
Laurence Criner
Actor · Born July 19, 1898 (128) · Waco, Texas, USA
In his time was considered one of the most popular Black actors of stage and screen from the 1920s to the early 1950s starring in close to 30 films. He started his career as one of the members of the famed acting group The Lafayette Players. In 1926, he first starred in independently produced silent productions "The Flying Ace" and "Black Gold." In 1927, he starred in legendary Black film-maker Oscar Micheaux's "The Millionaire" and then in 1928 co-starred on Broadway in the hit "Meek Mose." In the late 1930's to the early 1940's, Lawrence became a leading man of "race films," starring in 12 films produced by Hollywood's first Black studio, Million Dollar Productions, and his leading ladies were (then legends in the making) Lena Horne in "The Duke Is Tops," Nina Mae McKinney in "Gang Smashers," Theresa Harris in "Gangsters on the Loose," Louise Beavers in "Life Goes On," Ruby Dee in "What A Guy," and a young Dorothy Dandridge played Lawrence's daughter in "Four Shall Die." His Hollywood screen credits were "Black Moon," "Up Jumped The Devil," "King of the Zombies" (where Lawrence played a Doctor, a far cry from Hollywood's usual stereotyping of Black males), "The Gang's All Here," "Sullivan's Travels," "Freckles Come Home," and "Law of the Jungle" where he was teamed with comedy legend Mantan Moreland. "One Dark Night," "Mr. Smith Goes Ghost," "Gang War," "While Thousands Cheer," "Am I Guilty?" "Pigmeat's Laugh Hepcats," and "Miracle in Harlem" are his other film credits. His last film was "The Jackie Robinson Story" where he gave a memorable performance as the minister who encourages Jackie Robinson to accept the offer to be the first Black to play in major league baseball. Lawrence Criner is honored in African American film history for helping in the development and enhancement of films with people of color by providing positive images and non-stereotypes. Another one of his achievements was he served in both WWI and in the Navy in WWII.
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Biography from TMDB.
- July 19, 1898 (128)
- Waco, Texas, USA
- Actor
- 9 on MovieCove · 23 credits in all
What are Laurence Criner's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 6
Light 4 · Serious 2 · Dark 1
Grounded 7 · Stylized 0 · Heightened 0
Gentle 1 · Charged 4 · Intense 2
Steady 1 · Shifting 5 · Whiplash 1
Straight-faced 2 · Some laughs 4 · Funny 1
Slow burn 3 · Even-paced 3 · Relentless 1
Casual 4 · Engaged 3 · Full focus 0
Easy watch 4 · Affecting 2 · Heavy 1
Resolved 7 · Open-ended 0 · Ambiguous 0
Roles they play
Usually the Shadow: 4 of 6 analyzed roles.
- Shadowas Kala in Black Moon (1934)
- Mentoras Doc Dorando in The Duke Is Tops (1938)
- Shadowas Gat Dalton in Gang Smashers (1938)
- Shadowas Lew Baron in Gang War (1940)
- Mentoras Chief Mojobo in Law of the Jungle (1942)
- Shadowas Albert Marshall in Miracle in Harlem (1948)
Moods and endings
- Happy4
- Bittersweet1
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Laurence Criner's films?
As of October 24, 2026, all 9 MovieCove titles stream on a subscription or free service, most on Tubi (7).
Subscription and free streaming for Laurence Criner's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 9 with a MovieCove page.
Midcredits score: 54th percentile of all films
Miracle in Harlem(1948)
Midcredits score: 30th percentile of all films
What a Guy (not in the MovieCove catalog yet)(1948)

Pigmeat's Laugh Hepcats (not in the MovieCove catalog yet)(1947)

Law of the Jungle(1942)
Midcredits score: 11th percentile of all films
Freckles Comes Home (not in the MovieCove catalog yet)(1942)

The Gang's All Here(1941)
Midcredits score: 22nd percentile of all films
King of the Zombies(1941)
Midcredits score: 17th percentile of all films
Up Jumped the Devil (not in the MovieCove catalog yet)(1941)

