Agnès Delahaie
- Producer
- 3 on MovieCove · 7 credits in all
What are Agnès Delahaie's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 0 · Dark 3
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 0 · Intense 2
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 1 · Heavy 2
A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Agnès Delahaie's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (2).
Subscription and free streaming for Agnès Delahaie's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 3 with a MovieCove page.
The Other Truth (not in the MovieCove catalog yet)(1966)
The Trial of Joan of Arc(1962)
Midcredits score: 90th percentile of all films
Pickpocket(1959)
Midcredits score: 92nd percentile of all films
End of Desire (not in the MovieCove catalog yet)(1958)
Gervaise(1956)
Midcredits score: 87th percentile of all films
Three Women (not in the MovieCove catalog yet)(1952)
Justice Is Done (not in the MovieCove catalog yet)(1950)
Career shape
A full career of 7 titles from 1950 to 1966.
How do Agnès Delahaie's films land?
Their typical MovieCove film has a Midcredits score in the 90th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 88th percentile for acclaim.
- 75th and up3
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Agnès Delahaie work with?
People who share at least 2 of Agnès Delahaie's MovieCove titles; Robert Bresson shares the most, 2.
- Robert BressonShared titles: The Trial of Joan of Arc (1962), Pickpocket (1959)See all 2 shared titles with Robert Bresson
- Léonce-Henri BurelShared titles: The Trial of Joan of Arc (1962), Pickpocket (1959)See all 2 shared titles with Léonce-Henri Burel