Christopher De Vore
- Writer
- 3 on MovieCove
Known for
What are Christopher De Vore's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Survival.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 0 · Dark 3
Grounded 1 · Stylized 2 · Heightened 0
Gentle 0 · Charged 0 · Intense 3
Steady 0 · Shifting 3 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 0 · Engaged 2 · Full focus 1
Easy watch 0 · Affecting 0 · Heavy 3
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Christopher De Vore's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Christopher De Vore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.

Hamlet(1990)
Midcredits score: 67th percentile of all films
Frances(1982)
Midcredits score: 85th percentile of all films
The Elephant Man(1980)
Midcredits score: 99th percentile of all films
Career shape
A full career of 3 titles from 1980 to 1990.
How do Christopher De Vore's films land?
Their typical MovieCove film has a Midcredits score in the 85th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 78th percentile for acclaim.
- 75th and up2
- 50th to 74th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
Reviewers score the dialogue 60/100 and the plot and story 51/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Christopher De Vore's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Christopher De Vore work with?
People who share at least 2 of Christopher De Vore's MovieCove titles; Eric Bergren shares the most, 2.
- Eric BergrenShared titles: Frances (1982), The Elephant Man (1980)See all 2 shared titles with Eric Bergren
- Jonathan SangerShared titles: Frances (1982), The Elephant Man (1980)See all 2 shared titles with Jonathan Sanger