Joost de Wolf

What are Joost de Wolf's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Joost de Wolf's films?

As of October 24, 2026, none of Joost de Wolf's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Joost de Wolf's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  A Private Affair(2016)

  Producer

  Midcredits score: 30th percentile of all films30^th
• 

  Publieke werken(2015)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Uncle Hank(2012)

  Producer

  Midcredits score: 72nd percentile of all films72^nd
• 

  Code Blue(2011)

  Producer

  Midcredits score: 30th percentile of all films30^th
• 

  Nothing Personal(2009)

  Producer

  Midcredits score: 79th percentile of all films79^th

Career shape

Across their 5 MovieCove titles from 2009 to 2016.

Biggest box office

Publieke werken (2015)

$1.8M worldwide

Highest rated

Nothing Personal (2009)

Midcredits 79^th

How do Joost de Wolf's films land?

Their typical MovieCove film has a Midcredits score in the 70^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 62^nd percentile for acclaim.

Shape of the crowd

3 of their 5 titles are Crowd Pleasers.

32

• Crowd Pleaser3
• Mixed2

Most divisive · producer

Code Blue (2011)

57^th percentile spread · 30% rated it 4 or lower

Most loved · producer

Nothing Personal (2009)

Midcredits 79^th · 70% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Joost de Wolf work with?

People who share at least 2 of Joost de Wolf's MovieCove titles, grouped by what they did on them; Urszula Antoniak shares the most, 2.