Skip to content
MovieCove

Lisa Day

Editor, also producer

Works as
Editor, also producer
Titles
11 on MovieCove · 16 credits in all
TMDB popularity, last 39 days to Oct 28Up 2% in 30 days

What are Lisa Day's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Society and Bonds.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

Light 7 · Serious 3 · Dark 1

Grounded 4 · Stylized 7 · Heightened 0

Gentle 4 · Charged 6 · Intense 1

Steady 7 · Shifting 3 · Whiplash 1

A split, not a type: Straight-faced 6 · Some laughs 3 · Funny 2

A split, not a type: Slow burn 6 · Even-paced 3 · Relentless 2

Casual 8 · Engaged 3 · Full focus 0

Resolved 10 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
6
Melancholic
4
Absurd
3
Tense
3
Contemplative
3
Other
9

How their films end

  • Happy4
  • Bittersweet3
  • Ambiguous1
  • Cyclical3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lisa Day's films?

As of October 24, 2026, 6 of their 11 MovieCove titles stream on a subscription or free service, most on Disney+ (2).

Subscription and free streaming for Lisa Day's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 11 with a MovieCove page.

  • Eric Clapton - Nothing But The Blues (not in the MovieCove catalog yet)(2022)

    Editor

  • Seeing in the Dark (not in the MovieCove catalog yet)(2007)

    Editor

  • The Soul of a Man(2003)

    Producer

    Midcredits score: 85th percentile of all films
  • Midcredits score: 49th percentile of all films
  • Midcredits score: 42nd percentile of all films
  • Noises Off...(1992)

    Editor

    Midcredits score: 90th percentile of all films
  • To The Moon, Alice (not in the MovieCove catalog yet)(1991)

    Editor

  • White Fang(1991)

    Editor

    Midcredits score: 73rd percentile of all films
  • Midcredits score: 48th percentile of all films
  • Midcredits score: 39th percentile of all films
  • A Vision Shared: A Tribute to Woody Guthrie and Leadbelly (not in the MovieCove catalog yet)(1988)

    Editor

  • Eddie Murphy: Raw(1987)

    Editor

    Midcredits score: 92nd percentile of all films
  • Midcredits score: 95th percentile of all films
  • Home of the Brave: A Film by Laurie Anderson (not in the MovieCove catalog yet)(1986)

    Editor

  • Stop Making Sense(1984)

    Editor

    Midcredits score: 99th percentile of all films
  • Midcredits score: 62nd percentile of all films

Career shape

A full career of 15 titles from 1982 to 2022.

By role

only this rolewith another role
Editing15 of 15: 15 only editing, 0 with another role · typical Midcredits score68th

By decade

1980s8 · crew1990s5 · crew2000s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Lisa Day's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 74th percentile for acclaim.

Acclaim · how much people like their films

74thpercentile
Typical film, the median of 11

Approval · how many liked their films

70thpercentile
Typical film, the median of 11

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 11

Midcredits score across 11 titles, by percentile

  • 75th and up5
  • 50th to 74th2
  • 25th to 49th4

Reviewers score the pacing 55/100 in their films, across 10 reviewed titles; fans 64, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Lisa Day's work okay for kids?

Across up to 5 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 28 · mildMedian of all films: 44
Sex & Nudity5 titles17–73 · median 28 · mildnear the median of all filmsMedian of all films: 32
Profanity4 titlesmedian 47 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 18 · mildMedian of all films: 33
Frightening / Intense4 titlesmedian 27 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.