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Judith de Paul

Producer

Works as
Producer
Titles
3 on MovieCove

What are Judith de Paul's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 1 · Dark 0

Grounded 1 · Stylized 1 · Heightened 1

Gentle 1 · Charged 2 · Intense 0

Steady 1 · Shifting 2 · Whiplash 0

A split, not a type: Straight-faced 1 · Some laughs 0 · Funny 2

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
2
Hopeful
1
Warm
2
Romantic
1
Absurd
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Judith de Paul's films?

As of October 28, 2026, none of Judith de Paul's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Judith de Paul's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

  • Pope John Paul II(1984)

    Producer

    Midcredits score: 57th percentile of all films
  • The Mikado(1982)

    Producer

    Midcredits score: 61st percentile of all films
  • The Sorcerer(1982)

    Producer

    Midcredits score: 67th percentile of all films (provisional, few ratings)

Career shape

Across a limited sample of 3 MovieCove titles from 1982 to 1984.

By role

only this rolewith another role
Producing3 of 3: 3 only producing, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Judith de Paul's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 3

Approval · how many liked their films

67thpercentile
Typical film, the median of 3

Reach · how many have seen their films

24thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 50th to 74th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Judith de Paul work with?

People who share at least 2 of Judith de Paul's MovieCove titles, grouped by what they did on them; W.S. Gilbert shares the most, 2.

Writers

Actors

Composers

Producers