
Henry Daniell
Actor · Died October 31, 1963, aged 69 · Barnes, Surrey, UK
From Wikipedia, the free encyclopedia Charles Henry Daniell (5 March 1894 – 31 October 1963) was an English actor who had a long and prestigious career on stage as well as in films. He is perhaps best known for his villainous roles in films like The Great Dictator, The Philadelphia Story and The Sea Hawk. Daniell was given few opportunities to play a 'good guy', including a supporting part as Franz Liszt in the biographical film Song of Love (1947). His last name is sometimes spelled "Daniel". Daniell's film debut came in 1929 in Jealousy. He appeared as Professor Moriarty in the Basil Rathbone-Nigel Bruce Sherlock Holmes film The Woman in Green (1945). He appeared in other films such as Charlie Chaplin's The Great Dictator (1940) (playing Garbitsch, to sound like "garbage", a parody of Joseph Goebbels), and The Body Snatcher (1945, with Boris Karloff and Bela Lugosi) – as well as two other films in the Sherlock Holmes/Basil Rathbone series: The Voice of Terror (1942) and Sherlock Holmes in Washington (1943) with fellow Moriarty George Zucco. Daniell played the sleazy Baron de Varville opposite Greta Garbo in Camille (1936). Another early triumph was his portrayal of Cecil in The Private Lives of Elizabeth and Essex (1939). He also played the treacherous Lord Wolfingham (no relation to Francis Walsingham) in The Sea Hawk (1940), fighting Errol Flynn in what is often considered one of the most spectacular sword fighting duels ever filmed. When Michael Curtiz cast him in this film, Henry Daniell initially refused because he couldn't fence. Curtiz accomplished the climactic duel through the use of shadows and over-shoulder shots, with a double fencing Flynn with ingenious inter-cutting of their faces. Towards the end of the Second World War, he appeared in one of his most memorable film roles, as the cruel Mr. Brocklehurst in Jane Eyre (1944), opposite Joan Fontaine who played Eyre. That same year he appeared in The Suspect as Charles Laughton's blackmailing next-door neighbour. In the 1950s and 1960s, he did much television, and also appeared as the malevolent Dr. Emil Zurich in Edward L. Cahn's The Four Skulls of Jonathan Drake (1959), and in an episode of Maverick, "Pappy" opposite James Garner the same year. An absolute professional, he was always on the set when needed, and impatient when delays in filming took place. Much in demand for his dry, sardonic delivery, Daniell moved easily from big-budget films, such as (uncredited) Mutiny on the Bounty (1962), to television without difficulty. In 1957, Daniell appeared as King Charles II of England in the NBC anthology series The Joseph Cotten Show in the episode "The Trial of Colonel Blood", with Michael Wilding in the title role. In the same year he played the instructing solicitor to Charles Laughton's leading counsel barrister in Witness for the Prosecution (1957). The actor claimed one of his favourite roles was as Tony Curtis' supervisor in the acclaimed Blake Edwards film Mister Cory (1957) at a time when the actor's career was clearly slowing down, but Daniell retained some of the best and most memorable lines in the movie, "A gentleman never grabs. Manners, Mister Cory. I find them a prerequisite in any circumstance."
Read moreShow less
Biography from TMDB.
- March 4, 1894
- October 31, 1963 (aged 69)
- Barnes, Surrey, UK
- Actor
- 47 on MovieCove · 89 credits in all
What are Henry Daniell's films like?
Across their 33 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 2 · Earnest 29
A split, not a type: Light 13 · Serious 8 · Dark 12
Grounded 12 · Stylized 16 · Heightened 5
Gentle 6 · Charged 20 · Intense 7
A split, not a type: Steady 16 · Shifting 14 · Whiplash 3
A split, not a type: Straight-faced 21 · Some laughs 3 · Funny 9
Slow burn 15 · Even-paced 17 · Relentless 1
Casual 12 · Engaged 19 · Full focus 2
A split, not a type: Easy watch 16 · Affecting 8 · Heavy 9
Resolved 26 · Open-ended 7 · Ambiguous 0
Roles they play
Usually the Shadow: 9 of 13 analyzed roles.
Show the 13 rolesHide the roles
- Shadowas Hugh Lewis in The Unguarded Hour (1936)
- Shadowas Baron de Varville in Camille (1936)
- Heraldas Sir Robert Cecil in The Private Lives of Elizabeth and Essex (1939)
- Shadowas Sir Ronald Dawson in We Are Not Alone (1939)
- Tricksteras Garbitsch in The Great Dictator (1940)
- Shadowas Lord Wolfingham in The Sea Hawk (1940)
- Shadowas William Easter in Sherlock Holmes in Washington (1942)
- Mentoras Dr. Wolfe 'Toddy' MacFarlane in The Body Snatcher (1945)
- Heraldas King William III in Captain Kidd (1945)
- Shadowas Prof. Moriarty in The Woman in Green (1945)
- Shadowas The Regent - William of Pembroke in The Bandit of Sherwood Forest (1946)
- Shadowas Dr. Emil Zurich in The Four Skulls of Jonathan Drake (1959)
- Shadowas Professor Moriarty in The Many Faces of Sherlock Holmes (1985)
Moods and endings
- Happy16
- Bittersweet8
- Tragic6
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Henry Daniell's films?
As of October 24, 2026, 18 of their 47 MovieCove titles stream on a subscription or free service, most on Tubi (7).
Subscription and free streaming for Henry Daniell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
89 credits, 47 with a MovieCove page.

