Battle Davis
- Editor
- 9 on MovieCove · 11 credits in all
What are Battle Davis' films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 5
A split, not a type: Light 4 · Serious 0 · Dark 2
Grounded 2 · Stylized 2 · Heightened 2
Gentle 1 · Charged 5 · Intense 0
Steady 2 · Shifting 4 · Whiplash 0
Straight-faced 2 · Some laughs 3 · Funny 1
Slow burn 2 · Even-paced 3 · Relentless 1
Casual 4 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 4 · Affecting 0 · Heavy 2
Resolved 5 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy4
- Bittersweet2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Battle Davis' films?
As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Battle Davis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 9 with a MovieCove page.

Renaissance Man(1994)
Midcredits score: 49th percentile of all films
Lethal Weapon 3(1992)
Midcredits score: 68th percentile of all films
Frankie and Johnny(1991)
Midcredits score: 76th percentile of all films
Awakenings(1990)
Midcredits score: 98th percentile of all films
Midcredits score: 72nd percentile of all films
Wild Thing(1987)
Midcredits score: 27th percentile of all films
Little Spies (not in the MovieCove catalog yet)(1986)

Slow Burn (not in the MovieCove catalog yet)(1986)

The Natural(1984)
Midcredits score: 89th percentile of all films
...All the Marbles(1981)
Midcredits score: 59th percentile of all films
The Ninth Configuration(1980)
Midcredits score: 71st percentile of all films
Career shape
A full career of 11 titles from 1980 to 1994.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Battle Davis' films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 9; across their 6 films with reception data, the typical film sits in the 65th percentile for acclaim.
- 75th and up3
- 50th to 74th4
- 25th to 49th2
Shape of the crowd
6 of their 9 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser6
- Mixed1
Reviewers score the pacing 48/100 in their films, across 6 reviewed titles; fans 53, detractors 33. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Battle Davis' work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Battle Davis work with?
People who share at least 2 of Battle Davis' MovieCove titles, grouped by what they did on them; Penny Marshall shares the most, 2.
Directors
- Penny MarshallShared titles: Renaissance Man (1994), Awakenings (1990)See all 2 shared titles with Penny Marshall

Producers
- Amy LemischShared titles: Renaissance Man (1994), Awakenings (1990)See all 2 shared titles with Amy Lemisch
- Elliot AbbottShared titles: Renaissance Man (1994), Awakenings (1990)See all 2 shared titles with Elliot Abbott



