Murray Cruchley
- Actor
- 6 on MovieCove · 13 credits in all
What are Murray Cruchley's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 0 · Dark 3
A split, not a type: Grounded 1 · Stylized 2 · Heightened 0
Gentle 0 · Charged 0 · Intense 3
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
A split, not a type: Casual 1 · Engaged 0 · Full focus 2
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Murray Cruchley's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Murray Cruchley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
13 credits, 6 with a MovieCove page.
Nilus the Sandman: The Boy Who Dreamed Christmas (not in the MovieCove catalog yet)(1991)
Clarence(1990)
Midcredits score: 9th percentile of all films
Getting Married in Buffalo Jump (not in the MovieCove catalog yet)(1990)
Dead Ringers(1988)
Midcredits score: 88th percentile of all films
Bloody Wednesday (not in the MovieCove catalog yet)(1988)
The Raccoons (not in the MovieCove catalog yet)(1985)
The New Alfred Hitchcock Presents (not in the MovieCove catalog yet)(1985)
In Like Flynn (not in the MovieCove catalog yet)(1985)
Midcredits score: 73rd percentile of all films
Scanners(1981)
Midcredits score: 72nd percentile of all films
Death Ship(1980)
Midcredits score: 9th percentile of all films
Agency (not in the MovieCove catalog yet)(1980)
City on Fire(1979)
Midcredits score: 8th percentile of all films
Career shape
Star power in the 79th percentile of 239,109 people with a billed film role, over a full career of 13 titles from 1979 to 1991; peak year 1980.
Biggest box office
Scanners (1981)
Highest rated
Countdown to Looking Glass (1984)
Most popular right now
Scanners (1981)
Film career
Peak 1980 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1979Screen debut· City on Fire
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Murray Cruchley's films land?
Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 6; across a limited sample of 3 films with reception data, the typical film sits in the 67th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- Below 25th3
Shape of the crowd
3 of their 6 titles are Crowd Pleasers.
- Universally Panned1
- Crowd Pleaser3
- Mixed2
Reviewers score the acting 57/100 in their films, across 3 reviewed titles; fans 63, detractors 40. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.