Bernard Daillencourt

What are Bernard Daillencourt's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bernard Daillencourt's films?

As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).

• The Criterion Channel1 title, browse their movies on this service
  • The Margin (1976) · cinematographer

Subscription and free streaming for Bernard Daillencourt's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Tender Cousins(1980)

  Cinematographer

  Midcredits score: 31st percentile of all films31^st
• 

  Immoral Women(1979)

  Cinematographer

  Midcredits score: 25th percentile of all films25^th
• 

  L'hypothèse du tableau volé(1978)

  as Personnage des Tableaux

  Midcredits score: 89th percentile of all films89^th
• 

  The Margin(1976)

  Cinematographer

  Midcredits score: 28th percentile of all films28^th
• 

  The Beast(1975)

  Cinematographer

  Midcredits score: 35th percentile of all films35^th
• 

  Immoral Tales(1973)

  Cinematographer

  Midcredits score: 33rd percentile of all films33^rd

Career shape

Across their 6 MovieCove titles from 1973 to 1980.

Highest rated

L'hypothèse du tableau volé (1978)

Midcredits 89^th

Most popular right now

Immoral Tales (1973)

How do Bernard Daillencourt's films land?

Their typical MovieCove film has a Midcredits score in the 32^nd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 35^th percentile for acclaim.

Shape of the crowd

5 of their 6 titles are Mixed.

15

• Crowd Pleaser1
• Mixed5

Most divisive · cinematographer

Immoral Women (1979)

64^th percentile spread · 33% rated it 4 or lower

Most loved · actor

L'hypothèse du tableau volé (1978)

Midcredits 89^th · 74% liked

Reviewers score the cinematography 70/100 in their films, across 6 reviewed titles; fans 79, detractors 55. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Bernard Daillencourt's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Bernard Daillencourt work with?

People who share at least 2 of Bernard Daillencourt's MovieCove titles, grouped by what they did on them; Walerian Borowczyk shares the most, 4.