Giovanni Di Clemente

What are Giovanni Di Clemente's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Giovanni Di Clemente's films?

As of October 24, 2026, 2 of their 7 MovieCove titles stream on a subscription or free service, most on Prime Video (2).

• Prime Video2 titles, browse their movies on this service
  • 'O re (1989) · producer
  • Conquest (1983) · writer, producer
• Fandor1 title, browse their movies on this service
  • Conquest (1983) · writer, producer
• The Roku Channel1 title, browse their movies on this service
  • Conquest (1983) · writer, producer · free
• Tubi1 title, browse their movies on this service
  • Conquest (1983) · writer, producer · free

Subscription and free streaming for Giovanni Di Clemente's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

• 

  'O re(1989)

  Producer

  Midcredits score: 60th percentile of all films60^th
• 

  The Devils of Monza(1987)

  Producer

  Midcredits score: 20th percentile of all films20^th
• 

  The Rogues(1987)

  Producer

  Midcredits score: 50th percentile of all films50^th
• 

  Let's Hope It's a Girl(1986)

  Producer

  Midcredits score: 68th percentile of all films68^th
• 

  Conquest(1983)

  Producer · Writer

  Midcredits score: 26th percentile of all films26^th
• 

  Segni particolari: bellissimo(1983)

  Producer

  Midcredits score: 44th percentile of all films44^th
• 

  The Nun and the Devil(1973)

  Producer

  Midcredits score: 20th percentile of all films20^th

Career shape

Across their 7 MovieCove titles from 1973 to 1989.

Biggest box office

Segni particolari: bellissimo (1983)

$54K worldwide

Highest rated

Let's Hope It's a Girl (1986)

Midcredits 68^th

Most popular right now

The Nun and the Devil (1973)

How do Giovanni Di Clemente's films land?

Their typical MovieCove film has a Midcredits score in the 44^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 49^th percentile for acclaim.

Shape of the crowd

3 of their 7 titles are Crowd Pleasers.

1312

• Cult Classic1
• Crowd Pleaser3
• Broadly Agreed1
• Mixed2

Most divisive · producer

The Devils of Monza (1987)

79^th percentile spread · 35% rated it 4 or lower

Most loved · producer

Let's Hope It's a Girl (1986)

Midcredits 68^th · 58% liked

Reviewers score the dialogue 48/100 and the plot and story 46/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Giovanni Di Clemente work with?

People who share at least 2 of Giovanni Di Clemente's MovieCove titles, grouped by what they did on them; Ruggero Mastroianni shares the most, 3.