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Paul G. Day

Paul G. Day

Editor · Born January 28, 1968 (58) · London, Ontario, Canada

Paul has worked for such notable companies as AMC, Paramount, Showtime, FOX, USA Network, ABC, TMN, Disney, Netflix, MTV, Spike, MGM, CBC, Global Television, SyFy, Gaumont Television, NBC, Showcase, and Sony Pictures. Paul is one of the founders of the Canadian Cinema Editors and continues to endlessly pursue improving the profile of editors and elevating the importance of their craft in the world of story-telling.

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Biography from IMDb.

Born
January 28, 1968 (58)
From
London, Ontario, Canada
Works as
Editor
Titles
16 on MovieCove · 22 credits in all
TMDB popularity, last 155 days to Oct 26Down 20% in 30 days

What are Paul G. Day's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 1 · Dark 1

A split, not a type: Grounded 4 · Stylized 1 · Heightened 1

Gentle 2 · Charged 4 · Intense 0

Steady 4 · Shifting 2 · Whiplash 0

Straight-faced 2 · Some laughs 3 · Funny 1

Slow burn 2 · Even-paced 3 · Relentless 1

Casual 4 · Engaged 2 · Full focus 0

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
3
Hopeful
3
Absurd
2
Joyful
2
Other
9

How their films end · 2 with a twist

  • Happy5
  • Bittersweet2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Paul G. Day's films?

As of October 24, 2026, 10 of their 16 MovieCove titles stream on a subscription or free service, most on Prime Video (4).

Subscription and free streaming for Paul G. Day's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 16 with a MovieCove page.

  • Ripple(2025)

    Show Editor

    Midcredits score: 73rd percentile of all shows
  • Fallen(2024)

    Show Editor

    Midcredits score: 41st percentile of all shows
  • Geek Girl(2024)

    Show Editor

    Midcredits score: 39th percentile of all shows
  • Key to Love(2023)

    Editor

    Midcredits score: 48th percentile of all films
  • Wednesday(2022)

    Show 1 episode · Editor

    Midcredits score: 86th percentile of all shows
  • Circuit Breakers(2022)

    Show 1 episode · Editor

    Midcredits score: 7th percentile of all shows
  • The Kings of Napa(2022)

    Show Editor

    Midcredits score: 7th percentile of all shows
  • Midcredits score: 49th percentile of all films
  • Dark Matter (not in the MovieCove catalog yet)(2015)

    Show 1 episode · Director · Editor

  • Hemlock Grove(2013)

    Show 3 episodes · Editor

    Midcredits score: 55th percentile of all shows
  • Lost Girl(2010)

    Show 32 episodes · Editor

    Midcredits score: 81st percentile of all shows
  • The Line (not in the MovieCove catalog yet)(2009)

    Show 15 episodes · Editor

  • The 4400 (not in the MovieCove catalog yet)(2004)

    Show 16 episodes · Editor

  • Dead Like Me(2003)

    Show 7 episodes · Editor

    Midcredits score: 89th percentile of all shows
  • Papertrail (not in the MovieCove catalog yet)(1998)

    Editor

  • First Wave (not in the MovieCove catalog yet)(1998)

    Show 1 episode · Editor

  • Airborne(1998)

    Editor

    Midcredits score: 1st percentile of all films
  • Lethal Tender(1996)

    Editor

    Midcredits score: 6th percentile of all films
  • Hostile Intent(1997)

    Editor

    Midcredits score: 7th percentile of all films
  • Moving Target (not in the MovieCove catalog yet)(1996)

    Editor

  • Electra(1996)

    Editor

    Midcredits score: 7th percentile of all films
  • Midcredits score: 3rd percentile of all films

Career shape

A full career of 16 titles from 1993 to 2023.

By role

only this rolewith another role
Directing1 of 16: 0 only directing, 1 with another roleEditing15 of 16: 14 only editing, 1 with another role · typical Midcredits score48thOther crew1 of 16: 1 only other crew, 0 with another role

By decade

1990s7 · crew2000s3 · crew2010s3 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Paul G. Day's films land?

Their typical MovieCove film has a Midcredits score in the 7th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 11th percentile for acclaim.

Acclaim · how much people like their films

11thpercentile
Typical film, the median of 6

Approval · how many liked their films

9thpercentile
Typical film, the median of 6

Reach · how many have seen their films

39thpercentile
Typical film, the median of 6

Midcredits score across 16 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th4
  • Below 25th7

Shape of the crowd

7 of their 16 titles are Mixed.

  • Universally Loved1
  • Universally Panned2
  • Divisive1
  • Crowd Pleaser5
  • Mixed7

Reviewers score the pacing 36/100 in their films, across 5 reviewed titles; fans 56, detractors 24. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Paul G. Day work with?

People who share at least 2 of Paul G. Day's MovieCove titles, grouped by what they did on them; Julian Grant shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers