Phillip W. Dingeldein
- Editor, cinematographer and producer
- 3 on MovieCove
What are Phillip W. Dingeldein's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 1
Light 2 · Serious 1 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
Steady 1 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 0
A split, not a type: Slow burn 1 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Phillip W. Dingeldein's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Phillip W. Dingeldein's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Mommy's Day(1997)
Midcredits score: 12th percentile of all films
Mommy(1995)
Midcredits score: 18th percentile of all films
Midcredits score: 51st percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1988 to 1997.
Highest rated
The Texas Chainsaw Massacre: A Family Portrait (1988)
Most popular right now
Mommy (1995)
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Phillip W. Dingeldein's films land?
Their typical MovieCove film has a Midcredits score in the 18th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 20th percentile for acclaim.
- 50th to 74th1
- Below 25th2
Shape of the crowd
3 of their 3 titles are Mixed.
- Mixed3
Reviewers score the pacing 42/100 in their films, across 3 reviewed titles; fans 57, detractors 30. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Phillip W. Dingeldein work with?
People who share at least 2 of Phillip W. Dingeldein's MovieCove titles, grouped by what they did on them; Max Allan Collins shares the most, 2.
Directors
- Max Allan CollinsShared titles: Mommy's Day (1997), Mommy (1995)See all 2 shared titles with Max Allan Collins
Actors
- Brinke StevensShared titles: Mommy's Day (1997), Mommy (1995)See all 2 shared titles with Brinke Stevens
- Michael CornelisonShared titles: Mommy's Day (1997), Mommy (1995)See all 2 shared titles with Michael Cornelison
- Mickey SpillaneShared titles: Mommy's Day (1997), Mommy (1995)See all 2 shared titles with Mickey Spillane
- Patty McCormackShared titles: Mommy's Day (1997), Mommy (1995)See all 2 shared titles with Patty McCormack
Composers
- Richard LowryShared titles: Mommy's Day (1997), Mommy (1995)See all 2 shared titles with Richard Lowry
