Pascale Dauman

What are Pascale Dauman's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pascale Dauman's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

• HBO Max2 titles, browse their movies on this service
  • Paris, Texas (1984) · producer
  • Wings of Desire (1987) · producer
• The Criterion Channel2 titles, browse their movies on this service
  • Paris, Texas (1984) · producer
  • Wings of Desire (1987) · producer
• Pluto TV1 title, browse their movies on this service
  • Paris, Texas (1984) · producer · free
• Tubi1 title, browse their movies on this service
  • Paris, Texas (1984) · producer · free

Subscription and free streaming for Pascale Dauman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

• 

  The Cook, the Thief, His Wife & Her Lover(1989)

  Producer

  Midcredits score: 92nd percentile of all films92^nd
• 

  Wings of Desire(1987)

  Producer

  Midcredits score: 97th percentile of all films97^th
• 

  Paris, Texas(1984)

  Producer

  Midcredits score: 98th percentile of all films98^th

Career shape

Across a limited sample of 3 MovieCove titles from 1984 to 1989.

Biggest box office

The Cook, the Thief, His Wife & Her Lover (1989)

$8.5M worldwide

Highest rated

Paris, Texas (1984)

Midcredits 98^th

How do Pascale Dauman's films land?

Their typical MovieCove film has a Midcredits score in the 97^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 97^th percentile for acclaim.

Shape of the crowd

None of their 3 titles divides audiences: 3 are Universally Loved.

3

• Universally Loved3

Most loved · producer

Paris, Texas (1984)

Midcredits 98^th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Pascale Dauman's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Pascale Dauman work with?

People who share at least 2 of Pascale Dauman's MovieCove titles, grouped by what they did on them; Wim Wenders shares the most, 2.