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Salvo D'Angelo

Producer · Born October 26, 1962 (64) · Turin, Piedmont, Italy

Born
October 26, 1962 (64)
From
Turin, Piedmont, Italy
Works as
Producer
Titles
4 on MovieCove · 31 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 17% in 30 days

What are Salvo D'Angelo's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Comedy2 titlesTypical Midcredits score: 79th percentile
: browse their Comedy movies
Drama2 titlesTypical Midcredits score: 97th percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
26%
Self
20%
Bonds
16%
Power
13%
Survival
13%
Society
13%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 1 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 2 · Stylized 1 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 1 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 2 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 2 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 2 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 1 · Open-ended 3 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Absurd
1
Melancholic
1
Warm
1
Contemplative
1
Other
4

How their films linger

Bittersweet2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Salvo D'Angelo's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Salvo D'Angelo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 4 with a MovieCove page.

  • Baci salati (not in the MovieCove catalog yet)(2012)

    as Rocco

  • Dramma nel porto (not in the MovieCove catalog yet)(1965)

    Production Design

  • Dagli Appennini alle Ande (not in the MovieCove catalog yet)(1959)

    Associate Producer

  • Bellissima(1951)

    Producer

    Midcredits score: 97th percentile of all films

  • The Machine to Kill Bad People(1952)

    Producer

    Midcredits score: 67th percentile of all films

  • First Communion (not in the MovieCove catalog yet)(1950)

    Producer

  • Beauty and the Devil(1950)

    Producer

    Midcredits score: 90th percentile of all films

  • La Terra Trema (not in the MovieCove catalog yet)(1949)

    Producer

  • Fabiola (not in the MovieCove catalog yet)(1949)

    Producer

  • Germany Year Zero(1948)

    Associate Producer

    Midcredits score: 97th percentile of all films

  • Islands in the Lagoon (not in the MovieCove catalog yet)(1948)

    Producer

  • Guarany (not in the MovieCove catalog yet)(1948)

    Producer

  • Romantici a Venezia (not in the MovieCove catalog yet)(1948)

    Producer

  • Daniele Cortis (not in the MovieCove catalog yet)(1947)

    Producer

  • A Day in the Life (not in the MovieCove catalog yet)(1946)

    Production Coordinator · Production Design

  • The Testimony (not in the MovieCove catalog yet)(1946)

    Line Producer · Production Design

  • The Gates of Heaven (not in the MovieCove catalog yet)(1945)

    Producer · Production Design

  • Nebbie sul mare (not in the MovieCove catalog yet)(1944)

    Production Design

  • La prigione (not in the MovieCove catalog yet)(1944)

    Production Design

  • Anime in tumulto (not in the MovieCove catalog yet)(1942)

    Production Design

  • L'ultimo addio (not in the MovieCove catalog yet)(1942)

    Production Design

  • Caravaggio, il pittore maledetto (not in the MovieCove catalog yet)(1941)

    Set Decoration

  • L'uomo del romanzo (not in the MovieCove catalog yet)(1940)

    Production Design

  • La última Falla (not in the MovieCove catalog yet)(1940)

    Production Design

  • Scandalo per bene (not in the MovieCove catalog yet)(1940)

    Production Design

  • Il segreto di Villa Paradiso (not in the MovieCove catalog yet)(1940)

    Production Design

  • Los hijos de la noche (not in the MovieCove catalog yet)(1939)

    Production Design

  • Traversata nera (not in the MovieCove catalog yet)(1939)

    Production Design

  • Diamanti (not in the MovieCove catalog yet)(1939)

    Production Design

  • I figli del marchese Lucera (not in the MovieCove catalog yet)(1939)

    Production Design

  • Gli uomini non sono ingrati (not in the MovieCove catalog yet)(1937)

    Production Design

Career shape

A full career of 30 titles from 1937 to 2012.

Biggest box office

Germany Year Zero (1948)

$12K worldwide

Highest rated

Germany Year Zero (1948)

Midcredits 97th

By role

only this rolewith another role
Acting1 of 30: 1 only acting, 0 with another roleProducing13 of 30: 11 only producing, 2 with another roleOther crew18 of 30: 16 only other crew, 2 with another role

By decade

1930s5 · crew1940s19 · crew1950s4 · crew1960s1 · crew2010s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Salvo D'Angelo's films land?

Their typical MovieCove film has a Midcredits score in the 94th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 90th percentile for acclaim.

Acclaim · how much people like their films

90thpercentile
Typical film, the median of 4

Approval · how many liked their films

93rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

67thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up3
  • 50th to 74th1

Shape of the crowd

None of their 4 titles divides audiences: 2 are Universally Loved.

  • Universally Loved2
  • Crowd Pleaser2

Most loved · producer

Germany Year Zero (1948)

Midcredits 97th · 86% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Salvo D'Angelo work with?

People who share at least 2 of Salvo D'Angelo's MovieCove titles, grouped by what they did on them; Roberto Rossellini shares the most, 2.

Directors

Writers

Composers