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Motif

Carmel Davies

Editor

Works as
Editor
Titles
7 on Motif · 9 credits in all
TMDB popularity, last 39 days to Oct 28Down 23% in 30 days

What are Carmel Davies' films like?

Across a limited sample of 4 Motif titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 2 · Stylized 2 · Heightened 0

Gentle 0 · Charged 0 · Intense 4

Steady 1 · Shifting 3 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1

A split, not a type: Slow burn 1 · Even-paced 1 · Relentless 2

Casual 1 · Engaged 3 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 0 · Heavy 2

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Melancholic
2
Thrilling
2
Dread
2
Warm
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carmel Davies' films?

As of October 24, 2026, 5 of their 7 Motif titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Carmel Davies' titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 7 with a Motif page.

  • Sand (not in the Motif catalog yet)(2000)

    Additional Editor

  • Bats(1999)

    Assistant Editor

    Midcredits score: 3rd percentile of all films
  • Midcredits score: 62nd percentile of all films
  • Blink of an Eye (not in the Motif catalog yet)(1992)

    Editor

  • Another 48 Hrs.(1990)

    Editor

    Midcredits score: 31st percentile of all films
  • Johnny Handsome(1989)

    Editor

    Midcredits score: 46th percentile of all films
  • Tales from the Crypt(1989)

    Show 2 episodes · Editor

    Midcredits score: 90th percentile of all shows
  • Red Heat(1988)

    Editor

    Midcredits score: 47th percentile of all films
  • Southern Comfort(1981)

    Assistant Editor

    Midcredits score: 83rd percentile of all films

Career shape

A full career of 9 titles from 1981 to 2000.

By role

only this rolewith another role
Editing7 of 9: 7 only editing, 0 with another role · typical Midcredits score47thOther crew2 of 9: 2 only other crew, 0 with another role

By decade

1980s4 · crew1990s4 · crew2000s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Carmel Davies' films land?

Their typical Motif film has a Midcredits score in the 47th percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 4

Approval · how many liked their films

39thpercentile
Typical film, the median of 4

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 4

Midcredits score across 7 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

None of their 7 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Panned1
  • Crowd Pleaser3
  • Broadly Agreed3

Reviewers score the pacing 45/100 in their films, across 4 reviewed titles; fans 55, detractors 29. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Carmel Davies' work okay for kids?

Across a limited sample of up to 4 Motif titles with content scores.

Their medianMedian of all films
Violence & Gore4 titlesmedian 77 · intenseMedian of all films: 44
Sex & Nudity4 titlesmedian 46 · moderateMedian of all films: 32
Profanity4 titlesmedian 74 · intenseMedian of all films: 36
Alcohol & Drugs3 titlesmedian 46 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 58 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Carmel Davies work with?

People who share at least 2 of Carmel Davies' Motif titles, grouped by what they did on them; Walter Hill shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers