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Lorena David

Lorena David

Producer, director and editor

Lorena David is a Los-Angeles-bred filmmaker whose career spans producing, directing, and editing feature films, documentaries, short films, and television. While still a student at UC San Diego, she co-founded a film production company—launching her path as a creative leader before even arriving in Hollywood. Soon after, she forged a long-standing partnership with producer Mark Roberts, and together they produced twelve feature films—including the cult comedy “Strangers With Candy” and the indie thriller “Danika,” starring Marisa Tomei. Over that same period, Lorena stepped behind the camera herself to direct four additional features. When the recession slowed independent filmmaking, Lorena pivoted seamlessly into television. She not only became a sought-after reality-TV editor, but also executive produced popular series including the car-competition show “My Ride Rules” (26 episodes for SPEED), the Travel Channel special “Ghostly Lovers,” and CNBC’s “The Car Chasers.” Her editing career has since flourished across major networks—SPIKE, E!, VH1, ABC Family, CNBC, SPEED, BRAVO, Food Network, TLC, and A&E—showcasing her sharp storytelling instincts and versatility. Most recently, Lorena reunited with Mark Roberts for a fresh slate of Christmas films—editing two and, in a triumphant return to the director’s chair, directing and editing a third (THE CHRISTMAS SPARK), marking her full-circle return to moviemaking.

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Biography from TMDB.

Works as
Producer, director and editor
Titles
17 on MovieCove · 22 credits in all
TMDB popularity, last 157 days to Oct 28Down 33% in 30 days

What are Lorena David's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 8 · Serious 0 · Dark 4

A split, not a type: Grounded 6 · Stylized 4 · Heightened 2

Gentle 5 · Charged 5 · Intense 2

A split, not a type: Steady 5 · Shifting 4 · Whiplash 3

A split, not a type: Straight-faced 5 · Some laughs 4 · Funny 3

Slow burn 3 · Even-paced 9 · Relentless 0

Casual 7 · Engaged 4 · Full focus 1

Resolved 8 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Joyful
5
Hopeful
5
Warm
5
Absurd
3
Other
14

How their films end · 2 with a twist

  • Happy5
  • Bittersweet4
  • Ambiguous6
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lorena David's films?

As of October 24, 2026, 10 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Lorena David's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 17 with a MovieCove page.

  • The Christmas Spark(2025)

    Director · Editor

    Midcredits score: 78th percentile of all films
  • Midcredits score: 53rd percentile of all films
  • Midcredits score: 70th percentile of all films
  • Love and Betrayal on the Force(2020)

    Additional Editor · Second Unit Director

    Midcredits score: 44th percentile of all films (provisional, few ratings)
  • Midcredits score: 78th percentile of all shows (provisional, few ratings)
  • Becoming Us(2015)

    Show Editor

    Midcredits score: 6th percentile of all shows
  • I Am Jazz(2015)

    Show Editor

    Midcredits score: 4th percentile of all shows
  • Water & Power(2013)

    Co-Executive Producer

    Midcredits score: 24th percentile of all films
  • Love Just Is (not in the MovieCove catalog yet)(2013)

    Editor

  • Scrappers(2010)

    Show Editor

    Midcredits score: 28th percentile of all shows (provisional, few ratings)
  • The Coverup(2008)

    Producer

    Midcredits score: 24th percentile of all films
  • The Gits (not in the MovieCove catalog yet)(2008)

    Editor

  • Dark Ride(2006)

    Co-Executive Producer

    Midcredits score: 7th percentile of all films
  • Strangers with Candy(2005)

    Producer

    Midcredits score: 49th percentile of all films
  • Danika(2005)

    Producer

    Midcredits score: 25th percentile of all films
  • Extreme Dating(2004)

    Director · Editor

    Midcredits score: 18th percentile of all films
  • Outta Time (not in the MovieCove catalog yet)(2002)

    Director

  • Poor White Trash(2000)

    Producer

    Midcredits score: 18th percentile of all films
  • Eastside (not in the MovieCove catalog yet)(1999)

    Director · Additional Editing

  • Bravo (not in the MovieCove catalog yet)(1998)

    Director

  • Single Action(1998)

    Producer

    Midcredits score: 13th percentile of all films (provisional, few ratings)
  • Plump Fiction(1997)

    Co-Producer

    Midcredits score: 1st percentile of all films

Career shape

A full career of 15 titles from 1997 to 2025.

By role

only this rolewith another role
Directing5 of 15: 3 only directing, 2 with another roleProducing7 of 15: 7 only producing, 0 with another role · typical Midcredits score24thEditing4 of 15: 2 only editing, 2 with another roleOther crew2 of 15: 0 only other crew, 2 with another role

15 titles, 3 with more than one role.

By decade

1990s3 · crew2000s8 · crew2010s2 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Lorena David's films land?

Their typical MovieCove film has a Midcredits score in the 24th percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 22nd percentile for acclaim.

Acclaim · how much people like their films

22ndpercentile
Typical film, the median of 12

Approval · how many liked their films

28thpercentile
Typical film, the median of 12

Reach · how many have seen their films

56thpercentile
Typical film, the median of 12

Midcredits score across 17 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th4
  • Below 25th9

Shape of the crowd

9 of their 17 titles are Mixed.

  • Loved with Detractors1
  • Divisive5
  • Cult Classic1
  • Crowd Pleaser1
  • Mixed9

Reviewers score the atmosphere 52/100 and the pacing 36/100 in their films, across 11 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Lorena David work with?

People who share at least 2 of Lorena David's MovieCove titles, grouped by what they did on them; Mark Roberts shares the most, 12.

Writers

Actors

Composers, cinematographers and editors

Producers