earnest 1
Light 2 · Serious 1 · Dark 1
Grounded 1 · Stylized 3 · Heightened 0
A split, not a type: Gentle 1 · Charged 1 · Intense 2
Steady 1 · Shifting 2 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 2
Slow burn 0 · Even-paced 4 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Stephen Crawford's films?
As of October 24, 2026, 11 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (7).
Subscription and free streaming for Stephen Crawford's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 14 with a MovieCove page.
Woman of the Hour(2023)
Midcredits score: 65th percentile of all filmsDivide & Conquer (not in the MovieCove catalog yet)(2014)
Big Bad Wolf(2006)
Midcredits score: 24th percentile of all films
House of the Dead 2(2005)
Midcredits score: 5th percentile of all films
Vice Academy Part 6(1998)
Midcredits score: 5th percentile of all films
Vice Academy 5(1996)
Midcredits score: 6th percentile of all films
NYPD Blue(1993)
Midcredits score: 80th percentile of all shows
976-EVIL(1988)
Midcredits score: 17th percentile of all films
Dangerous Love(1988)
Midcredits score: 4th percentile of all films
Midcredits score: 1st percentile of all films
Ghoulies(1984)
Midcredits score: 5th percentile of all films
Bad Manners(1984)
Midcredits score: 38th percentile of all films
Separate Ways(1981)
Midcredits score: 5th percentile of all films
Roller Boogie(1979)
Midcredits score: 22nd percentile of all films
The Glove(1979)
Midcredits score: 21st percentile of all films
Career shape
A full career of 14 titles from 1979 to 2014.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Stephen Crawford's films land?
Their typical MovieCove film has a Midcredits score in the 6th percentile, the median of all 13; across a limited sample of 4 films with reception data, the typical film sits in the 19th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
- Below 25th11
Shape of the crowd
10 of their 14 titles are Mixed.
- Universally Panned2
- Crowd Pleaser2
- Mixed10
Reviewers score the cinematography 42/100 in their films, across 3 reviewed titles; fans 52, detractors 30. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Stephen Crawford's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Stephen Crawford work with?
People who share at least 2 of Stephen Crawford's MovieCove titles, grouped by what they did on them; Rick Sloane shares the most, 2.
Directors
- Rick SloaneShared titles: Vice Academy Part 6 (1998), Vice Academy 5 (1996)See all 2 shared titles with Rick Sloane
Actors
- Elizabeth KaitanShared titles: Vice Academy Part 6 (1998), Vice Academy 5 (1996)See all 2 shared titles with Elizabeth Kaitan
- Honey LaurenShared titles: Vice Academy Part 6 (1998), Vice Academy 5 (1996)See all 2 shared titles with Honey Lauren
- Jayne HamilShared titles: Vice Academy Part 6 (1998), Vice Academy 5 (1996)See all 2 shared titles with Jayne Hamil
- John Henry RichardsonShared titles: Vice Academy Part 6 (1998), Vice Academy 5 (1996)See all 2 shared titles with John Henry Richardson
Composers
- Alan DerMarderosianShared titles: Vice Academy Part 6 (1998), Vice Academy 5 (1996)See all 2 shared titles with Alan DerMarderosian
Producers
- T.L. LankfordShared titles: Vice Academy Part 6 (1998), Vice Academy 5 (1996)See all 2 shared titles with T.L. Lankford