Angelo Curi
- Editor
- 12 on MovieCove · 30 credits in all
What are Angelo Curi's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 9
A split, not a type: Light 3 · Serious 2 · Dark 6
Grounded 3 · Stylized 6 · Heightened 2
Gentle 1 · Charged 3 · Intense 7
Steady 5 · Shifting 6 · Whiplash 0
Straight-faced 10 · Some laughs 1 · Funny 0
Slow burn 4 · Even-paced 6 · Relentless 1
Casual 4 · Engaged 5 · Full focus 2
Easy watch 2 · Affecting 5 · Heavy 4
Resolved 6 · Open-ended 4 · Ambiguous 1
Moods and endings
- Happy3
- Bittersweet1
- Tragic3
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Angelo Curi's films?
As of October 24, 2026, 5 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Angelo Curi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
30 credits, 12 with a MovieCove page.
Cindy - Cinderella '80(1984)
Midcredits score: 67th percentile of all films
Quasi quasi mi sposo (not in the MovieCove catalog yet)(1982)
Seagull Island (not in the MovieCove catalog yet)(1982)
Midcredits score: 7th percentile of all films
Madhouse(1981)
Midcredits score: 27th percentile of all films
The Burning Years (not in the MovieCove catalog yet)(1979)
Baby Love (not in the MovieCove catalog yet)(1979)
Ridendo e scherzando (not in the MovieCove catalog yet)(1978)
Cave of the Sharks (not in the MovieCove catalog yet)(1978)
Last Angels (not in the MovieCove catalog yet)(1978)
This Is Love (not in the MovieCove catalog yet)(1978)
The Rip-Off (not in the MovieCove catalog yet)(1977)
Tentacles(1977)
Midcredits score: 3rd percentile of all films
Le seminariste (not in the MovieCove catalog yet)(1976)
The Last Concert (not in the MovieCove catalog yet)(1976)
Midcredits score: 15th percentile of all films
Forever Emmanuelle(1976)
Midcredits score: 6th percentile of all films
The Private Lesson (not in the MovieCove catalog yet)(1975)
White Horses of Summer (not in the MovieCove catalog yet)(1975)
Killer Cop (not in the MovieCove catalog yet)(1975)
Beyond the Door(1974)
Midcredits score: 13th percentile of all films
Love Angels (not in the MovieCove catalog yet)(1974)
Young Lucrezia (not in the MovieCove catalog yet)(1974)
The Last Snows of Spring (not in the MovieCove catalog yet)(1973)
The Magnificent Dare Devil (not in the MovieCove catalog yet)(1973)
Women in Cell Block 7(1973)
Midcredits score: 10th percentile of all films
When Love Is Lust(1973)
Midcredits score: 13th percentile of all films
Death Walks at Midnight(1972)
Midcredits score: 52nd percentile of all films
Who Saw Her Die?(1972)
Midcredits score: 56th percentile of all films
Midcredits score: 62nd percentile of all films
Career shape
A full career of 28 titles from 1971 to 1982.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Angelo Curi's films land?
Their typical MovieCove film has a Midcredits score in the 14th percentile, the median of all 12; across their 11 films with reception data, the typical film sits in the 20th percentile for acclaim.
- 50th to 74th4
- 25th to 49th1
- Below 25th7
Shape of the crowd
7 of their 12 titles are Mixed.
- Universally Panned1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed7
Reviewers score the pacing 34/100 in their films, across 10 reviewed titles; fans 43, detractors 24. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Angelo Curi's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Angelo Curi work with?
People who share at least 2 of Angelo Curi's MovieCove titles, grouped by what they did on them; Ovidio G. Assonitis shares the most, 5.
Directors
- Ovidio G. AssonitisShared titles: Madhouse (1981), Tentacles (1977), Forever Emmanuelle (1976), Beyond the Door (1974), Who Saw Her Die? (1972)See all 5 shared titles with Ovidio G. Assonitis
- Roberto D'Ettorre PiazzoliShared titles: Madhouse (1981), Tentacles (1977), Forever Emmanuelle (1976), Beyond the Door (1974)See all 4 shared titles with Roberto D'Ettorre Piazzoli
- Rino Di SilvestroShared titles: The Legend of the Wolf Woman (1976), Women in Cell Block 7 (1973)See all 2 shared titles with Rino Di Silvestro
- Luciano ErcoliShared titles: Death Walks at Midnight (1972), Death Walks on High Heels (1971)See all 2 shared titles with Luciano Ercoli
Writers
- Sonia MolteniShared titles: Forever Emmanuelle (1976), Beyond the Door (1974)See all 2 shared titles with Sonia Molteni
- Ernesto GastaldiShared titles: Death Walks at Midnight (1972), Death Walks on High Heels (1971)See all 2 shared titles with Ernesto Gastaldi
- Mahnahén VelascoShared titles: Death Walks at Midnight (1972), Death Walks on High Heels (1971)See all 2 shared titles with Mahnahén Velasco
Actors
- Adolfo CeliShared titles: Cindy - Cinderella '80 (1984), Who Saw Her Die? (1972)See all 2 shared titles with Adolfo Celi
- Vittorio FanfoniShared titles: Beyond the Door (1974), When Love Is Lust (1973)See all 2 shared titles with Vittorio Fanfoni
- Anita StrindbergShared titles: Women in Cell Block 7 (1973), Who Saw Her Die? (1972)See all 2 shared titles with Anita Strindberg
- Umberto RahoShared titles: When Love Is Lust (1973), Women in Cell Block 7 (1973)See all 2 shared titles with Umberto Raho
Composers and cinematographers
- Stelvio CiprianiShared titles: Tentacles (1977), Death Walks on High Heels (1971)See all 2 shared titles with Stelvio Cipriani
- Franco MicalizziShared titles: Forever Emmanuelle (1976), Beyond the Door (1974)See all 2 shared titles with Franco Micalizzi
- Ennio MorriconeShared titles: When Love Is Lust (1973), Who Saw Her Die? (1972)See all 2 shared titles with Ennio Morricone
- Fernando ArribasShared titles: Death Walks at Midnight (1972), Death Walks on High Heels (1971)See all 2 shared titles with Fernando Arribas
Producers
- Enzo DoriaShared titles: Tentacles (1977), Beyond the Door (1974), When Love Is Lust (1973), Who Saw Her Die? (1972)See all 4 shared titles with Enzo Doria
- Alberto PuglieseShared titles: Death Walks at Midnight (1972), Death Walks on High Heels (1971)See all 2 shared titles with Alberto Pugliese
Mixed roles
- Nino SeguriniShared titles: Beyond the Door (1974), When Love Is Lust (1973)See all 2 shared titles with Nino Segurini