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Albert DeMond

Writer, also producer

Works as
Writer, also producer
Titles
18 on MovieCove · 99 credits in all
TMDB popularity, last 38 days to Oct 27Down 15% in 30 days

What are Albert DeMond's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category

Light 15 · Serious 2 · Dark 1

Grounded 16 · Stylized 2 · Heightened 0

A split, not a type: Gentle 9 · Charged 8 · Intense 1

Steady 12 · Shifting 6 · Whiplash 0

Straight-faced 4 · Some laughs 9 · Funny 5

Slow burn 7 · Even-paced 11 · Relentless 0

Casual 12 · Engaged 5 · Full focus 1

Resolved 14 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Joyful
8
Thrilling
6
Absurd
6
Warm
3
Other
9

How their films end · 4 with a twist

  • Happy15
  • Bittersweet1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Albert DeMond's films?

As of October 24, 2026, 13 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (11).

Subscription and free streaming for Albert DeMond's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

99 credits, 18 with a MovieCove page.

  • Cyclotrode 'X'(1966)

    Writer

    Midcredits score: 20th percentile of all films (provisional, few ratings)
  • D-Day on Mars (not in the MovieCove catalog yet)(1966)

    Screenplay

  • Midcredits score: 36th percentile of all films
  • Desperadoes' Outpost (not in the MovieCove catalog yet)(1952)

    Writer

  • Old Oklahoma Plains (not in the MovieCove catalog yet)(1952)

    Story

  • Border Saddlemates (not in the MovieCove catalog yet)(1952)

    Writer

  • Pals of the Golden West(1951)

    Screenplay

    Midcredits score: 33rd percentile of all films
  • Million Dollar Pursuit (not in the MovieCove catalog yet)(1951)

    Screenplay · Story

  • Trial Without Jury (not in the MovieCove catalog yet)(1950)

    Screenplay

  • Federal Agent at Large (not in the MovieCove catalog yet)(1950)

    Screenplay

  • Unmasked (not in the MovieCove catalog yet)(1950)

    Screenplay

  • Alias the Champ (not in the MovieCove catalog yet)(1949)

    Writer

  • Flame of Youth (not in the MovieCove catalog yet)(1949)

    Story

  • The Red Menace (not in the MovieCove catalog yet)(1949)

    Screenplay · Story

  • Prince of the Plains (not in the MovieCove catalog yet)(1949)

    Writer

  • Duke of Chicago (not in the MovieCove catalog yet)(1949)

    Screenplay

  • King of the Gamblers (not in the MovieCove catalog yet)(1948)

    Screenplay

  • Madonna of the Desert (not in the MovieCove catalog yet)(1948)

    Screenplay

  • The Wild Frontier (not in the MovieCove catalog yet)(1947)

    Writer

  • Blackmail (not in the MovieCove catalog yet)(1947)

    Additional Dialogue

  • The Crimson Ghost (not in the MovieCove catalog yet)(1946)

    Screenplay

  • Daughter of Don Q (not in the MovieCove catalog yet)(1946)

    Screenplay

  • King of the Forest Rangers (not in the MovieCove catalog yet)(1946)

    Screenplay

  • Shock(1946)

    Story

    Midcredits score: 49th percentile of all films
  • The Phantom Rider (not in the MovieCove catalog yet)(1946)

    Screenplay

  • The Purple Monster Strikes (not in the MovieCove catalog yet)(1945)

    Screenplay

  • Trail of Kit Carson (not in the MovieCove catalog yet)(1945)

    Screenplay

  • Federal Operator 99 (not in the MovieCove catalog yet)(1945)

    Screenplay

  • Midcredits score: 62nd percentile of all films
  • Code of the Prairie (not in the MovieCove catalog yet)(1944)

    Screenplay

  • Shadow of Suspicion(1944)

    Screenplay

    Midcredits score: 38th percentile of all films
  • Call of the South Seas (not in the MovieCove catalog yet)(1944)

