Ralph Dixon
- Editor
- 15 on MovieCove · 41 credits in all
What are Ralph Dixon's films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 14
Light 10 · Serious 4 · Dark 1
Grounded 8 · Stylized 6 · Heightened 1
A split, not a type: Gentle 10 · Charged 5 · Intense 0
Steady 11 · Shifting 4 · Whiplash 0
A split, not a type: Straight-faced 6 · Some laughs 3 · Funny 6
Slow burn 4 · Even-paced 11 · Relentless 0
Casual 11 · Engaged 4 · Full focus 0
Easy watch 11 · Affecting 4 · Heavy 0
Resolved 14 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy9
- Bittersweet4
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ralph Dixon's films?
As of October 24, 2026, 12 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (8).
- Shadows Over Chinatown (1946) · editor · free
- A Girl in Every Port (1928) · editor · free
- San Fernando Valley (1944) · editor · free
- Lights of Old Santa Fe (1944) · editor · free
- Hearts in Bondage (1936) · editor · free
- Daniel Boone (1936) · editor · free
- The Devil on Horseback (1936) · editor · free
- Hillbilly Blitzkrieg (1942) · editor · free
Subscription and free streaming for Ralph Dixon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
41 credits, 15 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Midcredits score: 26th percentile of all films
Fighting Mustang(1948)
Midcredits score: 78th percentile of all films (provisional, few ratings)
Song of the Sierras (not in the MovieCove catalog yet)(1946)
Sheriff of Redwood Valley (not in the MovieCove catalog yet)(1946)
Shadows Over Chinatown(1946)
Midcredits score: 68th percentile of all films
The Fatal Witness(1945)
Midcredits score: 35th percentile of all films
Trail of Kit Carson (not in the MovieCove catalog yet)(1945)
San Fernando Valley(1944)
Midcredits score: 52nd percentile of all films
Sing, Neighbor, Sing (not in the MovieCove catalog yet)(1944)
Goodnight, Sweetheart (not in the MovieCove catalog yet)(1944)
My Best Gal (not in the MovieCove catalog yet)(1944)
Lights of Old Santa Fe(1944)
Midcredits score: 39th percentile of all films
Rosie the Riveter(1944)
Midcredits score: 51st percentile of all films
Whispering Footsteps (not in the MovieCove catalog yet)(1943)
Hoosier Holiday (not in the MovieCove catalog yet)(1943)
Midcredits score: 17th percentile of all films
Hillbilly Blitzkrieg(1942)
Midcredits score: 4th percentile of all films
Hello, Sucker (not in the MovieCove catalog yet)(1941)
I Married Adventure (not in the MovieCove catalog yet)(1940)
The Great Commandment (not in the MovieCove catalog yet)(1939)
The Devil on Horseback(1936)
Midcredits score: 6th percentile of all films (provisional, few ratings)
Daniel Boone(1936)
Midcredits score: 28th percentile of all films
Hearts in Bondage(1936)
Midcredits score: 31st percentile of all filmsThe Stoker (not in the MovieCove catalog yet)(1935)
Infernal Machine(1933)
Midcredits score: 53rd percentile of all films (provisional, few ratings)
6 Hours to Live (not in the MovieCove catalog yet)(1932)
She Wanted a Millionaire (not in the MovieCove catalog yet)(1932)
Words and Music (not in the MovieCove catalog yet)(1929)
Homesick (not in the MovieCove catalog yet)(1928)
The Air Circus (not in the MovieCove catalog yet)(1928)
Fazil (not in the MovieCove catalog yet)(1928)
A Girl in Every Port(1928)
Midcredits score: 65th percentile of all films
The People vs. Nancy Preston (not in the MovieCove catalog yet)(1925)
Soul of the Beast (not in the MovieCove catalog yet)(1923)
A Thousand to One (not in the MovieCove catalog yet)(1920)
The Brute Master (not in the MovieCove catalog yet)(1920)
Sex(1920)
Midcredits score: 49th percentile of all films
His Wife's Friend (not in the MovieCove catalog yet)(1919)
Stepping Out (not in the MovieCove catalog yet)(1919)
Hay Foot, Straw Foot (not in the MovieCove catalog yet)(1919)
The Lady of Red Butte (not in the MovieCove catalog yet)(1919)
Career shape
A full career of 33 titles from 1919 to 1948.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ralph Dixon's films land?
Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 15; across their 15 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 75th and up1
- 50th to 74th5
- 25th to 49th6
- Below 25th3
Shape of the crowd
6 of their 15 titles are Mixed.
- Cult Classic4
- Crowd Pleaser3
- Broadly Agreed2
- Mixed6
Reviewers score the pacing 51/100 in their films, across 13 reviewed titles; fans 61, detractors 35. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ralph Dixon work with?
People who share at least 2 of Ralph Dixon's MovieCove titles, grouped by what they did on them; Hugo Riesenfeld shares the most, 3.
Directors
- Oliver DrakeShared titles: Fighting Mustang (1948), Sunset Carson Rides Again (1948)See all 2 shared titles with Oliver Drake
Actors
- Al TerryShared titles: Fighting Mustang (1948), Sunset Carson Rides Again (1948)See all 2 shared titles with Al Terry
- Bob CurtisShared titles: Fighting Mustang (1948), Sunset Carson Rides Again (1948)See all 2 shared titles with Bob Curtis
- Joe HiserShared titles: Fighting Mustang (1948), Sunset Carson Rides Again (1948)See all 2 shared titles with Joe Hiser
- Pat StarlingShared titles: Fighting Mustang (1948), Sunset Carson Rides Again (1948)See all 2 shared titles with Pat Starling
Composers, cinematographers and editors
- Hugo RiesenfeldShared titles: Daniel Boone (1936), Hearts in Bondage (1936), The Devil on Horseback (1936)See all 3 shared titles with Hugo Riesenfeld
- Joseph H. LewisShared titles: The Mad Doctor of Market Street (1942), Hearts in Bondage (1936), The Devil on Horseback (1936)See all 3 shared titles with Joseph H. Lewis
- Clark RamseyShared titles: Fighting Mustang (1948), Sunset Carson Rides Again (1948)See all 2 shared titles with Clark Ramsey
- Joseph DubinShared titles: Lights of Old Santa Fe (1944), Rosie the Riveter (1944)See all 2 shared titles with Joseph Dubin
Producers
- Walt MaddoxShared titles: Fighting Mustang (1948), Sunset Carson Rides Again (1948)See all 2 shared titles with Walt Maddox
- Armand SchaeferShared titles: The Fatal Witness (1945), Rosie the Riveter (1944)See all 2 shared titles with Armand Schaefer
- George A. HirlimanShared titles: Daniel Boone (1936), The Devil on Horseback (1936)See all 2 shared titles with George A. Hirliman