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Bonnie Curtis

Bonnie Curtis

Producer · Born March 26, 1966 (60) · Dallas, Texas, USA

Producers Guild Award winner

Bonnie Kathleen Curtis (born March 26, 1966) is an American film producer whose credits include Saving Private Ryan, A.I., Minority Report, and The Lost World: Jurassic Park, directed by Steven Spielberg. Her first solo project was the 2005 release The Chumscrubber. She then joined Mockingbird Pictures with partner Julie Lynn in 2011. Curtis and Lynn produced Albert Nobbs, which was nominated for three Academy Awards. Curtis is a co-recipient of the 1999 Producers Guild Award for Motion Picture Producer of the Year, for Saving Private Ryan. On March 12, 2015, Curtis was inducted into the Texas Film Hall of Fame. Spielberg congratulated her via video message during the ceremony.

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Biography from TMDB.

Born
March 26, 1966 (60)
From
Dallas, Texas, USA
Works as
Producer
Titles
20 on MovieCove · 21 credits in all
TMDB popularity, last 157 days to Oct 28Down 36% in 30 days

What are Bonnie Curtis' films like?

Across their 19 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 6 · Dark 11

A split, not a type: Grounded 10 · Stylized 7 · Heightened 2

A split, not a type: Gentle 3 · Charged 7 · Intense 9

Steady 5 · Shifting 10 · Whiplash 4

Straight-faced 13 · Some laughs 6 · Funny 0

A split, not a type: Slow burn 8 · Even-paced 5 · Relentless 6

Casual 5 · Engaged 9 · Full focus 5

A split, not a type: Easy watch 1 · Affecting 8 · Heavy 10

A split, not a type: Resolved 10 · Open-ended 7 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Melancholic
10
Thrilling
6
Bittersweet
7
Contemplative
6
Other
13

How their films end · 4 with a twist

  • Happy2
  • Bittersweet13
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bonnie Curtis' films?

As of October 24, 2026, 18 of their 20 MovieCove titles stream on a subscription or free service, most on Paramount+ (7).

Subscription and free streaming for Bonnie Curtis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 20 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Heart of Stone(2023)

    Producer

    Midcredits score: 30th percentile of all films
  • My Father's Dragon(2022)

    Producer

    Midcredits score: 64th percentile of all films
  • Raymond & Ray(2022)

    Producer

    Midcredits score: 46th percentile of all films
  • Terminator: Dark Fate(2019)

    Executive Producer

    Midcredits score: 42nd percentile of all films
  • The Sweet Life(2016)

    Producer

    Midcredits score: 53rd percentile of all films
  • Wakefield(2016)

    Producer

    Midcredits score: 53rd percentile of all films
  • Life(2017)

    Producer

    Midcredits score: 62nd percentile of all films
  • To the Bone(2017)

    Producer

    Midcredits score: 73rd percentile of all films
  • Walking Out(2017)

    Executive Producer

    Midcredits score: 40th percentile of all films
  • Midcredits score: 39th percentile of all films
  • 5 to 7(2014)

    Producer

    Midcredits score: 82nd percentile of all films
  • The Face of Love(2013)

    Producer

    Midcredits score: 47th percentile of all films
  • Albert Nobbs(2011)

    Producer

    Midcredits score: 64th percentile of all films
  • Red Eye(2005)

    Executive Producer

    Midcredits score: 61st percentile of all films
  • The Chumscrubber(2005)

    Producer

    Midcredits score: 70th percentile of all films
  • Minority Report(2002)

    Producer

    Midcredits score: 96th percentile of all films
  • Midcredits score: 85th percentile of all films
  • Saving Private Ryan(1998)

    Co-Producer

    Midcredits score: 99th percentile of all films
  • Amistad(1997)

    Associate Producer

    Midcredits score: 87th percentile of all films
  • The Lost World: Jurassic Park(1997)

    Associate Producer

    Midcredits score: 64th percentile of all films
  • Bermuda (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 21 titles, 20 of them dated from 1997 to 2023.

By role

only this rolewith another role
Producing21 of 21: 21 only producing, 0 with another role · typical Midcredits score63rd

By decade

1990s3 · crew2000s4 · crew2010s10 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Won a Producers Guild Award in 1999, Outstanding Producer of Theatrical Motion Pictures.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Bonnie Curtis' films land?

Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 20; across their 19 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 19

Approval · how many liked their films

56thpercentile
Typical film, the median of 19

Reach · how many have seen their films

88thpercentile
Typical film, the median of 19

Midcredits score across 20 titles, by percentile

  • 75th and up5
  • 50th to 74th9
  • 25th to 49th6

Shape of the crowd

None of their 20 titles divides audiences: 10 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser10
  • Broadly Agreed4
  • Mixed4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Bonnie Curtis' work okay for kids?

Across up to 14 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore11 titles16–81 · median 62 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity14 titles7–47 · median 35 · mildnear the median of all filmsMedian of all films: 32
Profanity11 titles26–66 · median 49 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs10 titles12–37 · median 27 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense10 titles46–83 · median 64 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Bonnie Curtis work with?

People who share at least 2 of Bonnie Curtis' MovieCove titles, grouped by what they did on them; Julie Lynn shares the most, 12.

Directors

Actors

Composers, cinematographers and editors

Producers