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Jim Davidson

Producer, also actor

Works as
Producer, also actor
Titles
12 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 63 days to Oct 26Up 10% in 30 days

What are Jim Davidson's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Ideas.

Themes

share of theme weight
Bonds
39%
Ideas
23%
Morality
14%
Self
13%
Survival
10%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 0 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 2 · Stylized 1 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 0 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 2 · Shifting 0 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 2 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 2 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Warm
2
Contemplative
1
Thrilling
1
Cold
1
Other
3

How their films linger

Feel-good2 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jim Davidson's films?

As of October 24, 2026, 9 of their 12 MovieCove titles stream on a subscription or free service, most on Paramount+ (4).

Also on these channels

Subscription and free streaming for Jim Davidson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Mindhunter(2017)

    Show 19 episodes · Producer

    Midcredits score: 99th percentile of all shows

  • Gone Girl(2014)

    Associate Producer · Production Accountant

    Midcredits score: 99th percentile of all films

  • The Curious Case of Benjamin Button(2008)

    Production Controller

    Midcredits score: 96th percentile of all films

  • Mission: Impossible III(2006)

    Production Controller

    Midcredits score: 79th percentile of all films

  • Mission: Impossible II(2000)

    Production Accountant

    Midcredits score: 41st percentile of all films

  • Fight Club(1999)

    Production Accountant

    Midcredits score: 99th percentile of all films

  • Wagons East(1994)

    Co-Producer

    Midcredits score: 12th percentile of all films

  • Cliffhanger(1993)

    Associate Producer

    Midcredits score: 61st percentile of all films

  • Basic Instinct(1992)

    Production Accountant

    Midcredits score: 80th percentile of all films

  • Total Recall(1990)

    Production Controller

    Midcredits score: 94th percentile of all films

  • Extreme Prejudice(1987)

    Production Accountant

    Midcredits score: 68th percentile of all films

  • Rambo: First Blood Part II(1985)

    Production Accountant

    Midcredits score: 62nd percentile of all films

Career shape

A full career of 12 titles from 1985 to 2017.

Biggest box office

Gone Girl (2014)

$371M worldwide

Highest rated

Gone Girl (2014)

Midcredits 99th

By role

only this rolewith another role
Producing4 of 12: 3 only producing, 1 with another roleOther crew9 of 12: 8 only other crew, 1 with another role · typical Midcredits score80th

By decade

1980s2 · crew1990s5 · crew2000s3 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jim Davidson's films land?

Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 11; across a limited sample of 4 films with reception data, the typical film sits in the 76th percentile for acclaim.

Acclaim · how much people like their films

76thpercentile
Typical film, the median of 4

Approval · how many liked their films

76thpercentile
Typical film, the median of 4

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 4

Midcredits score across 12 titles, by percentile

  • 75th and up7
  • 50th to 74th3
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

None of their 12 titles divides audiences: 5 are Universally Loved.

  • Universally Loved5
  • Crowd Pleaser5
  • Broadly Agreed1
  • Mixed1

Most loved · producer

Gone Girl (2014)

Midcredits 99th · 91% liked

Reviewers score the acting 75/100 in their films, across 4 reviewed titles; fans 80, detractors 52. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jim Davidson's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 46 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Jim Davidson work with?

People who share at least 2 of Jim Davidson's MovieCove titles, grouped by what they did on them; Lynwood Spinks shares the most, 2.

Producers

Mixed roles