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Jeanne De Casalis

Jeanne De Casalis

Actor · Died August 19, 1966, aged 69 · Basutoland, South Africa

From Wikipedia Jeanne de Casalis (22 May 1897 – 19 August 1966) was a Basutoland-born British actress of stage, radio, TV and film. Born in Basutoland as Jeanne Casalis de Pury, she was educated in France, where her businessman father was the proprietor of one of that country's largest corset retailers, Charneaux. She initiated her career in music first, only later beginning to work onstage in London. She appeared on stage in The Mask of Virtue with Vivien Leigh (1935), and in Agatha Christie's The Hollow. Her best-known films were Cottage to Let (1941) and Jamaica Inn (1939). She married English actor Colin Clive, best remembered for Frankenstein (1931), in June 1929, though they were later estranged for several years before his death on 25 June 1937 from tuberculosis. Her second husband, whom she married around 1938, was RAF Wing Commander Cowan Douglas Stephenson; they lived at Hunger Hatch near Ashford, Kent. Jeanne de Casalis died on 19 August 1966. She was 69.

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Biography from TMDB.

Born
May 21, 1897
Died
August 19, 1966 (aged 69)
From
Basutoland, South Africa
Works as
Actor
Titles
4 on Motif · 21 credits in all
TMDB popularity, last 39 days to Oct 28Down 18% in 30 days

What are Jeanne De Casalis' films like?

Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
42%
Bonds
31%
Survival
19%
Power
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

Grounded 2 · Stylized 1 · Heightened 0

Gentle 2 · Charged 1 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 0 · Some laughs 1 · Funny 2

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Roles they play

1 analyzed role

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
3
Warm
2
Absurd
1
Thrilling
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jeanne De Casalis' films?

As of October 24, 2026, 2 of their 4 Motif titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Jeanne De Casalis' titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 4 with a Motif page; 1 appearance as themselves is hidden until asked for.

  • Woman Hater(1948)

    as Clair

    Midcredits score: 37th percentile of all films
  • The Turners of Prospect Road (not in the Motif catalog yet)(1947)

    as Mrs. Webster

  • This Man Is Mine (not in the Motif catalog yet)(1946)

    as Mrs Ferguson

  • Medal for the General (not in the Motif catalog yet)(1944)

    as Lady Frome

  • They Met in the Dark (not in the Motif catalog yet)(1943)

    as Lady with Dog

  • Those Kids from Town (not in the Motif catalog yet)(1942)

    as Sheila

  • Bombsight Stolen(1941)

    as Mrs. Barrington

    Midcredits score: 74th percentile of all films
  • Three Cockeyed Sailors(1940)

    as Mrs. Pilkington

    Midcredits score: 35th percentile of all films
  • Charley's (Big-Hearted) Aunt (not in the Motif catalog yet)(1940)

    as Aunt Lucy

  • The Girl Who Forgot (not in the Motif catalog yet)(1940)

    as Mrs. Barradine

  • Just like a Woman (not in the Motif catalog yet)(1939)

    as Poppy Mayne

  • Jamaica Inn(1939)

    as Sir Humphrey's Dinner Guest

    Midcredits score: 48th percentile of all films
  • Nell Gwyn (not in the Motif catalog yet)(1934)

    as Duchess of Portsmouth

  • Radio Parade (not in the Motif catalog yet)(1933)

    as Mrs. Feather

  • The 'Feather' Bed: A Mrs. Feather Dilemma (not in the Motif catalog yet)(1933)

    as Mrs Feather

  • Nine Till Six (not in the Motif catalog yet)(1932)

    as Yvonne

  • Infatuation (not in the Motif catalog yet)(1930)

    as Georgette

  • Knowing Men (not in the Motif catalog yet)(1930)

    as Delphine (Baronne de Baudun)

  • The Arcadians (not in the Motif catalog yet)(1927)

    as Mrs Smith

  • The Glad Eye (not in the Motif catalog yet)(1927)

    as Lucienne

  • Settled Out of Court (not in the Motif catalog yet)(1925)

    as The Wife

Career shape

Star power in the 24th percentile of 239,109 people with a billed film role, over a full career of 21 titles from 1925 to 1948.

Film career

By role

only this rolewith another role
Acting21 of 21: 21 only acting, 0 with another role

By decade

1920s3 · acting1930s8 · acting1940s10 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Jeanne De Casalis' films land?

Their typical Motif film has a Midcredits score in the 43rd percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 47th percentile for acclaim.

Acclaim · how much people like their films

47thpercentile
Typical film, the median of 3

Approval · how many liked their films

35thpercentile
Typical film, the median of 3

Reach · how many have seen their films

21stpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 50th to 74th1
  • 25th to 49th3

Shape of the crowd

None of their 4 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Mixed2

Reviewers score the acting 67/100 in their films, across 3 reviewed titles; fans 74, detractors 56. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jeanne De Casalis work with?

People who share at least 2 of Jeanne De Casalis' Motif titles; Carla Lehmann shares the most, 2.