Peter A. D'Amato

What are Peter A. D'Amato's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter A. D'Amato's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

• Prime Video2 titles, browse their movies on this service
  • Sanctioning Evil (2022) · producer
  • Christmas vs. The Walters (2021) · director, writer, producer
• Tubi2 titles, browse their movies on this service
  • Bloodline Killer (2024) · producer · free
  • Christmas vs. The Walters (2021) · director, writer, producer · free

Subscription and free streaming for Peter A. D'Amato's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Bloodline Killer(2024)

  Producer

  Midcredits score: 48th percentile of all films48^th
• 

  Fire Island(2023)

  Producer

  Midcredits score: 1st percentile of all films1^st
• 

  Sanctioning Evil(2022)

  Producer

  Midcredits score: 72nd percentile of all films72^nd
• 

  Christmas vs. The Walters(2021)

  Director · Producer · Writer

  Midcredits score: 21st percentile of all films21^st

Career shape

Across a limited sample of 4 MovieCove titles from 2021 to 2024.

Biggest box office

Bloodline Killer (2024)

$232K worldwide

Highest rated

Sanctioning Evil (2022)

Midcredits 72^nd

How do Peter A. D'Amato's films land?

Their typical MovieCove film has a Midcredits score in the 35^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 9^th percentile for acclaim.

Shape of the crowd

1 of their 4 titles is Universally Loved.

1111

• Universally Loved1
• Universally Panned1
• Divisive1
• Mixed1

Most divisive · director, writer, producer

Christmas vs. The Walters (2021)

96^th percentile spread · 41% rated it 4 or lower

Most loved · producer

Sanctioning Evil (2022)

Midcredits 72^nd · 89% liked

Reviewers score the atmosphere 40/100 and the pacing 22/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Peter A. D'Amato work with?

People who share at least 2 of Peter A. D'Amato's MovieCove titles, grouped by what they did on them; Ante Novakovic shares the most, 4.