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Ged Dickersin

Ged Dickersin

Producer

Ged Dickersin has been working on feature films in New York for over 35 years. Starting as a PA on Eight Men Out, he continued to work as a location scout, location manager, production supervisor, production manager, line producer, producer, and executive producer on over 65 feature film productions, including The 24 Hour Woman, It Had To Be You, Double Whammy, Prison Song, Ghost Dog, People I Know, Stateside, Anything Else, Melinda Melinda, Everyday People and Get Rich or Die Tryin. He has had the opportunity to work with some of the great independent New York directors including Jim Jarmusch, John Sayles, Nancy Savoca, Jim McKay, Tom DiCillo, Woody Allen, Mike Nichols, Jim Sheridan, Abel Ferrara, Barry Levinson, and Rebecca Miller. Ged has also worked on several of the New York television shows including New York Undercover, The Job, Law & Order SVU, Third Watch, and Chapelle's Show. He was the line producer on Samsung's award-winning Digital Experience commercial, and has production managed several other commercials. Trained at NYU's Graduate Film School, Dickersin produced and directed 5 short films, including Live Bait, which was a Paramount Pictures Grant winner in 1991. Since graduating with an MFA from NYU, Dickersin has produced 4 feature films including, A Reason to Believe (1995), starring Alison Smith, The Energy Specialist (2000), starring Joshua Dov, Amy Acker, Timm Sharp, and Travis Guba, The Quality of Light (2002), starring Blythe Danner and Frederic Forrest, and Nightmare (2005), starring Jason Scott Campbell and Nicole Roderick. Nightmare was awarded "Best Picture", "Best Director" and "Best Actress" at the Chicago Horror Film Festival (2005) as well as "Best Actress"and "Best Actor" at the New York Horror Film Festival (2005). In 2005 Ged was the line producer on three features including the HDNet Film, The Architect (2006), starring Anthony Lapaglia, Viola Davis, Sebastian Stan, Hayden Panettiere, and Isabella Rossellini, The Shoemaker (2006), starring Bob Dishy and Laila Robins, and finally Ira and Abby (2006), starring Jennifer Westfeldt, Chris Messina, Judith Light, Robert Klein, Frances Conroy, Fred Willard and Jason Alexander. In 2006, Ged was the line producer on Iridium Entertainment's "The Education of Charlie Banks", starring Jesse Eisenberg, Jason Ritter, Eva Amuri, and Chris Marquette. Charlie Banks won the Made in NY Award at the Tribeca Film Festival in 2007, and was subsequently released by Anchor Bay. In 2007 Ged was the co-producer on Amy Redford's The Guitar (2007) starring Saffron Burrows, Isaach DeBankole, and Paz de la Huerta. The Guitar premiered at the Sundance Film Festival, 2008, and opened at the Sunshine Theater in New York in 2008. In the summer of 2007, Ged Co-Produced Richard Ledes' "The Caller", starring Frank Langella and Elliott Gould. The Caller won the Made in NY award at The Tribeca Film Festival in 2008, and was released later that year. In the Spring of 2008, Ged was the production supervisor on Fox Searchlight's Notorious, starring Jamal Woolard and Angela Bassett. The bio-pic, depicting the life of rapper Biggie Smalls, was critically acclaimed and widely released in the US and around the world. In the summer of 2008, Ged line produced Raymond DeFelitta's City Island, starring Andy Garcia, Julianna Marguiles, and Steven Strait. City Island was the winner of the Audience Award at the Tribeca Film Festival in 2009 and went on to be the top grossing theatrical release in Anchor Bay's history at the box office. Ged joined the Directors Guild of America in 2008, as a Unit Production Manager. In 2009, Ged line produced Maurice Linnane's Irish comedy A Kiss For Jed Wood, starring Jayne Wisener, Mark O'Halloran and Lee Arenberg. The film was a co-production, in part financed by the Ireland Film Board. Later that year Ged produced Victoria Mahoney's feature Yelling to the Sky, starring Zoe Kravitz, Jason Clarke, and Gabourey Sadibe. Yelling to the Sky is premiering in competition at The Berlin Film Festival 2011. In 2010, Ged Produced the film Foreclosure, written and directed by Richard Ledes, who he had previously worked with on The Caller. Foreclosure stars Michael Imperioli, Wendell Pierce and Spencer List. He also Co-Produced The Boarding House, starring Nick Stahl and directed by Bruce Van Dusen. In 2011, Ged partnered up with Richard Ledes for their third feature, and produced Fred Won't Move Out, starring Elliott Gould and Fred Melamed. Fred premiered at the Edinburgh Film Festival in June, 2012. Also, in 2011 Ged produced Brad Coley's East of Acadia, starring Rachel Miner, William Sadler, and Chris Sarandon. In 2012, Ged worked on the theatrical release of Fred Won't Move Out, booking the film in over 20 theaters across the US and Canada for a 5 month run. In 2013, Ged line produced Abel Ferrara's Welcome to New York, starring Gerard Depardieu as the infamous Dominique Strauss Kahn. He also co-produced Kelly and Cal, starring Juliette Lewis and Jonny Weston. Ged was executive producer on Barry Levinson's film The Humbling, starring Al Pacino, Greta Gerwig, and Diane Wiest. Since 2015 Ged has continued to line produce 2-3 indy features per year, including award-winning films like Tallulah, and O.G. and I Think We're Alone Now, and The Kindergarten Teacher, and SKIN. In 2019, Ged was the co-producer on CODA, Sian Heder's feature, which swept Sundance in 2021, winning the US Grand Jury Award, Audience Award, Directing Award, and Special Jury Award for Ensemble Cast, selling for a record-breaking $25m. CODA went on to win three Academy Awards in 2022 for Best Picture, Best Supporting Actor, and Best Screenplay adaptation. In 2020, Ged Co-produced TRUST, written and directed by Brian DeCubellis, and in 2021 Co-produced NANNY, which won the Grand Jury prize at Sundance in 2022. In 2022, Ged also co-produced She Came to Me, written & directed by Rebecca Miller, starring Peter Dinklage, Marisa Tomei, Anne Hathaway, Harlow Jane, Joanna Kulig, Evan Elison, and Brian D'Arcy James. Ged has an extensive history of budgeting and scheduling feature films for the past 20 years, and has successfully applied for the NYC and NY State Tax Rebate over 25 times. Ged has a comprehensive and up-to-date knowledge of the distinguishing advantages of tax incentives for film production in the 50 States of America. He has served as an accounting auditor on films that have run into problems in accounting. Ged has lectured on the topic of Film Production at over 40 Universities and Colleges across the United States, and encourages young filmmakers with an open-door policy for offering consultation and advise on how to break-in, navigate and succeed in the film business.

