Thomas De Wolfe
- Producer
- 4 on MovieCove
What are Thomas De Wolfe's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 1 · Dark 1
Grounded 4 · Stylized 0 · Heightened 0
A split, not a type: Gentle 1 · Charged 1 · Intense 2
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 2 · Some laughs 2 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Thomas De Wolfe's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Thomas De Wolfe's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.

Saratoga Summer(1995)
Midcredits score: 60th percentile of all films
Murder in High Places(1991)
Midcredits score: 42nd percentile of all films (provisional, few ratings)
Midcredits score: 36th percentile of all films
My Body, My Child(1982)
Midcredits score: 64th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1982 to 1995.
How do Thomas De Wolfe's films land?
Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
3 of their 4 titles are Mixed.
- Cult Classic1
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Thomas De Wolfe work with?
People who share at least 2 of Thomas De Wolfe's MovieCove titles, grouped by what they did on them; Robert M. Reitano shares the most, 2.
Editors
- Robert M. ReitanoShared titles: Murder in Black and White (1990), My Body, My Child (1982)See all 2 shared titles with Robert M. Reitano
Producers
- Herbert BrodkinShared titles: Murder in Black and White (1990), My Body, My Child (1982)See all 2 shared titles with Herbert Brodkin

- Robert BergerShared titles: Murder in Black and White (1990), My Body, My Child (1982)See all 2 shared titles with Robert Berger