    Screenplay

  • Beneath Western Skies (not in the MovieCove catalog yet)(1944)

    Screenplay · Story

  • Riders of the Rio Grande (not in the MovieCove catalog yet)(1943)

    Screenplay

  • Ridin' Down the Canyon(1942)

    Screenplay

    Midcredits score: 59th percentile of all films
  • Valley of Hunted Men (not in the MovieCove catalog yet)(1942)

    Screenplay

  • Phantom Killer(1942)

    Story

    Midcredits score: 12th percentile of all films
  • Raiders of the Range (not in the MovieCove catalog yet)(1942)

    Story

  • West of Cimarron(1941)

    Screenplay

    Midcredits score: 27th percentile of all films (provisional, few ratings)
  • Gauchos of El Dorado (not in the MovieCove catalog yet)(1941)

    Writer

  • Outlaws of Cherokee Trail (not in the MovieCove catalog yet)(1941)

    Screenplay

  • Gangs of Sonora (not in the MovieCove catalog yet)(1941)

    Screenplay

  • Saddlemates (not in the MovieCove catalog yet)(1941)

    Screenplay

  • The Great Swindle (not in the MovieCove catalog yet)(1941)

    Writer

  • The Great Plane Robbery (not in the MovieCove catalog yet)(1940)

    Writer

  • Fugitive from a Prison Camp (not in the MovieCove catalog yet)(1940)

    Writer

  • Passport to Alcatraz (not in the MovieCove catalog yet)(1940)

    Writer

  • Outside the Three-Mile Limit (not in the MovieCove catalog yet)(1940)

    Screenplay · Story

  • Sweepstakes Winner (not in the MovieCove catalog yet)(1939)

    Screenplay

  • Women in the Wind(1939)

    Screenplay

    Midcredits score: 44th percentile of all films
  • Torchy Gets Her Man(1938)

    Screenplay

    Midcredits score: 56th percentile of all films
  • Little Miss Thoroughbred (not in the MovieCove catalog yet)(1938)

    Screenplay · Story

  • Blondes at Work (not in the MovieCove catalog yet)(1938)

    Screenplay

  • Girls Can Play (not in the MovieCove catalog yet)(1937)

    Story

  • Woman in Distress (not in the MovieCove catalog yet)(1937)

    Screenplay

  • North of Nome (not in the MovieCove catalog yet)(1936)

    Screenplay

  • Navy Born (not in the MovieCove catalog yet)(1936)

    Screenplay

  • The Leavenworth Case (not in the MovieCove catalog yet)(1936)

    Screenplay

  • The Spanish Cape Mystery (not in the MovieCove catalog yet)(1935)

    Screenplay

  • Unknown Woman (not in the MovieCove catalog yet)(1935)

    Screenplay

  • Storm Over the Andes (not in the MovieCove catalog yet)(1935)

    Screenplay

  • The Perfect Clue (not in the MovieCove catalog yet)(1935)

    Screenplay

  • Death Flies East (not in the MovieCove catalog yet)(1935)

    Writer

  • Midcredits score: 6th percentile of all films (provisional, few ratings)
  • Lost in the Stratosphere(1934)

    Screenplay

    Midcredits score: 3rd percentile of all films
  • No Ransom (not in the MovieCove catalog yet)(1934)

    Writer

  • Two Heads on a Pillow (not in the MovieCove catalog yet)(1934)

    Writer

  • Take the Stand (not in the MovieCove catalog yet)(1934)

    Writer

  • The Loudspeaker(1934)

    Screenplay

    Midcredits score: 21st percentile of all films (provisional, few ratings)
  • House of Mystery (not in the MovieCove catalog yet)(1934)

    Screenplay

  • School for Girls (not in the MovieCove catalog yet)(1934)

    Screenplay

  • Above the Clouds (not in the MovieCove catalog yet)(1933)

