Mart Crowley was born on 21 August 1935 in Vicksburg, Mississippi, USA. He was a producer and writer, known for The Boys in the Band (2020), Hart to Hart (1979) and The Boys in the Band (1970). He died on 7 March 2020 in New York City, New York, USA.
Biography from IMDb.
- August 21, 1935
- March 7, 2020 (aged 84)
- Vicksburg, Mississippi, USA
- Writer, producer and actor
- 8 on MovieCove · 13 credits in all
Known for
What are Mart Crowley's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Society and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
A split, not a type: Light 3 · Serious 1 · Dark 4
A split, not a type: Grounded 4 · Stylized 3 · Heightened 1
Gentle 3 · Charged 3 · Intense 2
Steady 4 · Shifting 4 · Whiplash 0
Straight-faced 4 · Some laughs 4 · Funny 0
Slow burn 6 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 5 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 0 · Heavy 5
Resolved 4 · Open-ended 4 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet5
- Tragic1
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mart Crowley's films?
As of October 24, 2026, 3 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Mart Crowley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
13 credits, 8 with a MovieCove page; 7 appearances as themselves are hidden until asked for.
The Boys in the Band(2020)
Midcredits score: 75th percentile of all films
Midcredits score: 67th percentile of all films
Remember (not in the MovieCove catalog yet)(1993)
People Like Us(1990)
Midcredits score: 33rd percentile of all films
Bluegrass (not in the MovieCove catalog yet)(1988)
The Boys in the Band (not in the MovieCove catalog yet)(1987)
There Must Be a Pony(1986)
Midcredits score: 36th percentile of all films
Dynasty (not in the MovieCove catalog yet)(1981)
Nijinsky(1980)
Midcredits score: 56th percentile of all films
Eyes of Laura Mars(1978)
Midcredits score: 45th percentile of all films
The Boys in the Band(1970)
Midcredits score: 91st percentile of all films
The Decorator (not in the MovieCove catalog yet)(1965)
Splendor in the Grass(1961)
Midcredits score: 95th percentile of all films
Career shape
A full career of 12 titles from 1961 to 2020.
Biggest box office
Eyes of Laura Mars (1978)
Highest rated
The Boys in the Band (1970)
Most popular right now
Eyes of Laura Mars (1978)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Mart Crowley's films land?
Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 75th and up3
- 50th to 74th2
- 25th to 49th3
Shape of the crowd
3 of their 8 titles are Cult Classics.
- Universally Loved2
- Cult Classic3
- Crowd Pleaser2
- Broadly Agreed1
Reviewers score the dialogue 60/100 and the plot and story 43/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Mart Crowley's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Mart Crowley work with?
People who share at least 2 of Mart Crowley's MovieCove titles, grouped by what they did on them; Andrew Rannells shares the most, 2.
Actors
- Andrew RannellsShared titles: The Boys in the Band (2020), The Boys in the Band: Something Personal (2020)See all 2 shared titles with Andrew Rannells
- Brian HutchisonShared titles: The Boys in the Band (2020), The Boys in the Band: Something Personal (2020)See all 2 shared titles with Brian Hutchison
- Charlie CarverShared titles: The Boys in the Band (2020), The Boys in the Band: Something Personal (2020)See all 2 shared titles with Charlie Carver
- Jim ParsonsShared titles: The Boys in the Band (2020), The Boys in the Band: Something Personal (2020)See all 2 shared titles with Jim Parsons
Composers
- Billy GoldenbergShared titles: People Like Us (1990), There Must Be a Pony (1986)See all 2 shared titles with Billy Goldenberg
Producers
- Ned MartelShared titles: The Boys in the Band (2020), The Boys in the Band: Something Personal (2020)See all 2 shared titles with Ned Martel
Mixed roles
- Dominick DunneShared titles: People Like Us (1990), The Boys in the Band (1970)See all 2 shared titles with Dominick Dunne