Hitler: The Comedy Years(2007)
Midcredits score: 39th percentile of all films (provisional, few ratings)
Midcredits score: 55th percentile of all films (provisional, few ratings)
My Fair Lady(1964)
Midcredits score: 95th percentile of all films
Mutiny on the Bounty(1962)
Midcredits score: 84th percentile of all films
The Chapman Report(1962)
Midcredits score: 25th percentile of all films
Combat!(1962)
Midcredits score: 96th percentile of all shows
Five Weeks in a Balloon(1962)
Midcredits score: 32nd percentile of all films
The Notorious Landlady(1962)
Midcredits score: 72nd percentile of all films
The Comancheros(1961)
Midcredits score: 74th percentile of all films
Midcredits score: 41st percentile of all films
The Grim Reaper (not in the MovieCove catalog yet)(1961)

Madison Avenue (not in the MovieCove catalog yet)(1961)

The Islanders (not in the MovieCove catalog yet)(1960)

Thriller (not in the MovieCove catalog yet)(1960)
Midcredits score: 28th percentile of all films
Startime (not in the MovieCove catalog yet)(1959)

Riverboat (not in the MovieCove catalog yet)(1959)
Midcredits score: 18th percentile of all films
77 Sunset Strip (not in the MovieCove catalog yet)(1958)

Westinghouse Desilu Playhouse (not in the MovieCove catalog yet)(1958)

Peter Gunn(1958)
Midcredits score: 82nd percentile of all shows
Midcredits score: 99th percentile of all films
The Story of Mankind(1957)
Midcredits score: 11th percentile of all films
Les Girls(1957)
Midcredits score: 68th percentile of all films
Maverick(1957)
Midcredits score: 86th percentile of all shows
Wagon Train(1957)
Midcredits score: 62nd percentile of all shows
The Sun Also Rises(1957)
Midcredits score: 50th percentile of all films
Mister Cory (not in the MovieCove catalog yet)(1957)

Confession (not in the MovieCove catalog yet)(1956)

Lust for Life(1956)
Midcredits score: 89th percentile of all filmsOn Trial (not in the MovieCove catalog yet)(1956)
Midcredits score: 81st percentile of all films
Telephone Time (not in the MovieCove catalog yet)(1956)
The Barretts of Wimpole Street (not in the MovieCove catalog yet)(1956)

Diane(1956)
Midcredits score: 42nd percentile of all films
Matinee Theater (not in the MovieCove catalog yet)(1955)

MGM Parade (not in the MovieCove catalog yet)(1955)

The Prodigal (not in the MovieCove catalog yet)(1955)
Producers' Showcase (not in the MovieCove catalog yet)(1954)