    Screenplay

  • Shadows of Sing Sing (not in the MovieCove catalog yet)(1933)

    Screenplay

  • The Sweetheart of Sigma Chi (not in the MovieCove catalog yet)(1933)

    Screenplay

  • Skyway(1933)

    Screenplay

    Midcredits score: 17th percentile of all films (provisional, few ratings)
  • The Sphinx(1933)

    Writer

    Midcredits score: 23rd percentile of all films
  • Boo (not in the MovieCove catalog yet)(1932)

    Director · Producer · Writer

  • The Unshod Maiden (not in the MovieCove catalog yet)(1932)

    Director · Writer

  • Virtuous Husband(1931)

    Producer

    Midcredits score: 69th percentile of all films (provisional, few ratings)
  • Little Accident (not in the MovieCove catalog yet)(1930)

    Associate Producer

  • The Cohens and the Kellys in Scotland (not in the MovieCove catalog yet)(1930)

    Scenario Writer

  • Dames Ahoy (not in the MovieCove catalog yet)(1930)

    Screenplay

  • Skinner Steps Out (not in the MovieCove catalog yet)(1929)

    Writer

  • The Love Trap (not in the MovieCove catalog yet)(1929)

    Title Designer

  • Modern Love (not in the MovieCove catalog yet)(1929)

    Writer

  • It Can Be Done (not in the MovieCove catalog yet)(1929)

    Screenplay

  • The Shakedown (not in the MovieCove catalog yet)(1929)

    Writer

  • Red Hot Speed (not in the MovieCove catalog yet)(1929)

    Writer

  • Give and Take (not in the MovieCove catalog yet)(1928)

    Scenario Writer · Writer

  • How to Handle Women (not in the MovieCove catalog yet)(1928)

    Writer

  • Honeymoon Flats (not in the MovieCove catalog yet)(1928)

    Title Graphics

  • The Count of Ten (not in the MovieCove catalog yet)(1928)

    Writer

  • The Cohens and the Kellys in Paris (not in the MovieCove catalog yet)(1928)

    Writer

  • Speedy(1928)

    Writer

    Midcredits score: 94th percentile of all films
  • That's My Daddy (not in the MovieCove catalog yet)(1927)

    Writer

  • The Irresistible Lover (not in the MovieCove catalog yet)(1927)

    Writer

  • Silk Stockings (not in the MovieCove catalog yet)(1927)

    Writer

  • Love Me and the World Is Mine (not in the MovieCove catalog yet)(1927)

    Writer

  • The Love Thrill (not in the MovieCove catalog yet)(1927)

    Writer

Career shape

A full career of 96 titles from 1927 to 1966.

By role

only this rolewith another role
Directing2 of 96: 0 only directing, 2 with another roleWriting92 of 96: 90 only writing, 2 with another role · typical Midcredits score33rdProducing2 of 96: 1 only producing, 1 with another roleOther crew3 of 96: 3 only other crew, 0 with another role

By decade

1920s16 · crew1930s33 · crew1940s37 · crew1950s9 · crew1960s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Albert DeMond's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 18; across their 18 films with reception data, the typical film sits in the 39th percentile for acclaim.

Acclaim · how much people like their films

39thpercentile
Typical film, the median of 18

Approval · how many liked their films

33rdpercentile
Typical film, the median of 18

Reach · how many have seen their films

14thpercentile
Typical film, the median of 18

Midcredits score across 18 titles, by percentile

  • 75th and up1
  • 50th to 74th4
  • 25th to 49th6
  • Below 25th7

Shape of the crowd

8 of their 18 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser3
  • Broadly Agreed4
  • Mixed8

Reviewers score the dialogue 47/100 and the plot and story 44/100 in their films, across 16 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Albert DeMond work with?

People who share at least 2 of Albert DeMond's MovieCove titles, grouped by what they did on them; Roy Barcroft shares the most, 4.

Directors

Writers

Actors

Cinematographers and editors

Producers