Ken Cromar
- Writer
- 3 on Motif
What are Ken Cromar's films like?
Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 2 · Serious 1 · Dark 0
A split, not a type: Grounded 0 · Stylized 1 · Heightened 2
Gentle 2 · Charged 1 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 0 · Some laughs 3 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ken Cromar's films?
As of October 24, 2026, all 3 Motif titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Ken Cromar's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a Motif page.
The Princess and the Pea(2002)
Motif score: 63rd percentile of all films
All Dogs Go to Heaven 2(1996)
Motif score: 32nd percentile of all films
All Dogs Go to Heaven(1989)
Motif score: 74th percentile of all films
Career shape
Across a limited sample of 3 Motif titles from 1989 to 2002.
How do Ken Cromar's films land?
Their typical Motif film has a Motif score in the 63rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
2 of their 3 titles are Mixed.
- Crowd Pleaser1
- Mixed2
Reviewers score the dialogue 53/100 and the plot and story 43/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ken Cromar work with?
People who share at least 2 of Ken Cromar's Motif titles, grouped by what they did on them; David J. Steinberg shares the most, 2.
Writers
- David J. SteinbergShared titles: All Dogs Go to Heaven 2 (1996), All Dogs Go to Heaven (1989)See all 2 shared titles with David J. Steinberg
- David N. WeissShared titles: All Dogs Go to Heaven 2 (1996), All Dogs Go to Heaven (1989)See all 2 shared titles with David N. Weiss
- Don BluthShared titles: All Dogs Go to Heaven 2 (1996), All Dogs Go to Heaven (1989)See all 2 shared titles with Don Bluth
- Gary GoldmanShared titles: All Dogs Go to Heaven 2 (1996), All Dogs Go to Heaven (1989)See all 2 shared titles with Gary Goldman
Actors
- Dom DeLuiseShared titles: All Dogs Go to Heaven 2 (1996), All Dogs Go to Heaven (1989)See all 2 shared titles with Dom DeLuise