The Egyptian(1954)
Midcredits score: 63rd percentile of all films
Schlitz Playhouse of Stars (not in the MovieCove catalog yet)(1951)
Lux Video Theatre (not in the MovieCove catalog yet)(1950)

Buccaneer's Girl(1950)
Midcredits score: 41st percentile of all films
Lights Out (not in the MovieCove catalog yet)(1949)
The Secret Of St. Ives (not in the MovieCove catalog yet)(1949)

Siren of Atlantis (not in the MovieCove catalog yet)(1949)

Wake of the Red Witch(1948)
Midcredits score: 62nd percentile of all films
Studio One (not in the MovieCove catalog yet)(1948)

The Philco Television Playhouse (not in the MovieCove catalog yet)(1948)

The Exile (not in the MovieCove catalog yet)(1947)

Song of Love (not in the MovieCove catalog yet)(1947)
Midcredits score: 36th percentile of all filmsAngel Street (not in the MovieCove catalog yet)(1946)

Captain Kidd(1945)
Midcredits score: 51st percentile of all films
The Woman in Green(1945)
Midcredits score: 68th percentile of all films
The Body Snatcher(1945)
Midcredits score: 88th percentile of all films
Hotel Berlin (not in the MovieCove catalog yet)(1945)

The Suspect (not in the MovieCove catalog yet)(1945)

Jane Eyre(1943)
Midcredits score: 88th percentile of all films
Watch on the Rhine(1943)
Midcredits score: 81st percentile of all films
Mission to Moscow (not in the MovieCove catalog yet)(1943)
Midcredits score: 71st percentile of all films
Reunion in France(1942)
Midcredits score: 55th percentile of all films
The Great Impersonation (not in the MovieCove catalog yet)(1942)

Nightmare (not in the MovieCove catalog yet)(1942)
Midcredits score: 64th percentile of all films
Castle in the Desert (not in the MovieCove catalog yet)(1942)

Four Jacks and a Jill(1942)
Midcredits score: 20th percentile of all films
The Feminine Touch (not in the MovieCove catalog yet)(1941)

Dressed to Kill (not in the MovieCove catalog yet)(1941)

A Woman's Face(1941)
Midcredits score: 86th percentile of all films
The Philadelphia Story(1940)
Midcredits score: 97th percentile of all films
The Great Dictator(1940)
Midcredits score: 99th percentile of all films
The Sea Hawk(1940)
Midcredits score: 94th percentile of all films
All This, and Heaven Too(1940)
Midcredits score: 90th percentile of all films
We Are Not Alone(1939)
Midcredits score: 80th percentile of all films
Midcredits score: 79th percentile of all films
Marie Antoinette(1938)
Midcredits score: 87th percentile of all films
Holiday(1938)
Midcredits score: 96th percentile of all films
The Firefly(1937)
Midcredits score: 75th percentile of all films
Madame X (not in the MovieCove catalog yet)(1937)

The Thirteenth Chair (not in the MovieCove catalog yet)(1937)

Under Cover of Night (not in the MovieCove catalog yet)(1937)

Camille(1936)
Midcredits score: 87th percentile of all films
The Unguarded Hour(1936)
Midcredits score: 66th percentile of all filmsThe Path of Glory (not in the MovieCove catalog yet)(1934)

The Last of the Lone Wolf (not in the MovieCove catalog yet)(1930)

Jealousy (not in the MovieCove catalog yet)(1929)

The Awful Truth (not in the MovieCove catalog yet)(1929)
Career shape
Star power in the 98th percentile of 239,109 people with a billed film role, over a full career of 88 titles from 1929 to 2007.

