William Diver
- Editor and cinematographer
- 14 on MovieCove · 34 credits in all
What are William Diver's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 8
A split, not a type: Light 4 · Serious 2 · Dark 3
Grounded 3 · Stylized 3 · Heightened 3
Gentle 4 · Charged 5 · Intense 0
Steady 6 · Shifting 3 · Whiplash 0
Straight-faced 6 · Some laughs 2 · Funny 1
A split, not a type: Slow burn 4 · Even-paced 5 · Relentless 0
Casual 3 · Engaged 5 · Full focus 1
Easy watch 3 · Affecting 3 · Heavy 3
Resolved 3 · Open-ended 5 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet4
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William Diver's films?
As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (4).
- BritBox
Subscription and free streaming for William Diver's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
34 credits, 14 with a MovieCove page.

The Curse of Steptoe(2008)
Midcredits score: 86th percentile of all films
The Robber Bride (not in the MovieCove catalog yet)(2007)

Riot at the Rite(2005)
Midcredits score: 84th percentile of all films
Agatha Christie's Marple(2004)
Midcredits score: 89th percentile of all shows
Canterbury Tales (not in the MovieCove catalog yet)(2003)

This Little Life (not in the MovieCove catalog yet)(2003)

Miranda(2002)
Midcredits score: 26th percentile of all films
Vanity Fair (not in the MovieCove catalog yet)(1998)

The Stringer(1998)
Midcredits score: 42nd percentile of all films
TwentyFourSeven(1997)
Midcredits score: 83rd percentile of all films
Midcredits score: 80th percentile of all shows
Midcredits score: 88th percentile of all films
Evidentia (not in the MovieCove catalog yet)(1995)

Someone Else's America (not in the MovieCove catalog yet)(1995)

The Long Day Closes(1992)
Midcredits score: 88th percentile of all films
Caught Looking (not in the MovieCove catalog yet)(1991)

1871 (not in the MovieCove catalog yet)(1990)

Arcadia (not in the MovieCove catalog yet)(1990)

The Dressmaker (not in the MovieCove catalog yet)(1988)
Midcredits score: 90th percentile of all films
Making Waves (not in the MovieCove catalog yet)(1987)

Shanghai Surprise(1986)
Midcredits score: 2nd percentile of all films
The Terence Davies Trilogy (not in the MovieCove catalog yet)(1983)

Death and Transfiguration (not in the MovieCove catalog yet)(1983)

On Top (not in the MovieCove catalog yet)(1982)

Outlaw: The Saga of Gisli (not in the MovieCove catalog yet)(1981)

Loophole(1981)
Midcredits score: 44th percentile of all filmsThe Tom Machine (not in the MovieCove catalog yet)(1980)

Madonna and Child (not in the MovieCove catalog yet)(1980)

The Odd Job (not in the MovieCove catalog yet)(1978)

The Shout(1978)
Midcredits score: 65th percentile of all films
Children(1976)
Midcredits score: 80th percentile of all films
Winstanley (not in the MovieCove catalog yet)(1975)

Enverounen (not in the MovieCove catalog yet)(1973)
Career shape
A full career of 32 titles from 1973 to 2007.

Biggest box office
Distant Voices, Still Lives (1988)

Highest rated
Distant Voices, Still Lives (1988)

Most popular right now
The Stringer (1998)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do William Diver's films land?
Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 12; across their 9 films with reception data, the typical film sits in the 78th percentile for acclaim.
- 75th and up9
- 50th to 74th1
- 25th to 49th3
- Below 25th1
Shape of the crowd
10 of their 14 titles are Crowd Pleasers.
- Crowd Pleaser10
- Broadly Agreed1
- Mixed3
Reviewers score the pacing 48/100 in their films, across 7 reviewed titles; fans 58, detractors 32. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does William Diver work with?
People who share at least 2 of William Diver's MovieCove titles, grouped by what they did on them; Terence Davies shares the most, 3.
Directors
- Terence DaviesShared titles: The Long Day Closes (1992), Distant Voices, Still Lives (1988), Children (1976)See all 3 shared titles with Terence Davies

Producers
- Colin MacCabeShared titles: The Typewriter, the Rifle & the Movie Camera (1996), The Long Day Closes (1992), Distant Voices, Still Lives (1988)See all 3 shared titles with Colin MacCabe

- David M. ThompsonShared titles: The Stringer (1998), TwentyFourSeven (1997)See all 2 shared titles with David M. Thompson

- George FaberShared titles: The Stringer (1998), TwentyFourSeven (1997)See all 2 shared titles with George Faber



