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Mario Di Biase

Producer

Works as
Producer
Titles
3 on MovieCove

What are Mario Di Biase's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

Themes

share of theme weight
Bonds
32%
Power
28%
Self
20%
Morality
10%
Survival
10%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 1 · Wry 0 · Earnest 2

Light 2 · Serious 1 · Dark 0

A split, not a type: Grounded 0 · Stylized 1 · Heightened 2

Gentle 0 · Charged 3 · Intense 0

Steady 0 · Shifting 3 · Whiplash 0

Straight-faced 1 · Some laughs 2 · Funny 0

Slow burn 0 · Even-paced 3 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Romantic
2
Thrilling
1
Tense
1
Melancholic
1
Absurd
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mario Di Biase's films?

As of October 28, 2026, none of Mario Di Biase's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Mario Di Biase's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

  • Paprika(1991)

    Producer

    Midcredits score: 40th percentile of all films
  • Snack Bar Budapest(1988)

    Producer

    Midcredits score: 11th percentile of all films
  • The Thief of Baghdad(1961)

    Producer

    Midcredits score: 58th percentile of all films

Career shape

Across a limited sample of 3 MovieCove titles from 1961 to 1991.

By role

only this rolewith another role
Producing3 of 3: 3 only producing, 0 with another role

By decade

1960s1 · crew1980s1 · crew1990s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Mario Di Biase's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 3

Approval · how many liked their films

36thpercentile
Typical film, the median of 3

Reach · how many have seen their films

55thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 50th to 74th1
  • 25th to 49th1
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mario Di Biase work with?

People who share at least 2 of Mario Di Biase's MovieCove titles, grouped by what they did on them; Tinto Brass shares the most, 2.

Directors

Actors

Producers