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Jim Di Gangi

Producer · Died August 26, 1976, aged 65

Born
June 16, 1911
Died
August 26, 1976 (aged 65)
Works as
Producer
Titles
16 on MovieCove · 18 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27

What are Jim Di Gangi's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

Themes

share of theme weight
Bonds
23%
Power
21%
Society
21%
Morality
14%
Survival
12%
Self
9%
Prejudice2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 2 · Serious 0 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 4 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 3 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 3 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 4 · Some laughs 0 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 3 · Even-paced 2 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 3 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 4

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 2 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
4
Warm
3
Thrilling
1
Absurd
1
Other
1

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Bittersweet2
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jim Di Gangi's films?

As of October 24, 2026, 11 of their 16 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for Jim Di Gangi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 16 with a MovieCove page.

  • For Pete's Sake(1974)

    Production Manager

    Midcredits score: 51st percentile of all films

  • Shamus(1973)

    Associate Producer

    Midcredits score: 41st percentile of all films

  • Child's Play(1972)

    Unit Production Manager

    Midcredits score: 48th percentile of all films

  • The Steagle(1971)

    Producer

    Midcredits score: 10th percentile of all films

  • The Last of the Mobile Hot Shots(1970)

    Associate Producer

    Midcredits score: 16th percentile of all films

  • Uptight(1968)

    Associate Producer

    Midcredits score: 87th percentile of all films

  • The Night They Raided Minsky's(1968)

    Production Manager

    Midcredits score: 45th percentile of all films

  • A Lovely Way to Die(1968)

    Unit Production Manager

    Midcredits score: 17th percentile of all films

  • Carol for Another Christmas(1964)

    Production Manager

    Midcredits score: 63rd percentile of all films

  • Lilith(1964)

    Production Manager

    Midcredits score: 73rd percentile of all films

  • Something Wild(1961)

    Assistant Director · Production Supervisor

    Midcredits score: 68th percentile of all films

  • The Young Doctors(1961)

    Production Manager

    Midcredits score: 59th percentile of all films

  • The Connection(1961)

    Producer

    Midcredits score: 81st percentile of all films

  • Edge of the City(1957)

    Associate Producer

    Midcredits score: 86th percentile of all films

  • Patterns(1956)

    Unit Manager

    Midcredits score: 96th percentile of all films

  • Two Gals and a Guy (not in the MovieCove catalog yet)(1951)

    Assistant Director

  • Guilty Bystander(1950)

    Assistant Director

    Midcredits score: 42nd percentile of all films

  • Close-Up (not in the MovieCove catalog yet)(1948)

    Assistant Director

Career shape

A full career of 17 titles from 1948 to 1974.

Highest rated

Uptight (1968)

Midcredits 87th

Most popular right now

Edge of the City (1957)

By role

only this rolewith another role
Producing5 of 17: 5 only producing, 0 with another role · typical Midcredits score41stOther crew12 of 17: 12 only other crew, 0 with another role · typical Midcredits score55th

By decade

1940s1 · crew1950s4 · crew1960s7 · crew1970s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jim Di Gangi's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 16; across their 6 films with reception data, the typical film sits in the 66th percentile for acclaim.

Acclaim · how much people like their films

66thpercentile
Typical film, the median of 6

Approval · how many liked their films

54thpercentile
Typical film, the median of 6

Reach · how many have seen their films

64thpercentile
Typical film, the median of 6

Midcredits score across 16 titles, by percentile

  • 75th and up4
  • 50th to 74th5
  • 25th to 49th4
  • Below 25th3

Shape of the crowd

8 of their 16 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser8
  • Broadly Agreed3
  • Mixed4

Most divisive · producer

The Steagle (1971)

51st percentile spread · 33% rated it 4 or lower

Most loved · producer

Uptight (1968)

Midcredits 87th · 73% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jim Di Gangi work with?

People who share at least 2 of Jim Di Gangi's MovieCove titles; Roscoe Lee Browne shares the most, 2.