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Felice Di Stefano

Composer

Works as
Composer
Titles
4 on MovieCove · 18 credits in all
TMDB popularity, last 39 days to Oct 28Down 28% in 30 days

What are Felice Di Stefano's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 1 · Stylized 1 · Heightened 2

Gentle 0 · Charged 2 · Intense 2

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

A split, not a type: Slow burn 3 · Even-paced 1 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Thrilling
3
Melancholic
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Felice Di Stefano's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Felice Di Stefano's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 4 with a MovieCove page.

  • Erotic Games of a Respectable Family (not in the MovieCove catalog yet)(1975)

    Composer

  • Forbidden Dreams (not in the MovieCove catalog yet)(1973)

    Composer

  • Love and Death on the Edge of a Razor (not in the MovieCove catalog yet)(1973)

    Composer

  • I pugni di Rocco (not in the MovieCove catalog yet)(1972)

    Composer

  • Brother Outlaw(1971)

    Composer

    Midcredits score: 2nd percentile of all films
  • The Return of Ringo (not in the MovieCove catalog yet)(1970)

    Composer

  • Midcredits score: 11th percentile of all films
  • May God Forgive You... But I Won't (not in the MovieCove catalog yet)(1968)

    Composer

  • Midcredits score: 8th percentile of all films
  • Cjamango (not in the MovieCove catalog yet)(1967)

    Composer

  • Crossfire in Caracas (not in the MovieCove catalog yet)(1967)

    Composer

  • Ramon the Mexican (not in the MovieCove catalog yet)(1966)

    Composer

  • Go with God, Gringo(1966)

    Composer

    Midcredits score: 24th percentile of all films (provisional, few ratings)
  • Crazy World... Crazy People! (not in the MovieCove catalog yet)(1966)

    Composer

  • Why Go On Killing? (not in the MovieCove catalog yet)(1965)

    Composer

  • The Sheriff Won't Shoot (not in the MovieCove catalog yet)(1965)

    Composer

  • A Stranger in Sacramento (not in the MovieCove catalog yet)(1965)

    Composer

  • The Seven Vipers (The Latin Husband) (not in the MovieCove catalog yet)(1964)

    Composer

Career shape

A full career of 18 titles from 1964 to 1975.

By role

only this rolewith another role
Music18 of 18: 18 only music, 0 with another role

By decade

1960s12 · crew1970s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Felice Di Stefano's films land?

Their typical MovieCove film has a Midcredits score in the 10th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 17th percentile for acclaim.

Acclaim · how much people like their films

17thpercentile
Typical film, the median of 4

Approval · how many liked their films

5thpercentile
Typical film, the median of 4

Reach · how many have seen their films

12thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • Below 25th4

Shape of the crowd

None of their 4 titles divides audiences: 2 are Mixed.

  • Universally Panned1
  • Broadly Agreed1
  • Mixed2

Reviewers score the sound and music 67/100 in their films, across 3 reviewed titles; fans 77, detractors 48. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Felice Di Stefano work with?

People who share at least 2 of Felice Di Stefano's MovieCove titles, grouped by what they did on them; Enzo Alabiso shares the most, 4.

Directors

Writers

Actors

Cinematographers and editors