Norman Deming
- Producer
- 5 on MovieCove
What are Norman Deming's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 2 · Serious 2 · Dark 1
Grounded 0 · Stylized 3 · Heightened 2
Gentle 0 · Charged 4 · Intense 1
Steady 3 · Shifting 1 · Whiplash 1
Straight-faced 2 · Some laughs 3 · Funny 0
Slow burn 0 · Even-paced 5 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Norman Deming's films?
As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Norman Deming's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Double Exposure(1982)
Midcredits score: 11th percentile of all films
His Majesty O'Keefe(1954)
Midcredits score: 47th percentile of all films
The Crimson Pirate(1952)
Midcredits score: 86th percentile of all films
The Flame and the Arrow(1950)
Midcredits score: 77th percentile of all films
Midcredits score: 72nd percentile of all films
Career shape
Across their 5 MovieCove titles from 1948 to 1982.
How do Norman Deming's films land?
Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 70th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 5 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Norman Deming work with?
People who share at least 2 of Norman Deming's MovieCove titles, grouped by what they did on them; Burt Lancaster shares the most, 4.
Actors
- Burt LancasterShared titles: His Majesty O'Keefe (1954), The Crimson Pirate (1952), The Flame and the Arrow (1950), Kiss the Blood Off My Hands (1948)See all 4 shared titles with Burt Lancaster
- Nick CravatShared titles: The Crimson Pirate (1952), The Flame and the Arrow (1950)See all 2 shared titles with Nick Cravat
Cinematographers
- Otto HellerShared titles: His Majesty O'Keefe (1954), The Crimson Pirate (1952)See all 2 shared titles with Otto Heller
Producers
- Harold HechtShared titles: His Majesty O'Keefe (1954), The Crimson Pirate (1952), The Flame and the Arrow (1950), Kiss the Blood Off My Hands (1948)See all 4 shared titles with Harold Hecht