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Biography from IMDb.

Works as
Producer
Titles
35 on MovieCove · 40 credits in all
TMDB popularity, last 155 days to Oct 26Down 34% in 30 days

What are Ged Dickersin's films like?

Across their 30 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 30 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 7 · Serious 10 · Dark 13

Grounded 24 · Stylized 5 · Heightened 1

Gentle 9 · Charged 11 · Intense 10

Steady 12 · Shifting 17 · Whiplash 1

Straight-faced 20 · Some laughs 8 · Funny 2

Slow burn 22 · Even-paced 8 · Relentless 0

Casual 10 · Engaged 17 · Full focus 3

A split, not a type: Easy watch 6 · Affecting 9 · Heavy 15

A split, not a type: Resolved 15 · Open-ended 8 · Ambiguous 7

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
18
Melancholic
20
Contemplative
12
Warm
7
Dread
6
Other
19

How their films end · 3 with a twist

  • Happy2
  • Bittersweet13
  • Tragic1
  • Ambiguous14

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ged Dickersin's films?

As of October 24, 2026, 28 of their 35 MovieCove titles stream on a subscription or free service, most on Tubi (20).

Subscription and free streaming for Ged Dickersin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

40 credits, 35 with a MovieCove page.

  • One Stupid Thing (not in the MovieCove catalog yet)(2025)

    Co-Producer

  • Ikonophile Z(2024)

    Co-Producer

  • She Came to Me(2023)

    Co-Producer

    Midcredits score: 41st percentile of all films
  • Nanny(2022)

    Producer

    Midcredits score: 26th percentile of all films
  • CODA(2021)

    Co-Producer · Unit Production Manager

    Midcredits score: 99th percentile of all films
  • Trust(2021)

    Co-Producer

    Midcredits score: 25th percentile of all films
  • Human Capital(2019)

    Co-Producer

    Midcredits score: 41st percentile of all films
  • Skin(2018)

    Co-Producer

    Midcredits score: 73rd percentile of all films
  • Stuck(2017)

    Co-Producer

    Midcredits score: 50th percentile of all films
  • Midcredits score: 94th percentile of all films
  • The Wolf Hour(2019)

    Producer

    Midcredits score: 14th percentile of all films
  • I Think We're Alone Now(2018)

