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What are Gabriele Crisanti's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Power and Survival.

Themes

share of theme weight
Power
30%
Survival
27%
Morality
22%
Bonds
17%
Society
3%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 0 · Dark 4

Grounded 2 · Stylized 2 · Heightened 1

A split, not a type: Gentle 1 · Charged 0 · Intense 4

A split, not a type: Steady 2 · Shifting 3 · Whiplash 0

Straight-faced 1 · Some laughs 3 · Funny 1

Slow burn 1 · Even-paced 4 · Relentless 0

Casual 3 · Engaged 1 · Full focus 1

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 2

Resolved 4 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Absurd
2
Cold
1
Joyful
1
Thrilling
1
Other
1

How their films end

  • Happy2
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gabriele Crisanti's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, on Tubi (3).

Subscription and free streaming for Gabriele Crisanti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

Career shape

Across their 5 MovieCove titles from 1969 to 1981.

By role

only this rolewith another role
Producing5 of 5: 5 only producing, 0 with another role · typical Midcredits score26th

By decade

1960s1 · crew1970s2 · crew1980s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Gabriele Crisanti's films land?

Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 27th percentile for acclaim.

Acclaim · how much people like their films

27thpercentile
Typical film, the median of 5

Approval · how many liked their films

27thpercentile
Typical film, the median of 5

Reach · how many have seen their films

61stpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 25th to 49th3
  • Below 25th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Gabriele Crisanti's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 81 · severeMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Gabriele Crisanti work with?

People who share at least 2 of Gabriele Crisanti's MovieCove titles, grouped by what they did on them; Mariangela Giordano shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors