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Lorenzo di Bonaventura

Lorenzo di Bonaventura

Producer, also actor · Born January 13, 1957 (69) · New York City, New York, USA

Lorenzo di Bonaventura (Italian pronunciation: [loˈrɛntso di ˌbɔnavenˈtuːra]; born January 13, 1957) is an American film producer and the founder and owner of Di Bonaventura Pictures. He is best known for producing the G.I. Joe and Transformers film series. The films he produced have earned over $7 billion at the box office. Description above from the Wikipedia article Lorenzo di Bonaventura, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
January 13, 1957 (69)
From
New York City, New York, USA
Works as
Producer, also actor
Titles
54 on MovieCove · 73 credits in all

What are Lorenzo di Bonaventura's films like?

Across their 48 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 48 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 14 · Serious 14 · Dark 20

Grounded 17 · Stylized 18 · Heightened 13

Gentle 4 · Charged 7 · Intense 37

Steady 11 · Shifting 30 · Whiplash 7

Straight-faced 26 · Some laughs 19 · Funny 3

Slow burn 4 · Even-paced 23 · Relentless 21

Casual 8 · Engaged 34 · Full focus 6

A split, not a type: Easy watch 20 · Affecting 17 · Heavy 11

Resolved 38 · Open-ended 9 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
40
Thrilling
31
Dread
16
Melancholic
12
Hopeful
10
Other
29

How their films end · 15 with a twist

  • Happy17
  • Bittersweet20
  • Tragic3
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lorenzo di Bonaventura's films?

As of October 24, 2026, 49 of their 54 MovieCove titles stream on a subscription or free service, most on Paramount+ (18).

Subscription and free streaming for Lorenzo di Bonaventura's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

73 credits, 54 with a MovieCove page; 9 appearances as themselves are hidden until asked for.

  • Transformers One(2024)

    Producer

    Midcredits score: 97th percentile of all films
  • Beverly Hills Cop: Axel F(2024)

    Executive Producer

    Midcredits score: 60th percentile of all films
  • Madame Web(2024)

    Producer

    Midcredits score: 3rd percentile of all films
  • The New Look(2024)

    Show 10 episodes · Executive Producer

    Midcredits score: 73rd percentile of all shows
  • Midcredits score: 6th percentile of all films
  • Meg 2: The Trench(2023)

    Producer

    Midcredits score: 13th percentile of all films
  • Midcredits score: 44th percentile of all films
  • Plane(2023)

    Producer

    Midcredits score: 62nd percentile of all films
  • Infinite(2021)

    Producer

    Midcredits score: 23rd percentile of all films
  • Snake Eyes(2021)

    Producer

    Midcredits score: 27th percentile of all films
  • Jupiter's Legacy(2021)

    Show 8 episodes · Executive Producer

    Midcredits score: 36th percentile of all shows
  • The Secrets We Keep(2020)

    Producer

    Midcredits score: 35th percentile of all films
  • Doom: Annihilation(2019)

    Executive Producer

    Midcredits score: 3rd percentile of all films
  • El Chicano(2018)

    Producer

    Midcredits score: 32nd percentile of all films
  • Pet Sematary(2019)

    Producer

    Midcredits score: 24th percentile of all films
  • Bumblebee(2018)

    Producer

    Midcredits score: 72nd percentile of all films
  • Replicas(2018)

    Producer

    Midcredits score: 19th percentile of all films
  • Puppet Master: The Littlest Reich(2018)

    Executive Producer

    Midcredits score: 25th percentile of all films
  • The Meg(2018)

    Producer

    Midcredits score: 29th percentile of all films
  • Higher Power(2018)

    Producer

    Midcredits score: 30th percentile of all films
  • Maze Runner: The Death Cure(2018)

    Executive Producer

    Midcredits score: 61st percentile of all films
  • Only the Brave(2017)

    Producer

    Midcredits score: 97th percentile of all films
  • Kidnap(2017)

    Producer

    Midcredits score: 40th percentile of all films
  • American Assassin(2017)

    Producer

    Midcredits score: 50th percentile of all films
  • Midcredits score: 19th percentile of all films
  • Unlocked(2017)

    Producer

    Midcredits score: 49th percentile of all films
  • Shooter(2016)

    Show 31 episodes · Executive Producer

    Midcredits score: 74th percentile of all shows
  • Deepwater Horizon(2016)

    Producer

    Midcredits score: 86th percentile of all films
  • The Real O'Neals(2016)

    Show 29 episodes · Executive Producer

    Midcredits score: 61st percentile of all shows
  • Dead Rising: Watchtower(2015)

    Executive Producer

    Midcredits score: 17th percentile of all films
  • Midcredits score: 29th percentile of all films
  • Electric Slide(2014)

    Executive Producer

    Midcredits score: 12th percentile of all films
  • Midcredits score: 46th percentile of all films
  • RED 2(2013)

