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Yuin-Shan Ding

Producer and actor

Works as
Producer and actor
Titles
4 on MovieCove

What are Yuin-Shan Ding's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 0 · Dark 3

Grounded 0 · Stylized 3 · Heightened 1

Gentle 0 · Charged 2 · Intense 2

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 1 · Even-paced 2 · Relentless 1

Casual 0 · Engaged 3 · Full focus 1

A split, not a type: Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Melancholic
2
Thrilling
2
Contemplative
2
Joyful
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yuin-Shan Ding's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, on Tubi (2).

Subscription and free streaming for Yuin-Shan Ding's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Motorway(2012)

    Producer

    Midcredits score: 43rd percentile of all films
  • Accident(2009)

    Producer

    Midcredits score: 71st percentile of all films
  • Vengeance(2009)

    Producer

    Midcredits score: 70th percentile of all films
  • Midcredits score: 37th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 2001 to 2012.

By role

only this rolewith another role
Acting1 of 4: 1 only acting, 0 with another roleProducing3 of 4: 3 only producing, 0 with another role

By decade

2000s3 · 1 acting · 2 crew2010s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Yuin-Shan Ding's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 4

Approval · how many liked their films

48thpercentile
Typical film, the median of 4

Reach · how many have seen their films

76thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th2
  • 25th to 49th2

Shape of the crowd

None of their 4 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Broadly Agreed2

Reviewers score the acting 68/100 in their films, across 4 reviewed titles; fans 78, detractors 25. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Yuin-Shan Ding work with?

People who share at least 2 of Yuin-Shan Ding's MovieCove titles, grouped by what they did on them; Johnnie To shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers