Malcolm Cross
Cinematographer, also director
- Cinematographer, also director
- 11 on MovieCove · 22 credits in all
Known for
What are Malcolm Cross' films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 9
Light 3 · Serious 3 · Dark 3
Grounded 8 · Stylized 1 · Heightened 0
Gentle 1 · Charged 6 · Intense 2
Steady 5 · Shifting 4 · Whiplash 0
Straight-faced 7 · Some laughs 2 · Funny 0
Slow burn 3 · Even-paced 6 · Relentless 0
Casual 3 · Engaged 5 · Full focus 1
Easy watch 3 · Affecting 3 · Heavy 3
Resolved 6 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy4
- Bittersweet3
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Malcolm Cross' films?
As of October 24, 2026, 6 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Malcolm Cross' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 11 with a MovieCove page.

Hush Little Baby (not in the MovieCove catalog yet)(2007)

The Road to Christmas(2006)
Midcredits score: 57th percentile of all films
Absolution (not in the MovieCove catalog yet)(2006)

Cradle of Lies (not in the MovieCove catalog yet)(2006)
Midcredits score: 24th percentile of all films
Midcredits score: 86th percentile of all films
What Girls Learn (not in the MovieCove catalog yet)(2001)

The Pretender 2001 (not in the MovieCove catalog yet)(2001)

Range of Motion (not in the MovieCove catalog yet)(2000)

When Andrew Came Home(2000)
Midcredits score: 59th percentile of all films
The Girl Next Door(1998)
Midcredits score: 15th percentile of all films
Dream House (not in the MovieCove catalog yet)(1998)
Midcredits score: 40th percentile of all shows
Cloned(1997)
Midcredits score: 15th percentile of all films
Too Close to Home(1997)
Midcredits score: 56th percentile of all films
Ed McBain's 87th Precinct: Heatwave (not in the MovieCove catalog yet)(1997)
Midcredits score: 20th percentile of all films
Stand Against Fear (not in the MovieCove catalog yet)(1996)

FX - Final Illusion (not in the MovieCove catalog yet)(1996)
Midcredits score: 37th percentile of all films
Due South (not in the MovieCove catalog yet)(1994)

The Gate(1987)
Midcredits score: 45th percentile of all films
Career shape
A full career of 21 titles from 1987 to 2007.

Highest rated
The Pretender: Island of the Haunted (2001)

Most popular right now
Eerie, Indiana: The Other Dimension (1998)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Malcolm Cross' films land?
Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 26th percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th3
- Below 25th4
Shape of the crowd
7 of their 11 titles are Mixed.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser1
- Broadly Agreed1
- Mixed7
Reviewers score the cinematography 50/100 in their films, across 3 reviewed titles; fans 63, detractors 33. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Malcolm Cross work with?
People who share at least 2 of Malcolm Cross' MovieCove titles, grouped by what they did on them; Bill Corcoran shares the most, 2.
Directors
- Bill CorcoranShared titles: Eerie, Indiana: The Other Dimension (1998), Too Close to Home (1997)See all 2 shared titles with Bill Corcoran

Writers
- Jim HenshawShared titles: Eerie, Indiana: The Other Dimension (1998), Harlequin: Treacherous Beauties (1994)See all 2 shared titles with Jim Henshaw

Actors
- Lindy BoothShared titles: Her Best Friend's Husband (2002), Eerie, Indiana: The Other Dimension (1998)See all 2 shared titles with Lindy Booth

- Simon MacCorkindaleShared titles: The Girl Next Door (1998), While My Pretty One Sleeps (1997)See all 2 shared titles with Simon MacCorkindale

- Vlasta VranaShared titles: The Girl Next Door (1998), While My Pretty One Sleeps (1997)See all 2 shared titles with Vlasta Vrana

Composers
- Jonathan GoldsmithShared titles: The Girl Next Door (1998), Too Close to Home (1997)See all 2 shared titles with Jonathan Goldsmith
Producers
- Michael J. MaschioShared titles: The Pretender: Island of the Haunted (2001), When Andrew Came Home (2000)See all 2 shared titles with Michael J. Maschio

- Tony ThatcherShared titles: The Girl Next Door (1998), While My Pretty One Sleeps (1997)See all 2 shared titles with Tony Thatcher