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Óscar Dancigers

Producer

Works as
Producer
Titles
10 on MovieCove · 33 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 31% in 30 days

What are Óscar Dancigers' films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

Genres

Adventure3 titlesTypical Midcredits score: 64th percentile
: browse their Adventure movies
Drama3 titlesTypical Midcredits score: 71st percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Power
32%
Bonds
22%
Survival
21%
Morality
11%
Society
7%
Self
7%
Class2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this themeViolence2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 2 · Dark 4

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 6 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 4 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 5 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 6 · Some laughs 0 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 7 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 4 · Engaged 3 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 5

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
3
Joyful
2
Dread
2
Contemplative
1
Other
4

How their films linger

Haunting3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end

  • Happy4
  • Bittersweet1
  • Tragic3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Óscar Dancigers' films?

As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Óscar Dancigers' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 10 with a MovieCove page.

  • Don Quixote(1992)

    Producer

    Midcredits score: 49th percentile of all films

  • Nefertiti and Akhenaten (not in the MovieCove catalog yet)(1973)

    Executive Producer

  • The Murder of Julius Caesar (not in the MovieCove catalog yet)(1972)

    Executive Producer

  • Pillaged (not in the MovieCove catalog yet)(1967)

    Additional Writing

  • Viva Maria!(1965)

    Producer

    Midcredits score: 54th percentile of all films

  • Fever Mounts at El Pao(1959)

    Producer

    Midcredits score: 71st percentile of all films

  • Death in the Garden(1956)

    Delegated Producer · Presenter

    Midcredits score: 69th percentile of all films

  • The Innocent (not in the MovieCove catalog yet)(1956)

    Producer

  • La Vida No Vale Nada (not in the MovieCove catalog yet)(1955)

    Producer

  • Robinson Crusoe(1954)

    Producer

    Midcredits score: 64th percentile of all films

  • Wuthering Heights (not in the MovieCove catalog yet)(1954)

    Producer

  • Stolen Tears (not in the MovieCove catalog yet)(1954)

    Producer

  • Él (not in the MovieCove catalog yet)(1953)

    Producer

  • La extraña pasajera (not in the MovieCove catalog yet)(1953)

    Producer

  • The Brute(1953)

    Producer

    Midcredits score: 87th percentile of all films

  • Angélica (not in the MovieCove catalog yet)(1952)

    Producer

  • La miel se fue de la luna (not in the MovieCove catalog yet)(1952)

    Producer

  • A Woman Without Love(1952)

    Producer

    Midcredits score: 53rd percentile of all films

  • Daughter of Deceit (not in the MovieCove catalog yet)(1951)

    Producer

  • Si usted no puede, yo sí (not in the MovieCove catalog yet)(1951)

    Producer

  • The Young and the Damned(1950)

    Producer

    Midcredits score: 99th percentile of all films

  • The Great Madcap (not in the MovieCove catalog yet)(1949)

    Producer

  • Pueblerina (not in the MovieCove catalog yet)(1949)

    Producer

  • Soledad (not in the MovieCove catalog yet)(1947)

    Producer

  • The Pearl (not in the MovieCove catalog yet)(1947)

    Producer

  • Gran Casino (not in the MovieCove catalog yet)(1947)

    Producer

  • El ahijado de la muerte (not in the MovieCove catalog yet)(1946)

    Producer

  • Pepita Jiménez (not in the MovieCove catalog yet)(1946)

    Producer

  • La hija del regimiento(1944)

    Producer

    Midcredits score: 16th percentile of all films (provisional, few ratings)

  • El Jorobado (not in the MovieCove catalog yet)(1943)

    Producer · Writer

  • El rebelde (Romance de Antaño) (not in the MovieCove catalog yet)(1943)

    Producer

  • There's No Tomorrow(1939)

    Production Manager

    Midcredits score: 88th percentile of all films

  • The Daughters of the Concierge (not in the MovieCove catalog yet)(1934)

    Producer

Career shape

A full career of 32 titles from 1934 to 1992.

Biggest box office

The Young and the Damned (1950)

$135K worldwide

Highest rated

The Young and the Damned (1950)

Midcredits 99th

By role

only this rolewith another role
Writing1 of 32: 0 only writing, 1 with another roleProducing30 of 32: 28 only producing, 2 with another role · typical Midcredits score67thOther crew3 of 32: 2 only other crew, 1 with another role

By decade

1930s1 · crew1940s11 · crew1950s15 · crew1960s2 · crew1970s2 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Óscar Dancigers' films land?

Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 10; across their 8 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 8

Approval · how many liked their films

67thpercentile
Typical film, the median of 8

Reach · how many have seen their films

63rdpercentile
Typical film, the median of 8

Midcredits score across 10 titles, by percentile

  • 75th and up3
  • 50th to 74th5
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

None of their 10 titles divides audiences: 7 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser7
  • Mixed2

Most loved · producer

The Young and the Damned (1950)

Midcredits 99th · 88% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Óscar Dancigers work with?

People who share at least 2 of Óscar Dancigers' MovieCove titles, grouped by what they did on them; Luis Buñuel shares the most, 6.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers