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Ira Deutchman

Ira Deutchman

Producer, also director and actor · Born March 24, 1953 (73)

Ira Deutchman has been making, marketing and distributing films since 1975, having worked on over 150 films including some of the most successful independent films of all time. He was one of the founders of Cinecom and later created Fine Line Features-two companies that were created from scratch and in their respective times, helped define the independent film business. Deutchman is a consultant in marketing and distribution of independent films. Among his clients is Istituto Luce Cinecitta, for which he promotes Italian cinema in the U.S. He is also a Professor of Professional Practice in the School of the Arts at Columbia University, where he was the Chair of the Film Program from 2011-2015. Among the over 60 films he acquired and released at Fine Line were Jane Campion's "An Angel at My Table," Gus van Sant's "My Own Private Idaho," Jim Jarmusch's "Night on Earth," Robert Altman's "The Player" and "Short Cuts," Roman Polanski's "Bitter Moon" and "Death and the Maiden," Alan Rudolph's "Mrs. Parker and the Vicious Circle, " Mike Leigh's "Naked," and the award-winning "Hoop Dreams," which in its time was the highest grossing non-music documentary in history. Other films Deutchman has worked on were "Sex, Lies, and Videotape," "To Sleep with Anger," "Metropolitan," "A Room with a View," "Stop Making Sense," "El Norte," and "The Brother from Another Planet." His screen credits include Associate Producer of John Sayles' "Matewan;" Executive Producer of Jonathan Demme's "Swimming to Cambodia," Gary Sinise's "Miles From Home," Paul Bartel's "Scenes from the Class Struggle in Beverly Hills," Matty Rich's "Straight Out of Brooklyn," Stephen Gyllenhaal's "Waterland," Maggie Greenwald's "The Ballad of Little Jo," Alan Rudolph's "Mrs. Parker & the Vicious Circle," Paul Auster's "Lulu On the Bridge," Wayne Wang's "Center of the World," Daniel Noah's "Twelve," Anthony Jaswinski's "Killing Time," Loren-Paul Caplin's "The Lucky Ones," Amy Wadell's "Brothel" and Georgia Lee's "Red Doors;" and Co-Producer of David Anspaugh's "The Game of Their Lives." Deutchman was the Producer of Tony Vitale's "Kiss Me, Guido," Sarah Kernochan's "All I Wanna Do," Mark Christopher's "54," Adam Davidson's "Way Past Cool," Bob Gale's "Interstate 60," Tanya Wexler's "Relative Evil," Ann Hu's "Beauty Remains" and Ed Radtke's "Speed of Life." He was also Consulting Producer on the CBS sitcom "Some of My Best Friends." In 2017, Deutchman was awarded the Spotlight Lifetime Achievement Award by the Sundance Art House Convergence for his service to independent film marketing and distribution. He is a graduate of Northwestern University, with a major in film.

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Biography from IMDb.

Born
March 24, 1953 (73)
Works as
Producer, also director and actor
Titles
20 on MovieCove · 24 credits in all
TMDB popularity, last 37 days to Oct 26Up 61% in 30 days

What are Ira Deutchman's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 10 · Serious 5 · Dark 5

Grounded 14 · Stylized 4 · Heightened 2

Gentle 6 · Charged 12 · Intense 2

A split, not a type: Steady 10 · Shifting 9 · Whiplash 1

A split, not a type: Straight-faced 10 · Some laughs 6 · Funny 4

Slow burn 13 · Even-paced 7 · Relentless 0

Casual 8 · Engaged 11 · Full focus 1

A split, not a type: Resolved 12 · Open-ended 4 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
10
Warm
9
Melancholic
9
Tense
5
Hopeful
6
Other
12

How their films end · 2 with a twist

  • Happy7
  • Bittersweet6
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ira Deutchman's films?

As of October 24, 2026, 10 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Ira Deutchman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 20 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • Searching for Mr. Rugoff(2019)

    Director · Producer · as Self

    Midcredits score: 81st percentile of all films
  • Gimme the Loot(2012)

    Stunts

    Midcredits score: 68th percentile of all films
  • Brothel(2008)

    Producer

    Midcredits score: 3rd percentile of all films
  • Honeydripper(2007)

    Associate Producer

    Midcredits score: 68th percentile of all films
  • The Speed of Life(2007)

    Producer

    Midcredits score: 67th percentile of all films
  • The Game of Their Lives(2005)

    Co-Producer

    Midcredits score: 45th percentile of all films
  • Red Doors(2005)

    Producer

    Midcredits score: 52nd percentile of all films
  • Way Past Cool (not in the MovieCove catalog yet)(2003)

    Producer

  • The Lucky Ones(2003)

    Producer

    Midcredits score: 72nd percentile of all films (provisional, few ratings)
  • Interstate 60(2002)

    Producer

    Midcredits score: 93rd percentile of all films
  • Relative Evil (not in the MovieCove catalog yet)(2001)

    Producer

  • The Center of the World(2001)

    Executive Producer

    Midcredits score: 34th percentile of all films
  • Lulu on the Bridge(1998)

    Executive Producer

    Midcredits score: 50th percentile of all films
  • 54(1998)

    Producer

    Midcredits score: 32nd percentile of all films
  • All I Wanna Do!(1998)

    Producer

    Midcredits score: 74th percentile of all films
  • Kiss Me, Guido(1997)

    Producer

    Midcredits score: 42nd percentile of all films
  • Mrs. Parker and the Vicious Circle(1994)

    Executive Producer

    Midcredits score: 59th percentile of all films
  • The Ballad of Little Jo(1993)

    Executive Producer

    Midcredits score: 67th percentile of all films
  • Waterland(1992)

    Executive Producer

    Midcredits score: 63rd percentile of all films
  • Straight Out of Brooklyn (not in the MovieCove catalog yet)(1991)

    Executive Producer

  • Midcredits score: 46th percentile of all films
  • Miles from Home(1988)

    Producer

    Midcredits score: 30th percentile of all films
  • Matewan(1987)

    Associate Producer

    Midcredits score: 97th percentile of all films
  • Swimming to Cambodia (not in the MovieCove catalog yet)(1987)

    Co-Executive Producer

Career shape

A full career of 20 titles from 1987 to 2019.

By role

only this rolewith another role
Directing1 of 20: 0 only directing, 1 with another roleProducing19 of 20: 18 only producing, 1 with another role · typical Midcredits score63rdOther crew1 of 20: 1 only other crew, 0 with another role

By decade

1980s3 · crew1990s8 · crew2000s7 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ira Deutchman's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 20; across their 20 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 20

Approval · how many liked their films

56thpercentile
Typical film, the median of 20

Reach · how many have seen their films

66thpercentile
Typical film, the median of 20

Midcredits score across 20 titles, by percentile

  • 75th and up3
  • 50th to 74th10
  • 25th to 49th6
  • Below 25th1

Shape of the crowd

8 of their 20 titles are Crowd Pleasers.

  • Universally Loved2
  • Cult Classic2
  • Crowd Pleaser8
  • Broadly Agreed1
  • Mixed7

Reviewers score the atmosphere 67/100 and the pacing 36/100 in their films, across 17 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ira Deutchman's work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 28 · mildMedian of all films: 44
Sex & Nudity6 titles21–56 · median 51 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 64 · intenseMedian of all films: 36
Alcohol & Drugs3 titlesmedian 70 · intenseMedian of all films: 33
Frightening / Intense3 titlesmedian 23 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Ira Deutchman work with?

People who share at least 2 of Ira Deutchman's MovieCove titles, grouped by what they did on them; Peter Newman shares the most, 5.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles