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Luis de Pablo

Composer, also actor

Works as
Composer, also actor
Titles
7 on MovieCove · 30 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 5% in 30 days

What are Luis de Pablo's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Power and Self.

Themes

share of theme weight
Power
30%
Self
24%
Society
16%
Survival
16%
Bonds
8%
Morality
6%
Memory2 titles, browse their movies with this themeOppression2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 0 · Serious 3 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 4 · Stylized 1 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 3 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 4 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 2 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 2 · Engaged 2 · Full focus 3

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 2 · Open-ended 2 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
3
Contemplative
3
Dread
2
Warm
2
Other
3

How their films linger

Haunting3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy1
  • Bittersweet2
  • Tragic2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Luis de Pablo's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (4).

Subscription and free streaming for Luis de Pablo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 7 with a MovieCove page.

  • Solo Luis de Pablo (not in the MovieCove catalog yet)(2022)

    as Él mismo

  • El Sur(1983)

    Composer

    Midcredits score: 97th percentile of all films

  • Compañero de viaje (not in the MovieCove catalog yet)(1979)

    Composer

  • ¿Qué hace una chica como tú en un sitio como éste?(1978)

    Composer

    Midcredits score: 12th percentile of all films

  • To an Unknown God (not in the MovieCove catalog yet)(1977)

    Composer

  • The Carrot Queen (not in the MovieCove catalog yet)(1977)

    Composer

  • Pascual Duarte (not in the MovieCove catalog yet)(1976)

    Composer

  • ¡Arriba España! (not in the MovieCove catalog yet)(1976)

    Composer

  • The Spirit of the Beehive(1973)

    Composer

    Midcredits score: 96th percentile of all films

  • Yankee Dudler(1973)

    Composer

    Midcredits score: 11th percentile of all films (provisional, few ratings)

  • Anna and the Wolves(1973)

    Composer

    Midcredits score: 84th percentile of all films

  • Fuenteovejuna (not in the MovieCove catalog yet)(1972)

    Composer

  • Love Letter of a Murderer (not in the MovieCove catalog yet)(1972)

    Composer

  • Goya: A Story of Solitude (not in the MovieCove catalog yet)(1971)

    Composer

  • The Garden of Delights(1970)

    Composer · as Organista (uncredited)

    Midcredits score: 66th percentile of all films

  • Las secretas intenciones (not in the MovieCove catalog yet)(1970)

    Composer

  • Honeycomb (not in the MovieCove catalog yet)(1969)

    Composer

  • Peppermint Frappé (not in the MovieCove catalog yet)(1967)

    Composer

  • Sound of Horror(1966)

    Composer

    Midcredits score: 16th percentile of all films

  • De cuerpo presente (not in the MovieCove catalog yet)(1967)

    Composer

  • Next Fall (not in the MovieCove catalog yet)(1967)

    Composer

  • Los amores difíciles (not in the MovieCove catalog yet)(1967)

    Composer

  • The Last Meeting (not in the MovieCove catalog yet)(1967)

    Composer

  • Javier y los invasores del espacio (not in the MovieCove catalog yet)(1967)

    Composer

  • The Hunt (not in the MovieCove catalog yet)(1966)

    Composer

  • The Mysterious Mr. Van Eyck (not in the MovieCove catalog yet)(1966)

    Composer

  • Double Edged Crime (not in the MovieCove catalog yet)(1965)

    Composer

  • Operación H (not in the MovieCove catalog yet)(1963)

    Composer

  • Tiempo de pasión (not in the MovieCove catalog yet)(1963)

    Music Supervisor

  • A través de San Sebastián (not in the MovieCove catalog yet)(1960)

    Composer

Career shape

A full career of 29 titles from 1960 to 2022.

Biggest box office

The Spirit of the Beehive (1973)

$191K worldwide

Highest rated

El Sur (1983)

Midcredits 97th

Most popular right now

The Spirit of the Beehive (1973)

By role

only this rolewith another role
Acting2 of 29: 1 only acting, 1 with another roleMusic27 of 29: 26 only music, 1 with another role · typical Midcredits score41stOther crew1 of 29: 1 only other crew, 0 with another role

By decade

1960s14 · crew1970s14 · 1 acting · 14 crew2020s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Luis de Pablo's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 67th percentile for acclaim.

Acclaim · how much people like their films

67thpercentile
Typical film, the median of 7

Approval · how many liked their films

63rdpercentile
Typical film, the median of 7

Reach · how many have seen their films

47thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • Below 25th3

Shape of the crowd

None of their 7 titles divides audiences: 2 are Universally Loved.

  • Universally Loved2
  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed2

Most loved · composer

El Sur (1983)

Midcredits 97th · 84% liked

Reviewers score the sound and music 64/100 in their films, across 4 reviewed titles; fans 70, detractors 48. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Luis de Pablo work with?

People who share at least 2 of Luis de Pablo's MovieCove titles, grouped by what they did on them; Pablo G. del Amo shares the most, 5.

Directors

Writers

Actors

Cinematographers and editors

Producers