Four Shall Die (not in the MovieCove catalog yet)(1940)

While Thousands Cheer (not in the MovieCove catalog yet)(1940)

Mr. Smith Goes Ghost (not in the MovieCove catalog yet)(1940)

Am I Guilty? (not in the MovieCove catalog yet)(1940)

Gang War(1940)
Midcredits score: 14th percentile of all films
Midnight Shadow (not in the MovieCove catalog yet)(1939)

Gang Smashers(1938)
Midcredits score: 35th percentile of all films (provisional, few ratings)
The Duke Is Tops(1938)
Midcredits score: 21st percentile of all films
Life Goes On (not in the MovieCove catalog yet)(1938)

Bargain with Bullets (not in the MovieCove catalog yet)(1937)

Black Moon(1934)
Midcredits score: 33rd percentile of all films
Black Gold (not in the MovieCove catalog yet)(1928)

The Millionaire (not in the MovieCove catalog yet)(1927)

The Flying Ace (not in the MovieCove catalog yet)(1926)
Career shape
Star power in the 37th percentile of 239,109 people with a billed film role, over a full career of 23 titles from 1926 to 1950.
Film career
- 1934Screen debut· Black Moon
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Laurence Criner's films land?
Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 9; across their 7 films with reception data, the typical film sits in the 28th percentile for acclaim.
- 50th to 74th1
- 25th to 49th3
- Below 25th5
Shape of the crowd
5 of their 9 titles are Mixed.
- Cult Classic1
- Crowd Pleaser1
- Broadly Agreed2
- Mixed5
Reviewers score the acting 50/100 in their films, across 6 reviewed titles; fans 65, detractors 31. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Laurence Criner work with?
People who share at least 2 of Laurence Criner's MovieCove titles, grouped by what they did on them; Leo C. Popkin shares the most, 3.
Directors
- Leo C. PopkinShared titles: Gang War (1940), Gang Smashers (1938), The Duke Is Tops (1938)See all 3 shared titles with Leo C. Popkin
- Jean YarbroughShared titles: Law of the Jungle (1942), King of the Zombies (1941)See all 2 shared titles with Jean Yarbrough

Writers
- Ralph CooperShared titles: Gang War (1940), Gang Smashers (1938), The Duke Is Tops (1938)See all 3 shared titles with Ralph Cooper

- Edmond KelsoShared titles: Law of the Jungle (1942), King of the Zombies (1941)See all 2 shared titles with Edmond Kelso
- Phil DunhamShared titles: Gang Smashers (1938), The Duke Is Tops (1938)See all 2 shared titles with Phil Dunham

Actors
- Mantan MorelandShared titles: Law of the Jungle (1942), King of the Zombies (1941), Gang Smashers (1938)See all 3 shared titles with Mantan Moreland

- Monte HawleyShared titles: Gang War (1940), Gang Smashers (1938), The Duke Is Tops (1938)See all 3 shared titles with Monte Hawley
- Madame Sul-Te-WanShared titles: King of the Zombies (1941), Black Moon (1934)See all 2 shared titles with Madame Sul-Te-Wan

- Charles HawkinsShared titles: Gang War (1940), Gang Smashers (1938)See all 2 shared titles with Charles Hawkins
Cinematographers
- Mack StenglerShared titles: Law of the Jungle (1942), King of the Zombies (1941)See all 2 shared titles with Mack Stengler
- Robert E. ClineShared titles: Gang Smashers (1938), The Duke Is Tops (1938)See all 2 shared titles with Robert E. Cline
Producers
- Lindsley ParsonsShared titles: Law of the Jungle (1942), King of the Zombies (1941)See all 2 shared titles with Lindsley Parsons
- Harry M. PopkinShared titles: Gang War (1940), Gang Smashers (1938)See all 2 shared titles with Harry M. Popkin

Mixed roles
- Arthur A. BrooksShared titles: Gang Smashers (1938), The Duke Is Tops (1938)See all 2 shared titles with Arthur A. Brooks



