Carlo Cucchi
- Producer
- 3 on MovieCove
What are Carlo Cucchi's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Society.
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 2
A split, not a type: Light 1 · Serious 2 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
A split, not a type: Gentle 1 · Charged 2 · Intense 0
Steady 1 · Shifting 1 · Whiplash 1
Straight-faced 0 · Some laughs 3 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 0 · Heavy 1
Resolved 1 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Carlo Cucchi's films?
As of October 27, 2026, none of Carlo Cucchi's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Carlo Cucchi's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Dark Eyes(1987)
Midcredits score: 87th percentile of all films
Big Deal After 20 Years(1985)
Midcredits score: 17th percentile of all films
Midcredits score: 63rd percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1985 to 1987.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Carlo Cucchi's films land?
Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 62nd percentile for acclaim.
- 75th and up1
- 50th to 74th1
- Below 25th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Broadly Agreed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Carlo Cucchi work with?
People who share at least 2 of Carlo Cucchi's MovieCove titles, grouped by what they did on them; Suso Cecchi D'Amico shares the most, 3.
Writers
- Suso Cecchi D'AmicoShared titles: Dark Eyes (1987), Big Deal After 20 Years (1985), The Two Lives of Mattia Pascal (1985)See all 3 shared titles with Suso Cecchi D'Amico
- Amanzio TodiniShared titles: Big Deal After 20 Years (1985), The Two Lives of Mattia Pascal (1985)See all 2 shared titles with Amanzio Todini
Actors
- Marcello MastroianniShared titles: Dark Eyes (1987), Big Deal After 20 Years (1985), The Two Lives of Mattia Pascal (1985)See all 3 shared titles with Marcello Mastroianni
Editors
- Ruggero MastroianniShared titles: Big Deal After 20 Years (1985), The Two Lives of Mattia Pascal (1985)See all 2 shared titles with Ruggero Mastroianni
Producers
- Silvia D'Amico BendicòShared titles: Dark Eyes (1987), Big Deal After 20 Years (1985), The Two Lives of Mattia Pascal (1985)See all 3 shared titles with Silvia D'Amico Bendicò