David Diamond
Producer · Died November 9, 1979, aged 79 · New York City, New York, USA
- February 2, 1900
- November 9, 1979 (aged 79)
- New York City, New York, USA
- Producer
- 8 on MovieCove · 14 credits in all
What are David Diamond's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 0 · Serious 3 · Dark 5
A split, not a type: Grounded 5 · Stylized 2 · Heightened 1
Gentle 1 · Charged 4 · Intense 3
Steady 2 · Shifting 6 · Whiplash 0
Straight-faced 8 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 7 · Relentless 0
A split, not a type: Casual 4 · Engaged 3 · Full focus 1
A split, not a type: Easy watch 3 · Affecting 2 · Heavy 3
Resolved 8 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet6
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch David Diamond's films?
As of October 24, 2026, 2 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for David Diamond's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 8 with a MovieCove page.
The Strangler (not in the MovieCove catalog yet)(1964)
Midcredits score: 25th percentile of all films
Operation Eichmann(1961)
Midcredits score: 47th percentile of all films
The Giant Behemoth(1959)
Midcredits score: 27th percentile of all films
Revolt in the Big House (not in the MovieCove catalog yet)(1958)
Screaming Eagles(1956)
Midcredits score: 29th percentile of all films
The Phenix City Story(1955)
Midcredits score: 83rd percentile of all films
A Bullet for Joey(1955)
Midcredits score: 36th percentile of all films
I Was an American Spy(1951)
Midcredits score: 56th percentile of all films
China's Little Devils (not in the MovieCove catalog yet)(1945)
Swing It, Sailor! (not in the MovieCove catalog yet)(1938)
The Adventurous Blonde (not in the MovieCove catalog yet)(1937)
She Gets Her Man (not in the MovieCove catalog yet)(1935)
The Raven(1935)
Midcredits score: 70th percentile of all films
Career shape
A full career of 13 titles from 1935 to 1964.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do David Diamond's films land?
Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 45th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th5
Shape of the crowd
None of their 8 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed3
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does David Diamond work with?
People who share at least 2 of David Diamond's MovieCove titles, grouped by what they did on them; Samuel Bischoff shares the most, 5.
Writers
- Daniel MainwaringShared titles: A Bullet for Joey (1955), The Phenix City Story (1955)See all 2 shared titles with Daniel Mainwaring
Actors
- Gene EvansShared titles: The Giant Behemoth (1959), I Was an American Spy (1951)See all 2 shared titles with Gene Evans
Composers, cinematographers and editors
- Harry NeumannShared titles: Screaming Eagles (1956), A Bullet for Joey (1955), The Phenix City Story (1955), I Was an American Spy (1951)See all 4 shared titles with Harry Neumann
- Harry SukmanShared titles: Screaming Eagles (1956), A Bullet for Joey (1955), The Phenix City Story (1955)See all 3 shared titles with Harry Sukman
- George WhiteShared titles: King of the Roaring 20's: The Story of Arnold Rothstein (1961), The Phenix City Story (1955)See all 2 shared titles with George White
Producers
- Samuel BischoffShared titles: King of the Roaring 20's: The Story of Arnold Rothstein (1961), Operation Eichmann (1961), Screaming Eagles (1956), A Bullet for Joey (1955), The Phenix City Story (1955)See all 5 shared titles with Samuel Bischoff