Massimo Di Rocco

What are Massimo Di Rocco's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Massimo Di Rocco's films?

As of October 24, 2026, 4 of their 14 MovieCove titles stream on a subscription or free service.

• Prime Video2 titles, browse their movies on this service
  • The Legend of the Christmas Witch (2018) · producer
  • They Talk to Me (2021) · producer
• Tubi2 titles, browse their movies on this service
  • The Legend of the Christmas Witch (2018) · producer · free
  • They Talk to Me (2021) · producer · free
• Netflix1 title, browse their movies on this service
  • Four to Dinner (2022) · producer
• The Roku Channel1 title, browse their movies on this service
  • The Legend of the Christmas Witch (2018) · producer · free

Subscription and free streaming for Massimo Di Rocco's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

• 

  Three Goodbyes(2025)

  Producer

  Midcredits score: 88th percentile of all films88^th
• 

  L'ultima volta che siamo stati bambini(2023)

  Producer

  Midcredits score: 75th percentile of all films75^th
• 

  Shoshana(2023)

  Producer

  Midcredits score: 56th percentile of all films56^th
• 

  Four to Dinner(2022)

  Producer

  Midcredits score: 56th percentile of all films56^th
• 

  Jailbird(2022)

  Producer

  Midcredits score: 22nd percentile of all films22^nd
• 

  Lei mi parla ancora(2021)

  Producer

  Midcredits score: 52nd percentile of all films52^nd
• 

  They Talk to Me(2021)

  Producer

  Midcredits score: 3rd percentile of all films3^rd
• 

  The Most Beautiful Day in the World(2019)

  Producer

  Midcredits score: 15th percentile of all films15^th
• 

  Io sono Tempesta(2018)

  Producer

  Midcredits score: 31st percentile of all films31^st
• 

  The Legend of the Christmas Witch(2018)

  Producer

  Midcredits score: 12th percentile of all films12^th
• 

  Non c'è più religione(2016)

  Producer

  Midcredits score: 11th percentile of all films11^th
• 

  Something New(2016)

  Producer

  Midcredits score: 28th percentile of all films28^th
• 

  Welcome to the North(2012)

  Producer

  Midcredits score: 20th percentile of all films20^th
• 

  Light of My Eyes(2001)

  Producer

  Midcredits score: 76th percentile of all films76^th

Career shape

Across their 14 MovieCove titles from 2001 to 2025.

Biggest box office

Welcome to the North (2012)

$35M worldwide

Highest rated

Three Goodbyes (2025)

Midcredits 88^th

How do Massimo Di Rocco's films land?

Their typical MovieCove film has a Midcredits score in the 30^th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 41^st percentile for acclaim.

Shape of the crowd

5 of their 14 titles are Broadly Agreed.

454

• Universally Panned1
• Crowd Pleaser4
• Broadly Agreed5
• Mixed4

Most divisive · producer

They Talk to Me (2021)

51^st percentile spread · 69% rated it 4 or lower

Most loved · producer

Three Goodbyes (2025)

Midcredits 88^th · 75% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Massimo Di Rocco work with?

People who share at least 2 of Massimo Di Rocco's MovieCove titles, grouped by what they did on them; Luigi Napoleone shares the most, 10.