    Co-Producer · Unit Production Manager

    Midcredits score: 32nd percentile of all films
  • Breaking Brooklyn(2018)

    Producer

    Midcredits score: 45th percentile of all films
  • O.G.(2018)

    Producer

    Midcredits score: 51st percentile of all films
  • Submission(2017)

    Co-Producer

    Midcredits score: 32nd percentile of all films
  • Midcredits score: 74th percentile of all films
  • Tallulah(2016)

    Co-Producer

    Midcredits score: 72nd percentile of all films
  • Manhattan Night(2016)

    Producer

    Midcredits score: 42nd percentile of all films
  • The Energy Specialist (not in the MovieCove catalog yet)(2016)

    Director · Producer

  • Frank the Bastard (not in the MovieCove catalog yet)(2015)

    Producer

  • Survivor(2015)

    Line Producer

    Midcredits score: 23rd percentile of all films
  • The Humbling(2014)

    Executive Producer

    Midcredits score: 25th percentile of all films
  • Welcome to New York(2014)

    Line Producer · as Bail Hearing Judge

    Midcredits score: 34th percentile of all films
  • Kelly & Cal(2014)

    Co-Producer

    Midcredits score: 48th percentile of all films
  • Away from Here(2014)

    Producer

    Midcredits score: 36th percentile of all films
  • Home(2013)

    Producer

    Midcredits score: 82nd percentile of all films
  • Fred Won't Move Out(2012)

    Producer

    Midcredits score: 23rd percentile of all films (provisional, few ratings)
  • Yelling to the Sky(2011)

    Producer

    Midcredits score: 42nd percentile of all films
  • A Kiss for Jed(2011)

    Producer

    Midcredits score: 76th percentile of all films (provisional, few ratings)
  • City Island(2009)

    Producer · Unit Production Manager

    Midcredits score: 88th percentile of all films
  • Midcredits score: 55th percentile of all films
  • Ira & Abby(2006)

    Line Producer

    Midcredits score: 58th percentile of all films
  • The Architect(2006)

    Producer

    Midcredits score: 24th percentile of all films
  • Nightmare (not in the MovieCove catalog yet)(2005)

    Producer

  • Anything Else(2003)

    Location Scout

    Midcredits score: 48th percentile of all films
  • It Had to Be You(2000)

    Production Supervisor

    Midcredits score: 30th percentile of all films
  • Ghost Dog: The Way of the Samurai(1999)

    Location Manager

    Midcredits score: 93rd percentile of all films
  • Turbulence(1997)

    Location Scout

    Midcredits score: 16th percentile of all films
  • A Reason to Believe(1995)

    Producer

    Midcredits score: 32nd percentile of all films
  • God of Tides (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 29 titles, 28 of them dated from 1997 to 2025.

By role

only this rolewith another role
Acting1 of 29: 0 only acting, 1 with another roleDirecting1 of 29: 0 only directing, 1 with another roleProducing24 of 29: 20 only producing, 4 with another role · typical Midcredits score44thOther crew7 of 29: 5 only other crew, 2 with another role · typical Midcredits score48th

29 titles, 4 with more than one role — producing and other crew overlap on 2 of them.

By decade

1990s2 · crew2000s5 · crew2010s15 · 1 acting · 15 crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ged Dickersin's films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of the 34 of 35 with a score; across their 29 films with reception data, the typical film sits in the 41st percentile for acclaim.

Acclaim · how much people like their films

41stpercentile
Typical film, the median of 29

Approval · how many liked their films

45thpercentile
Typical film, the median of 29

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 29

Midcredits score across 34 titles, by percentile

  • 75th and up6
  • 50th to 74th7
  • 25th to 49th16
  • Below 25th5

Shape of the crowd

12 of their 35 titles are Mixed.

  • Universally Loved2
  • Divisive3
  • Cult Classic3
  • Crowd Pleaser10
  • Broadly Agreed5
  • Mixed12

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ged Dickersin's work okay for kids?

Across up to 16 MovieCove titles with content scores, sex & nudity and profanity run heavier than most films and frightening / intense lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles10–67 · median 39 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity16 titles40–61 · median 51 · moderateheavier than most filmsMedian of all films: 32
Profanity9 titles40–78 · median 56 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs7 titles24–63 · median 36 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense5 titles9–47 · median 25 · mildlighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Ged Dickersin work with?

People who share at least 2 of Ged Dickersin's MovieCove titles, grouped by what they did on them; Marcelo Zarvos shares the most, 4.

Directors

Actors

Composers, cinematographers and editors

Producers