Manuel De Sousa
- Editor
- 8 on MovieCove · 16 credits in all
What are Manuel De Sousa's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 1 · Serious 2 · Dark 2
Grounded 4 · Stylized 1 · Heightened 0
Gentle 1 · Charged 3 · Intense 1
Steady 5 · Shifting 0 · Whiplash 0
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 1
Casual 1 · Engaged 4 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 3
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet2
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Manuel De Sousa's films?
As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Manuel De Sousa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 8 with a MovieCove page.
The Blond Boy from the Casbah (not in the MovieCove catalog yet)(2023)
L'Oubliée d'Amboise(2022)
Midcredits score: 66th percentile of all films
Murders In Toulouse (not in the MovieCove catalog yet)(2020)
Our Children(2019)
Midcredits score: 48th percentile of all films
My Mother Is Crazy (not in the MovieCove catalog yet)(2018)
Murder in Tours (not in the MovieCove catalog yet)(2018)
24 Days(2014)
Midcredits score: 59th percentile of all films
The Nightingale(2013)
Midcredits score: 79th percentile of all films
Midcredits score: 97th percentile of all films
Livid(2011)
Midcredits score: 32nd percentile of all films
Midcredits score: 33rd percentile of all films
Humans (not in the MovieCove catalog yet)(2009)
La Main blanche (not in the MovieCove catalog yet)(2008)
Can You Keep a Secret? (not in the MovieCove catalog yet)(2008)
The Hills Have Eyes(2006)
Midcredits score: 56th percentile of all films
Mixed Marriage (not in the MovieCove catalog yet)(2004)
Career shape
A full career of 15 titles from 2004 to 2023.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Manuel De Sousa's films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 8; across their 5 films with reception data, the typical film sits in the 74th percentile for acclaim.
- 75th and up2
- 50th to 74th3
- 25th to 49th3
Shape of the crowd
3 of their 8 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed3
Reviewers score the pacing 65/100 in their films, across 3 reviewed titles; fans 70, detractors 40. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Manuel De Sousa work with?
People who share at least 2 of Manuel De Sousa's MovieCove titles, grouped by what they did on them; Armand Amar shares the most, 3.
Directors
- Alexandre ArcadyShared titles: 24 Days (2014), What the Day Owes the Night (2012)See all 2 shared titles with Alexandre Arcady
Writers
- Antoine LacomblezShared titles: 24 Days (2014), What the Day Owes the Night (2012)See all 2 shared titles with Antoine Lacomblez
Actors
- Olivier BarthélémyShared titles: 24 Days (2014), What the Day Owes the Night (2012)See all 2 shared titles with Olivier Barthélémy
Composers and cinematographers
- Armand AmarShared titles: 24 Days (2014), The Nightingale (2013), What the Day Owes the Night (2012)See all 3 shared titles with Armand Amar
- Gilles HenryShared titles: 24 Days (2014), What the Day Owes the Night (2012)See all 2 shared titles with Gilles Henry
Producers
- Catherine GrandjeanShared titles: 24 Days (2014), What the Day Owes the Night (2012)See all 2 shared titles with Catherine Grandjean