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Ricardo DeAngelis

Cinematographer · Born August 17, 1948 (78) · Buenos Aires, Argentina

Born
August 17, 1948 (78)
From
Buenos Aires, Argentina
Works as
Cinematographer
Titles
4 on MovieCove · 29 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 34% in 30 days

What are Ricardo DeAngelis' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
33%
Self
32%
Society
15%
Survival
9%
Morality
8%
Power
4%
Identity2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 1 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 2 · Stylized 1 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 3 · Intense 0

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 3 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 1 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 2 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 1 · Open-ended 1 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
3
Tense
2
Absurd
3
Contemplative
1
Thrilling
1

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ricardo DeAngelis' films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Ricardo DeAngelis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

29 credits, 4 with a MovieCove page.

  • FELIPE (not in the MovieCove catalog yet)(2024)

    Cinematographer

  • Something Wrong (not in the MovieCove catalog yet)(2022)

    Cinematographer

  • Cenizas al mar (not in the MovieCove catalog yet)(2022)

    Cinematographer

  • Finded(2020)

    Cinematographer

    Midcredits score: 19th percentile of all films (provisional, few ratings)

  • Apurimac: The Speaking God (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • The Future(2013)

    Cinematographer

    Midcredits score: 40th percentile of all films

  • To Fool a Thief(2013)

    Cinematographer

    Midcredits score: 55th percentile of all films

  • Ella se lo buscó (not in the MovieCove catalog yet)(2012)

    Color Grading

  • Tropic of Blood (not in the MovieCove catalog yet)(2010)

    Cinematographer

  • Tourists (not in the MovieCove catalog yet)(2009)

    Cinematographer

  • Muñeca (not in the MovieCove catalog yet)(2008)

    Cinematographer

  • The Good Destiny (not in the MovieCove catalog yet)(2006)

    Cinematographer

  • Olga, Victoria Olga (not in the MovieCove catalog yet)(2006)

    Cinematographer

  • Baño de mujeres (not in the MovieCove catalog yet)(2005)

    Cinematographer

  • Play(2005)

    Cinematographer

    Midcredits score: 53rd percentile of all films

  • Raúl Barboza, el sentimiento de abrazar (not in the MovieCove catalog yet)(2003)

    Cinematographer

  • The Vineyard (not in the MovieCove catalog yet)(2000)

    Cinematographer

  • Tiempo final (not in the MovieCove catalog yet)(2000)

    Show 23 episodes · Production Manager

  • Tato's Argentina (not in the MovieCove catalog yet)(1999)

    Show 6 episodes · Cinematographer

  • Collateral Man (not in the MovieCove catalog yet)(1997)

    Show 1 episode · Cinematographer

  • Cops (not in the MovieCove catalog yet)(1997)

    Cinematographer

  • A Place in the World (not in the MovieCove catalog yet)(1992)

    Cinematographer

  • Flop (not in the MovieCove catalog yet)(1990)

    Cinematographer

  • Man Facing Southeast (not in the MovieCove catalog yet)(1987)

    Cinematographer

  • The Surgeons Use Their Hands (not in the MovieCove catalog yet)(1980)

    Camera Operator

  • Natasha (not in the MovieCove catalog yet)(1974)

    Assistant Camera

  • Painted Lips (not in the MovieCove catalog yet)(1974)

    Assistant Camera

  • Autocine mon amour (not in the MovieCove catalog yet)(1972)

    Actor

  • Carlo Urbani – Ho atto dei miei sogni la mia vita (not in the MovieCove catalog yet)

    Director · Producer

Career shape

A full career of 29 titles, 28 of them dated from 1972 to 2024.

Biggest box office

To Fool a Thief (2013)

$1.1M worldwide

Highest rated

To Fool a Thief (2013)

Midcredits 55th

Most popular right now

The Future (2013)

By role

only this rolewith another role
Acting1 of 29: 1 only acting, 0 with another roleDirecting1 of 29: 0 only directing, 1 with another roleProducing1 of 29: 0 only producing, 1 with another roleCinematography22 of 29: 22 only cinematography, 0 with another roleOther crew5 of 29: 5 only other crew, 0 with another role

By decade

1970s3 · 1 acting · 2 crew1980s2 · crew1990s5 · crew2000s9 · crew2010s5 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Ricardo DeAngelis' films land?

Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 4

Approval · how many liked their films

42ndpercentile
Typical film, the median of 4

Reach · how many have seen their films

40thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th2
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

  • Cult Classic1
  • Crowd Pleaser2
  • Broadly Agreed1

Most divisive · cinematographer

Finded (2020)

84th percentile spread · 40% rated it 4 or lower

Most loved · cinematographer

To Fool a Thief (2013)

Midcredits 55th · 49% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ricardo DeAngelis work with?

People who share at least 2 of Ricardo DeAngelis' MovieCove titles; Alicia Scherson shares the most, 2.