Biggest box office
The Great Dictator (1940)

Highest rated
Witness for the Prosecution (1957)

Most popular right now
The Great Dictator (1940)
Film career
Top draw in 8 MovieCove titles.
- 1936Screen debut· Camille
- 1940Breakout· The Great Dictator
- 1940Career best· The Great Dictator
- 1959First top-billed film· The Four Skulls of Jonathan Drake
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Henry Daniell's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 43; across their 33 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up22
- 50th to 74th14
- 25th to 49th8
- Below 25th3
Shape of the crowd
24 of their 47 titles are Crowd Pleasers.
- Universally Loved10
- Crowd Pleaser24
- Broadly Agreed6
- Mixed7
Reviewers score the acting 75/100 in their films, across 31 reviewed titles; fans 82, detractors 49. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Henry Daniell's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs lighter than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Henry Daniell work with?
People who share at least 2 of Henry Daniell's MovieCove titles, grouped by what they did on them; George Cukor shares the most, 5.
Directors
- George CukorShared titles: Les Girls (1957), Lust for Life (1956), The Philadelphia Story (1940), Holiday (1938), Camille (1936)See all 5 shared titles with George Cukor

- Michael CurtizShared titles: The Egyptian (1954), The Sea Hawk (1940), The Private Lives of Elizabeth and Essex (1939)See all 3 shared titles with Michael Curtiz

- Roy William NeillShared titles: The Woman in Green (1945), Sherlock Holmes in Washington (1942)See all 2 shared titles with Roy William Neill

Writers
- Arthur Conan DoyleShared titles: The Woman in Green (1945), Sherlock Holmes and the Voice of Terror (1942), Sherlock Holmes in Washington (1942)See all 3 shared titles with Arthur Conan Doyle

- Casey RobinsonShared titles: The Egyptian (1954), All This, and Heaven Too (1940)See all 2 shared titles with Casey Robinson

- Bertram MillhauserShared titles: The Woman in Green (1945), Sherlock Holmes in Washington (1942)See all 2 shared titles with Bertram Millhauser

- Norman Reilly RaineShared titles: Captain Kidd (1945), The Private Lives of Elizabeth and Essex (1939)See all 2 shared titles with Norman Reilly Raine

Actors
- Basil RathboneShared titles: The Many Faces of Sherlock Holmes (1985), The Woman in Green (1945), Sherlock Holmes and the Voice of Terror (1942), Sherlock Holmes in Washington (1942)See all 4 shared titles with Basil Rathbone

- Nigel BruceShared titles: The Many Faces of Sherlock Holmes (1985), The Woman in Green (1945), Sherlock Holmes and the Voice of Terror (1942), Sherlock Holmes in Washington (1942)See all 4 shared titles with Nigel Bruce

- Reginald OwenShared titles: The Many Faces of Sherlock Holmes (1985), Captain Kidd (1945), Reunion in France (1942)See all 3 shared titles with Reginald Owen

- Errol FlynnShared titles: The Sun Also Rises (1957), The Sea Hawk (1940), The Private Lives of Elizabeth and Essex (1939)See all 3 shared titles with Errol Flynn

Composers and cinematographers
- Max SteinerShared titles: Watch on the Rhine (1943), All This, and Heaven Too (1940), We Are Not Alone (1939)See all 3 shared titles with Max Steiner

- Hugo FriedhoferShared titles: The Sun Also Rises (1957), The Bandit of Sherwood Forest (1946)See all 2 shared titles with Hugo Friedhofer

- Russell HarlanShared titles: Witness for the Prosecution (1957), Lust for Life (1956)See all 2 shared titles with Russell Harlan

- Miklós RózsaShared titles: Diane (1956), Lust for Life (1956)See all 2 shared titles with Miklós Rózsa

Producers
- Hal B. WallisShared titles: Watch on the Rhine (1943), All This, and Heaven Too (1940), The Sea Hawk (1940), The Private Lives of Elizabeth and Essex (1939), We Are Not Alone (1939)See all 5 shared titles with Hal B. Wallis

- Howard BenedictShared titles: The Woman in Green (1945), Sherlock Holmes and the Voice of Terror (1942), Sherlock Holmes in Washington (1942)See all 3 shared titles with Howard Benedict
- Benedict BogeausShared titles: From the Earth to the Moon (1958), Captain Kidd (1945)See all 2 shared titles with Benedict Bogeaus

- Darryl F. ZanuckShared titles: The Sun Also Rises (1957), The Egyptian (1954)See all 2 shared titles with Darryl F. Zanuck

Mixed roles
- John HousemanShared titles: Lust for Life (1956), Jane Eyre (1943)See all 2 shared titles with John Houseman