    Producer

    Midcredits score: 62nd percentile of all films
  • G.I. Joe: Retaliation(2013)

    Producer

    Midcredits score: 28th percentile of all films
  • Zero Hour(2013)

    Show 13 episodes · Executive Producer

    Midcredits score: 26th percentile of all shows
  • Side Effects(2013)

    Producer

    Midcredits score: 82nd percentile of all films
  • The Last Stand(2013)

    Producer

    Midcredits score: 51st percentile of all films
  • Man on a Ledge(2012)

    Producer

    Midcredits score: 60th percentile of all films
  • The Devil Inside(2012)

    Executive Producer

    Midcredits score: 4th percentile of all films
  • Midcredits score: 51st percentile of all films
  • RED(2010)

    Producer

    Midcredits score: 78th percentile of all films
  • Salt(2010)

    Producer

    Midcredits score: 60th percentile of all films
  • Midcredits score: 29th percentile of all films
  • Imagine That(2009)

    Producer

    Midcredits score: 30th percentile of all films
  • Midcredits score: 42nd percentile of all films
  • Stardust(2007)

    Producer

    Midcredits score: 94th percentile of all films
  • Transformers(2007)

    Producer

    Midcredits score: 81st percentile of all films
  • 1408(2007)

    Producer

    Midcredits score: 73rd percentile of all films
  • Shooter(2007)

    Producer

    Midcredits score: 83rd percentile of all films
  • Derailed(2005)

    Producer

    Midcredits score: 59th percentile of all films
  • Doom(2005)

    Producer

    Midcredits score: 15th percentile of all films
  • Four Brothers(2005)

    Producer

    Midcredits score: 73rd percentile of all films
  • Constantine(2005)

    Producer

    Midcredits score: 82nd percentile of all films
  • 2084 (not in the MovieCove catalog yet)

    Producer

  • Divine Rivals (not in the MovieCove catalog yet)

    Producer

  • El Paso, Elsewhere (not in the MovieCove catalog yet)

    Producer

  • El-Alamein (not in the MovieCove catalog yet)

    Producer

  • London Ghost Tour (not in the MovieCove catalog yet)

    Producer

  • Love in Vain (not in the MovieCove catalog yet)

    Producer

  • Silencer (not in the MovieCove catalog yet)

    Producer

  • Sleep Train (not in the MovieCove catalog yet)

    Producer

  • Speak (not in the MovieCove catalog yet)

    Producer

  • Speedhunters (not in the MovieCove catalog yet)

    Producer

  • Storming Las Vegas (not in the MovieCove catalog yet)

    Producer

  • Stripped (not in the MovieCove catalog yet)

    Producer

  • Subversion (not in the MovieCove catalog yet)

    Producer

  • The Gatekeeper (not in the MovieCove catalog yet)

    Producer

  • The Saint (not in the MovieCove catalog yet)

    Producer

  • Untitled Cyberpunk 2077 Film (not in the MovieCove catalog yet)

    Producer

  • Untitled Danny McBride G.I. Joe Film (not in the MovieCove catalog yet)

    Producer

  • Untitled Houdini Project (not in the MovieCove catalog yet)

    Producer

  • Untitled Transformers Film (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 73 titles, 54 of them dated from 2005 to 2024.

By role

only this rolewith another role
Producing73 of 73: 73 only producing, 0 with another role · typical Midcredits score45th

By decade

2000s11 · crew2010s31 · crew2020s12 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Lorenzo di Bonaventura's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 49; across their 48 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 48

Approval · how many liked their films

45thpercentile
Typical film, the median of 48

Reach · how many have seen their films

96thpercentile
Typical film, the median of 48

Midcredits score across 54 titles, by percentile

  • 75th and up9
  • 50th to 74th16
  • 25th to 49th17
  • Below 25th12

Shape of the crowd

23 of their 54 titles are Mixed.

  • Universally Loved3
  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser22
  • Broadly Agreed4
  • Mixed23

Reviewers score the acting 58/100 in their films, across 45 reviewed titles; fans 70, detractors 37. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Lorenzo di Bonaventura's work okay for kids?

Across up to 42 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore40 titles51–89 · median 67 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity42 titles11–47 · median 25 · mildnear the median of all filmsMedian of all films: 32
Profanity41 titles37–80 · median 58 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs39 titles6–44 · median 29 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense39 titles44–79 · median 63 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Lorenzo di Bonaventura work with?

People who share at least 2 of Lorenzo di Bonaventura's MovieCove titles, grouped by what they did on them; Mark Vahradian shares the most, 11.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

  • Mark Vahradian11 titles
    See all 11 shared titles with Mark Vahradian
  • Erik Howsam10 titles
    See all 10 shared titles with Erik Howsam
  • Don Murphy8 titles
    See all 8 shared titles with Don Murphy
  • Tom DeSanto8 titles
    See all 8 shared titles with Tom DeSanto